Monthly Archives: September 2015

charts

Texas Music From Oklahoma: A Look at the Texas Music Chart (September 14th)

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Texas Music Chart

1. Cody Canada and the Departed–“Easy” (up 1)
2. Cory Morrow–“Old With You” (up 2)
3. Pat Green–“While I Was Away” (down 2)
4. Turnpike Troubadours–“Down Here” (up 1)
5. Matt Kimbrow–“Livin’ the Good Life” (down 2)
6. Reckless Kelly–“Real Cool Hand”
7. Curtis Grimes–“Smile That Smile” (up 3)
8. Bart Crow–“Life Comes at You Fast” (up 4)
9. Whiskey Myers–“Shelter From the Rain”
10. Kyle Park–“What Goes Around Comes Around” (up 1)
11. Wade Bowen–“Sun Shines on a Dreamer” (down 3)
12. Kevin Fowler & Deryl Dodd–“Damn This Ol’ Honky Tonk Dream” (up 1)
13. Granger Smith–“Back Road Song” (down 6)
14. Miles Williams–“Teasin’ Me” (up 2)
15. JB and the Moonshine Band–“Shotgun, Rifle, and a .45” (up 2)
16. Casey Donahew Band–“Loser” (up 7)
17. The Statesboro Revue–“Undone” (up 1)
18. Mike Ryan–“Girls I Date” (up 1)
19. Randy Rogers & Wade Bowen–“Lady Bug” (up 5)
20. Stoney LaRue–“Easy She Comes” (up 1)
21. Josh Grider–“You Dream I’ll Drive” (down 1)
22. Rich O’Toole–“Talk About the Weather” (down 7)
23. Uncle Lucius–“Don’t Own the Right” (down 1)
24. TJ Broscoff–“Phone Calls” (up 2)
25. Aaron Einhouse–“I Could Fall” (up 2)
26. Saints Eleven–“I Don’t” (up 3)
27. Zane Williams–“She Is” (up 9) [biggest gainer]
28. Mario Flores–“Beer Time” (up 3)
29. Chance Anderson Band–“245 Miles” (up 6)
30. Jason James–“I’ve Been Drinkin’ More” (up 2)
31. Prophets and Outlaws–“Texas Home” (down 17) [biggest loser]
32. Josh Ward–“Highway” (down 7)
33. Tori Martin–“Woman Up” (down 3)
34. Luke Robinson–“Roses on the Radio” (up 5)
35. Dalton Domino–“Jesus & Handbags” (up 2)
36. Casey Berry–“Blood of the Lamb” (up 8)
37. Jon Wolfe–“Don’t It Feel Good” (up 1)
38. Caleb McIntire–“Ozark Mountain Stomp” (down 4)
39. Ray Johnston Band–“Small Town Square” (up 9)
40. American Aquarium–“Losing Side of Twenty-Five” (up 2)
41. Paul Thorn–“Everybody Needs Somebody” (re-entering top 50)
42. The Damn Quails–“Just a Little While” (entering top 50)
43. Cody Johnson–“Proud” (up 7)
44. Roger Creager & Cody Johnson–“If You Had to Choose” (entering top 50)
45. Breelan Angel–“She Made Your Bed” (up 4)
46. Bri Bagwell–“My Boots” (down 3)
47. Cody Jinks–“Loud and Heavy” (down 1)
48. Cody Joe Hodges–“One More Drink” (down 1)
49. Judson Cole Band–“Time to Run” (down 9)
50. Blue Water Highway Band–“Medicine Man” (entering top 50)

  • new #1: “Easy”
  • next week’s #1 prediction: “Old With You”
  • two songs moved up 9 spots this week

Source: Texas Music Chart

Female Fridays

Female Fridays: Featuring Kacey Musgraves

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I debated about whether or not to do a Female Friday over Kacey Musgraves because she’s probably the most known female in country music besides Carrie Underwood and Miranda Lambert. But being known and being appreciated are two vastly different things, and I think Kacey Musgraves is certainly underappreciated by country radio and many times by country listeners themselves. It’s one thing to know her as the controversial singer of “Follow Your Arrow” and “Biscuits” and quite another to know her as one of the writers of “Fine.” So with that in mind, I decided that Kacey deserves a Female Friday.

