Monthly Archives: July 2017

Random Reflections

Reflecting On: Sarah Gayle Meech – One Good Thing

2 Comments

I had a hard time settling on what to write for this week’s Random Reflections article. Nothing was really sticking out to me. However, from reviewing the latest Gretchen Wilson album, I’ve been in the mood to listen to straight-up country music sung by a woman. I finally chose Sarah Gayle Meech’s album, One Good Thing after much deliberation.

Release Date: August 2012

Style: Traditional Country

People Who Might Like This Album: Those who appreciate the fiddle, and country songs with classic country themes

Standout Tracks: “One Good Thing,” “Old White Boots,” “No Angel”

When you first start this album, you immediately know what you’re in for. The title track is all about how heartache makes for a good song. It’s pretty hard to get more country than that. I mean, lots of classic country songs had heartbreak at their core, and the fact that Sarah Gayle Meech is acknowledging that right off the bat just tells you what kind of album this is going to be. Plus, I really love the fiddle and faster tempo in this song. It doesn’t hurt that she shouts out Hank Williams. Now, I know a lot of people do it, but somehow, it doesn’t seem cliche when Sarah Gayle Meech does it. You can believe she’d actually listen to the artists she points out.

“Old White Boots” is another faster song. They’re just the ones that really stick out to me with this album, and they have the best fiddle play. I love this song though. It’s all about how she just wants to go to a honky tonk in her old white boots. It’s a fun track about being simple, and just wanting to have a good night on the town.

“No Angel” is definitely my favorite song on the entire album. I love the instrumentation of the track, with its guitar. The song is all about how she’s not an angel. She says and does what she wants. I love how she tells the guy “You ain’t my first, and you ain’t my last. I ain’t no angel.” It’s so refreshing to have a woman speak out and say that she breaks rules, says how she feels, and drinks. Far from trying to be perfect, Sarah Gayle Meech is just being herself and she won’t change for anyone. Sure, it’s a bit shallow, but I can’t help loving the song with all its straightforwardness.

I know that from these songs I’ve picked, the album seems all fast and fun. However, there is real heartbreak and emotion on here. “Foolish” shows these feelings off the best, where Sarah Gayle Meech has let down the person she was in a relationship with. She doesn’t know how to be in a relationship and is used to being alone. Therefore, she leaves the person and later regrets it. For me, though, as much as I like this song, the three I highlighted above are what really make Sarah Gayle Meech stand out as an artist. I recommend checking out this album if you want something that’s traditional country, and if you want to find a new female artist to like.

Buy The Album On Amazon

Reviews

Review: Jake Worthington–hell of a Highway EP

Leave a comment

Rating: 7/10

Jake Worthington, whom many will remember from The Voice and perhaps most specifically from that wonderful 2014 performance of Keith Whitley’s “Don’t Close Your Eyes,” is probably the most promising traditional country artist to have come from that show. Sure, we’ve had success in the country world from RaeLynn recently, as well as some for Cassadee Pope and others, but if we’re just talking about straight-up, traditional country, Jake Worthington is the one with the most potential. You cheer for him when he gets success on the Texas charts and hope his name recognition and experience from the show can help him, because you know he is the real deal, and you want to see that potential realized.

His sophomore EP only strengthens that notion. You only get five songs and fifteen minutes, but Jake uses every minute to further reinforce his traditional country sound and lyrics. You get three heartbreak songs in “Big Time Lonesome,” “A Lot of Room to Talk,” and “Hell of a Highway” that, while they probably shouldn’t have been placed right in a row, still all sound unique and tell a different story. “How do You Honky Tonk” is reminiscent of a 90s radio hit and manages to be fun and upbeat without veering into the territory of cliché. “Don’t Think Twice” is probably the weakest of the five, but it’s still a nice love song, and Jake delivers a strong effort here, especially considering the length. The fact is, it’s one of three EPs I’ve enjoyed this year (the others being Whitney Rose’s South Texas Suite and Lindi Ortega’s Till the Goin’ Gets Gone.)

However, I can’t help but feel that it’s time for Jake Worthington to release an album. He’s given us two EPs now when he could have delivered one full-length project; both EPs were strong, but I think more people would be paying attention to an album. This has been debated a lot recently, but the fact is that more people pay attention to albums, for better or worse, and that’s mainly because Eps often leave you wanting more. With both Whitney Rose and Lindi Ortega, the projects were somewhat of an exception, each reflecting a time in the artist’s life that might not have been captured if they waited to release full albums. Those projects both had a cohesive theme despite their short length and therefore stood out as only few EPs manage to do. With Jake Worthington’s Hell of a Highway, there’s no overarching theme that holds this together–it feels more like a preview of Jake, and while that worked nicely for his debut EP, it doesn’t work as well this time. Still, it says something about these songs and Jake Worthington’s potential that this EP still manages to stand out despite these factors. As I mentioned, it’s one of only three that have made an impact on me in 2017, and that can’t be taken lightly. It took so long after his release to write about this because it’s harder to talk about EPs in general–but that’s also a testament to the fact that this particular EP still deserves talking about. All in all, it will leave you wanting more, but it’s still a nice place to start with Jake Worthington’s music.

Listen to EP