How You Might Know Kacey

I’m sure you all know “Follow Your Arrow,” but I’m not going to post that for the aforementioned reasons. Many of you should also know her debut single “Merry Go ‘Round” which won a Grammy for Best Country Song in 2014.

Bio

From a 2013 interview with PrideSource, on her musical influences,

I’ve always loved Dolly Parton and I used to sing her songs when I was little. She’s a great storyteller and that’s probably where I got a lot of my influence from. I love Loretta Lynn and Willie Nelson and his truth telling. I love Glen Campbell and a lot of old-school country. I’m really all over the map, but the country I seem to like is a lot older.

From a 2013 interview with The Guardian, on her controversial lyrics,

“Certain kinds of people will always have an issue with my music,” says Musgraves. “But that’s fine, it’s OK. I don’t want to be the McDonald’s of music. I don’t want to not turn anyone off. If you were everybody’s cup of tea, you’d probably be boring.

“I don’t feel that the songs I sing and the music I make are very subversive, but I can see how it would be to some people,” she goes on. “The things I sing about are just what inspires me and what I’ve been exposed to in my life. It’s not like I’ve thought, Ooh, this is a button pusher!”

Kacey Musgraves (born August 21st, 1988, from Golden, Texas), grew up singing and songwriting. She sang western swing music in the clubs around Texas and listened to the aforementioned country artists, along with The Spice Girls and Tom Petty, among others. She dreamed of leaving Golden and eventually did, after placing seventh on Nashville Star in 2007, an experience for which she is glad few remember her. Kacey had self-released three albums before her appearance on the show. In 2008, while living in Austin, she was signed to independent label Triple Pop and recorded two songs, “Apologize” and “See You Again.” She eventually moved to Nashville and was signed to Mercury in 2012.

Kacey Musgraves has released two excellent, critically acclaimed albums, Same Trailer Different Park (2013), and Pageant Material (2015), along with a single called “The Trailer Song” (2014.) Additionally, she can be found singing backing vocals on Dierks Bentley’s 2013 single “Bourbon in Kentucky,” was featured on Josh Abbot Band’s 2011 single “Oh, Tonight,” and is credited with writing many other songs, including several for ABC’s Nashville. Same Trailer Different Park won a Grammy for Best Country Album in 2014, as well as an ACM for Album of the Year. Pageant Material is nominated for this year’s CMA Album of the Year. Kacey’s debut single, “Merry Go ‘Round,” won a Grammy for Best Country Song and charted inside the top ten on Billboard Country Airplay, a remarkable achievement for a woman, a debut single, and a song of such substance. “Merry Go ‘Round” has been certified platinum and “Follow Your Arrow” has been certified gold. “Follow Your Arrow” also became the 2014 CMA Song of the Year.

But it was “Follow Your Arrow,” as well as Pageant Material‘s lead single, “Biscuits,” that typecast her as the controversial singer who supports gay rights and/or anti-religious lyrics. “Follow Your Arrow” does exactly that, with its “Kiss lots of boys, or kiss lots of girls, if that’s what you’re into,”–but that’s not all Kacey is about. She’s been classified by many as the singer who supports casual sex, (“It is What it Is,”) homosexuality, (“Follow Your Arrow,”) anti-religious lyrics and/or lyrics concerning hypocrisy, (“Biscuits”), and smoking pot (“Follow Your Arrow,” “Pageant Material,”) and that’s drawn both criticism and praise. Many praise her for her outspoken, progressive values while others typecast her as only singing about these things and don’t even bother to check out the rest of her discography. That is highly unfortunate, especially if you claim to love country–Kacey is a traditional country artist if I ever heard one, and she shouldn’t be overlooked either because of her values or because of some ill-conceived belief that “controversy” is all she sings about. In fact, her current single, “Dime Store Cowgirl,” is the most personal and least socially controversial song Kacey has ever sent to radio, so hopefully it will get a chance.

Why Kacey Belongs on Country Radio

Kacey Musgraves started out with a top ten hit, but now she has been all but blacklisted from country radio. Why? She’s too “country.” She’s too “controversial.” She supports drug use, gay rights, etc. Well, for one, they played “Merry Go ‘Round” and that was country. Secondly, so she’s controversial…at least there’s something to her lyrics besides “calling dibs” on some “boy.” Thirdly, so it’s okay for Luke Bryan to promote “Strip it Down” on Tinder, for the bros to objectify women–and sing about casual sex, I might add–and for virtually everyone in mainstream country except Carrie Underwood to glorify excessive drinking, but Kacey Musgraves can’t talk about getting high? Talk about hypocrisy. And one more thing: Kacey Musgraves is actually doing something that radio programmers want to do–she’s bringing in a younger audience with her “controversial” brand of country. And guess what? Unlike the people coming to “country” through Kelsea Ballerini, the bros, Sam Hunt, and Taylor Swift–with some exception for early Taylor Swift–these people are being introduced to actual country. We traditionalists advocate balance. We don’t want everything to sound like Hank Williams and Loretta Lynn–we just want some actual country on country radio. Kacey Musgraves is an answer; she brings in a younger demographic while keeping her completely traditional sound.

Tracks I Recommend

For this, I’ll pick the standout tracks from each album separately, in order of awesomeness. I recommend both albums equally; each had highs and lows, and I listen to each one far too much.

Same Trailer, Different Park

1. “It Is What it Is”
2. “Merry Go ‘Round”
3. “Back on the Map”
4. “Silver Lining”
5. “I Miss You”
6. “Follow Your Arrow”
7. “Blowin’ Smoke”

Listen to album

Pageant Material

1. “Pageant Material”
2. “Good Ol’ Boys’ Club”
3. “Somebody to Love”
4. “Dime Store Cowgirl”
5. “Fine”

Listen to album

https://www.youtube.com/watch?v=XEFYCgAOe_s

This was the most country moment of last year’s CMA’s, complete with Loretta Lynn herself.

Reviews

Review: Alabama Sells Out Hugely with “Southern Drawl”

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Rating: 0/10

Alabama, what were you thinking? I can’t even believe I had to write the above title. You gave us “Mountain Music,” “Love in the First Degree,” “Roll On,” and so many other great songs. You had a remarkable career as one of the most successful groups in country music history. You haven’t produced a studio album in fifteen years, and this…thing is what we get? Did you hear Florida Georgia Line say “Alabama on the boom box,” or Jason Aldean say he was “jammin’ to some old Alabama with you baby” while he was “burnin’ it down” and think, “We can make cool music too?” Or was it the collaboration with Brad Paisley who was “listenin’ to old Alabama, parked somewhere in Tennessee” that made you think this would all be okay? Whatever it was, this thing is pathetic…you had no reason to sell out, and you won’t be successful doing it. The recording of this song will have been nothing but an embarrassing stain on the great legacy of Alabama.

Okay, as everyone can see, Alabama’s new song “Southern Drawl” sucks. The intro sounds exactly like “We Will Rock You.” They added in fake applause which go oh so nicely with the blaring rock guitars. Then the vocals start, and I can’t tell if this is a bad parody of checklist/bro country or just an ill-advised attempt to be cool, but this is some sort of song listing all the things that make them Southern. “Life sounds better with a Southern drawl” might sound more convincing if they had a Southern drawl while singing it. Their vocals are terrible and not Alabama quality, and they can’t keep up with the track. Then the bridge comes, and with it the only redeeming quality in this song, the piano solo. That might have moved it up to a 1, but then Alabama actually raps. Yes, I wrote that sentence…Alabama raps. And with that, I don’t know what else to say about it, it’s just awful, and I wish I had never heard it and could erase this from my knowledge/memory of Alabama. This song has received virtually no attention except for its bad reviews, so there was literally no point in selling out like this. Their album, also named Southern Drawl, is due out September 18th, and it can only be better than this. Then again, I never thought I would hear this train wreck come out of the Alabama that I loved. If this is what was coming after fifteen years, they should have never made another album.

Here’s a live version–and it should tell you something about the recording that I had to listen to most of this to tell that it was indeed a live version. It doesn’t sound all that different.

charts

Billboard Country Airplay and Country Albums Chart (September 19th)

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Billboard Country Airplay

1. Dustin Lynch–“Hell of a Night” (up 1)
2. Thomas Rhett–“Crash and Burn” (up 1)
3. Keith Urban–“John Cougar, John Deere, John 3:16” (up 2)
4. Chris Janson–“Buy Me a Boat”
5. Sam Hunt–“House Party” (down 4)
6. Kenny Chesney–“Save It for a Rainy Day” (up 2)
7. Brett Eldredge–“Lose My Mind”
8. Luke Bryan–“Strip It Down” (up 5) [biggest gainer]
9. Florida Georgia Line–“Anything Goes” (up 1)
10. Maddie & Tae–“Fly” (down 1)
11. Eric Church–“Like a Wrecking Ball”
12. Chase Rice–“Gonna Wanna Tonight”
13. Cole Swindell–“Let Me See Ya Girl” (up 2)
14. Old Dominion–“Break Up With Him” (up 2)
15. Dan + Shay–“Nothin’ Like You” (up 2)
16. Blake Shelton–“Gonna” (up 2)
17. Carrie Underwood–“Smoke Break” (up 5)
18. Jake Owen–“Real Life” (up 1)
19. Lady Antebellum–“Long Stretch of Love” (up 1)
20. Chris Young–“I’m Comin’ Over” (up 4)
21. Kip Moore–“I’m To Blame”
22. Cam–“Burning House” (up 1)
23. Tim McGraw–“Top of the World” (up 4)
24. Big & Rich–“Run Away With You” (up 1)
25. Brothers Osborne–“Stay a Little Longer” (up 1)
26. Parmalee–“Already Callin’ You Mine” (up 2)
27. Jason Aldean–“Gonna Know We Were Here” (up 2)
28. Kelsea Ballerini–“Dibs” (up 2)
29. LoCash–“I Love This Life” (entering top 30)
30. Jana Kramer–“I Got the Boy” (re-entering top 30)

  • new #1: “Hell of a Night”
  • next week’s #1 prediction: “Crash and Burn”
  • Jana Kramer adds quality to the top 30 with the re-entrance (finally) of “I Got the Boy”
  • this is balanced by LoCash’s “I Love This Life
  • Frankie Ballard’s “Young and Crazy” and Zac Brown Band’s “Loving You Easy” fell from #6 and #15, respectively, to out of the top 30
  • Luke Bryan has hit #8 with “Strip it Down” after only 5 weeks…draw your own conclusions about this

Billboard Top Country Albums

1. Luke Bryan–Kill the Lights
2. Maddie & Tae–Start Here [debut]
3. Sam Hunt–Montevallo
4. Zac Brown Band–Jekyll + Hyde
5. Eric Church–The Outsiders
6. Elvis Presley–Elvis Presley Forever
7. Kip Moore–Wild Ones
8. Florida Georgia Line–Anything Goes
9. Little Big Town–Painkiller
10. Alan Jackson–Angels and Alcohol
11. Brantley Gilbert–Just as I Am
12. Jason Aldean–Old Boots, New Dirt
13. Darius Rucker–Southern Style
14. Luke Bryan–Crash My Party
15. Various Artists–Mud Digger, Volume 6 [debut]
16. Various Artists–Now That’s What I Call Country, Volume 8
17. Kacey Musgraves–Pageant Material
18. Jason Isbell–Something More Than Free
19. Kenny Chesney–The Big Revival
20. Chris Stapleton–Traveller
21. Chase Rice–Ignite the Night
22. Zac Brown Band–Greatest Hits So Far…
23. Michael Ray–Michael Ray
24. Kelsea Ballerini–The First Time
25. Cole Swindell–Cole Swindell

  • Luke Bryan is still at the top of this chart….
  • Maddie & Tae’s excellent Start Here debuts at #2

Source: Billboard

Commentary

The 49th Annual CMA Award Nominees, With Commentary

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The nominees are in, after
the CMA flipped off the entire genre by allowing Steven Tyler and Kelsea Ballerini to announce them this morning on Good Morning America. Here are the nominees, predictions, and some personal commentary.

Musician of the Year

Sam Bush (mandolin) [yes, apparently mandolins are still in country music somewhere, who knew?]
Jerry Douglas (dobro)
Paul Franklin (steel guitar) [see above comment about mandolin]
Dan Huff (guitar)
Mac McAnally (guitar)
Prediction: Mac McAnally–He has won for the past seven years, and I doubt many artists voting have much of an idea what a “mandolin,” “steel guitar,” or “dobro,” is, so Dan Huff is the only one with a shot of defeating him.
Preference: none

Music Video of the Year

Interestingly, this category is female-dominated…I guess in videos, females are okay.

“Biscuits”–Kacey Musgraves, directed by Marc Klasfeld
“Girl Crush”–Little Big Town, directed by Karla Welch and Matthew Welch
“Girl in a Country Song”–Maddie & Tae, directed by TK McKamy
“Little Red Wagon”–Miranda Lambert, directed by Trey Vanjoy
“Something in the Water”–Carrie Underwood, directed by Raj Kapoor
Prediction: “Girl in a Country Song”
Preference: “Girl in a Country Song”

Event of the Year

Django and Jimmie–Willie Nelson and Merle Haggard, Legacy Recordings [excellent]
“Lonely Tonight”–Blake Shelton featuring Ashley Monroe, Warner Bros./Warner Music Nashville [again, good job]
“Raise ’em Up”–Keith Urban featuring Eric Church, Hit Red Records/Capitol Records Nashville [decent]
“Smokin’ and Drinkin'”–Miranda Lambert featuring Little Big Town, RCA Nashville [no]
“Wild Child”–Kenny Chesney with Grace Potter, Blue Chair Records/Columbia Nashville [good]
Prediction: “Lonely Tonight”
Preference: Willie and Merle’s album would be a cool winner, but I’d be fine with “Lonely Tonight” as well.

Vocal Duo of the Year

Brothers Osborne [meh]
Dan + Shay [no]
Florida Georgia Line [God no]
Maddie & Tae [yes]
Thompson Square [no]
Prediction: Florida Georgia Line
Preference: Maddie and Tae
Note: This is FGL’s only nomination…bro country really has taken a hit. Too bad that the Sam Hunt style has come behind it.

Vocal Group of the Year

Lady Antebellum [no]
Little Big Town [meh]
Rascal Flatts [no]
The Band Perry [God no]
Zac Brown Band [not bad]
Prediction: Little Big Town
Preference: Blackberry Smoke? Out of these, I suppose Little Big Town will have to do.

New Artist of the Year

Kelsea Ballerini [no]
Sam Hunt [if he wins, I will never watch the CMA Awards again, I swear to you all]
Maddie & Tae [good]
Thomas Rhett [God no]
Chris Stapleton [shocking and good]
Prediction: Sam Hunt
Preference: Maddie & Tae or Chris Stapleton
Notes: Glad to see Stapleton with a nomination here, but if Sam Hunt wins this, as he undoubtedly will, my days of watching the CMA’s are done indefinitely.

Single of the Year

“American Kids”–Kenny Chesney, produced by Buddy Cannon and Kenny Chesney, Blue Chair Records/Columbia Nashville
“Girl Crush”–Little Big Town, produced by Jay Joyce, Capitol Records Nashville
“I Don’t Dance”–Lee Bryce, produced by Lee Bryce, Curb Records
“Take Your Time”–Sam Hunt, produced by Zach Crowell and Shane McAnally, MCA Nashville
“Talladega”–Eric Church, produced by Arturo Buenahora, EMI Nashville
Prediction: “Girl Crush” or “Take Your Time”
Preference: “Girl Crush”
Note: If “Take Your Time” wins here, while it would be insulting to country in general, at least it would be for commercial success. This is the one award that Sam Hunt could win that wouldn’t make me immediately throw up.

Song of the Year

“American Kids”–Rodney Klawson, Luke Laird, and Shane McAnally [no]
“Girl Crush”–Liz Rose, Lori McKenna, and Hillary Lindsey [ok]
“Like a Cowboy”–Randy Houser and Brice Long [no]
“Like a Wrecking Ball”–Eric Church and Kasey Beathard [hell no]
“Take Your Time”–Sam Hunt, Shane McAnally, and Josh Osborne [for the love of all that is holy]
Prediction: “Girl Crush”
Preference: Out of these, “Girl Crush” hands down. While I like all of them except “Take Your Time”–if that wins, above Sam Hunt rules apply–I could have thrown a rock and hit better Song of the Year nominees. Jason Isbell, Alan Jackson, Kacey Musgraves, Ashley Monroe, shall I go on?

Album of the Year

Old Boots, New Dirt–Jason Aldean, produced by Michael Knox, Broken Bow [no]
Pageant Material–Kacey Musgraves, produced by Kacey Musgraves, Luke Laird, and Shane McAnally, Mercury Nashville [excellent]
Painkiller–Little Big Town, produced by Jay Joyce, Capitol Records Nashville [no]
The Big Revival–Kenny Chesney, produced by Buddy Cannon and Kenny Chesney, Blue Chair Records/Columbia Nashville [no]
Traveller–Chris Stapleton, produced by Dave Cobb and Chris Stapleton, Mercury Nashville [excellent]
Prediction: Painkiller or Pageant Material
Preference: Pageant Material or Traveller
Note: Again, good to see Stapleton with a nomination, as well as Dave Cobb, who produced Jason Isbell and Lindi Ortega’s remarkable albums as well. The CMA might actually get it right here and vote in Pageant Material which would be a great selection, although there are other albums that deserve to be nominated along with it besides these.

Female Vocalist of the Year

Kelsea Ballerini [no]
Miranda Lambert [duh]
Kacey Musgraves [good]
Carrie Underwood [good]
LeeAnn Womack [lol]
Prediction: Miranda Lambert–I’m not an idiot.
Preference: Carrie Underwood
Note: Ashley Monroe should have at least a nomination here, especially if LeeAnn Womack is going to be name-dropped in here to fill a quota.

Male Vocalist of the Year

Dierks Bentley [great job CMA]
Eric Church [ok]
Luke Bryan [at this point, at least Sam Hunt wasn’t here]
Blake Shelton [ok]
Chris Stapleton [interesting]
Prediction: Luke Bryan or Dierks Bentley
Preference: Dierks Bentley–if he won this, I might actually be able to watch the CMA’s again even if Sam Hunt won something.

Entertainer of the Year

Garth Brooks [good]
Luke Bryan [to be expected]
Kenny Chesney [ok]
Eric Church [good]
Miranda Lambert [but she’s 20% of the category, so won’t the viewing audience drop drastically?]
Prediction: Luke Bryan or Garth Brooks
Preference: Garth Brooks