Tag Archives: Bri Bagwell

Concerts

The Biggest Takeaways From the 7th Annual Medicine Stone

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It has been a privilege to cover the Medicine Stone festival in Tahlequah, Oklahoma, for the past four years. It’s more than just a celebration of Red Dirt music; it’s also about the atmosphere and the fellowship and the way that the artists and fans come together for a weekend to just have fun and enjoy live music.

But there was an obvious difference this year. How would a festival founded by Jason Boland and the Turnpike Troubadours work without the Troubadours themselves?

Overall, this was the most solid lineup Medicine stone has put together in the years Country Exclusive has been in attendance. Wade Bowen and Flatland Cavalry, two of the main stage highlights from 2018, both returned and delivered excellent sets. Wade Bowen has killed it both times I’ve seen him at this festival, and it would be exciting to see him get a headlining slot. As for Flatland Cavalry, they’ve been improving each year, and sonically, they may be the closest thing we’ll ever have again to the Turnpike Troubadours sound. Shinyribs put on a good show in 2017, and it was great to see them come back and perform even better. Theirs was one of the most entertaining sets of the entire weekend. Red Shahan has been a highlight each year, and 2019 was no exception; in fact, it was a little disappointing that he only got forty-five minutes onstage. And Jason Boland & the stragglers are always great live, but this has been their best Medicine Stone performance yet. There’s a reason the straggler’s live albums are some of their best material.

I was impressed with the new incarnation of American Aquarium; I wrote during my very first year covering this festival that they didn’t quite seem to fit with the Red dirt artists, as their music leaned more toward Americana. Then, after the implosion and rebuilding of the band, their 2018 album really impressed me, and their live show has greatly improved as well. It is wonderful to see that what could have killed them has only made them stronger, and much like Flatland Cavalry, it’s encouraging to watch them getting better every year.

One of the cooler aspects of the festival is the smaller, more intimate stages where artists play each day before the main stage opens. These are a nice place to hear smaller artists, as well as those that thrive more in a quieter setting. Courtney Patton’s acoustic show on Friday (9/20), at the gravel bar was the crown jewel of these quieter sets. This was her first time at Medicine stone, and I would love to see her there again, (and can we please get Jason eady as well?) It was also our first time seeing Bri Bagwell, who turned in a more upbeat set at the river stage on Saturday (9/21). I would like to see her return to the festival as well, and I think she would do well as a main stage performer. She put on an energetic show, and she was also one of the most engaging artists with the crowd. Incidentally, I also need her to record “Seven Spanish Angels” ASAP, she sang that song excellently.

Medicine Stone has had some issues in recent years booking women, and this has been a common concern from attendees. In 2018, only Jamie Lin Wilson and Kaitlin Butts were booked. This year saw a concentrated effort to include more women, with the aforementioned Patton and Bagwell as well as the returning Wilson and Butts and the “Queen of Oklahoma,” Carter Sampson. Wilson, Patton, and Butts also did a Dixie Chicks tribute Friday evening for one of the “after-party” sets that takes place on the small stages after the headliners each night. All these women were standouts of the whole weekend, proud representations of the women of Texas and Red dirt music. It was also encouraging to see them being brought up onstage by so many of the men. Kaitlin Butts sang with Flatland Cavalry and American Aquarium, Bri Bagwell joined William Clark Green, and Butts, Wilson, and Patton all came onstage to accompany Wade Bowen. AT Medicine Stone, these artists often come onstage to sing with each other, but it definitely seemed like the focus in 2019 was on including and appreciating the women of the subgenre.

But the absence of Turnpike was certainly felt. This was both a positive and a negative thing. It was cool to see Kaitlin butts singing “Gin, Smoke, Lies” and to hear R.C. Edwards singing “Fall out of Love” when R.C. and the Ambers opened on the main stage the first night. But Jamie Lin Wilson’s “Oklahoma Stars” took on a whole new meaning when someone pointed out to me that now the star which burns bright and disappears could also be Evan Felker. Although the lineup as a whole was incredibly strong, there didn’t seem to be a closer who could quite fill the hole created by the Troubadours, and only Saturday night, when Jason boland headlined, saw the same kind of crowds which have become customary to us over the years. There’s also a sense that the more things change, the more they stay the same, and to have Turnpike’s own festival going on without them right there in their hometown was bittersweet.

Still, as always, this was a great experience and one that I would recommend to any fan of live music. You don’t have to like country because not every band sounds country; Cody Canada & the departed are a full-on rock band, and Shinyribs rings much closer to Louisiana than Texas or Oklahoma. You don’t even have to love music itself, for this is more than just music, it’s family and fellowship and one weekend where we’re not divided by anything but rather all here together to enjoy this. This is the power and the joy of live music, to bring us all together for three days until we have to return to our separate realities. May that power and joy continue to live through Medicine Stone for years to come.

Best Live Performers: Jason Boland & the Stragglers, Shinyribs, Wade Bowen, Bri Bagwell, Courtney Patton, Flatland Cavalry, Jamie Lin Wilson

Reviews

Album Review: Bri Bagwell–In my Defense

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Rating: 7/10

In a just world, Bri Bagwell would be a mainstream country star, and this album would be certified gold. It probably could have done that in 2004. It’s firmly country, but laced with elements of pop and rock so that it would fit well on mainstream radio. It’s hook-driven and catchy, yet it doesn’t insult the intelligence of the listener. It’s at once thoughtful and accessible, personal and universal, authentically country but still commercial enough to appeal to a wider audience. And yet, Bri Bagwell remains fiercely independent and unfairly obscure, fighting to be heard in a Texas scene where success for women is arguably harder to come by than in Nashville.

This album is a great case for the value of pop country, for the fact that commercial appeal doesn’t necessarily mean a drop in quality, and perhaps most of all for the care for song craft in Texas music. Now, there’s some truly awful music coming out of Texas and Oklahoma; don’t be one of those people who just thinks music sounds better when it’s not made in Nashville and is no longer a discriminating listener. But generally, much of the more commercial side of Texas country does tend to be more substantive than mainstream Nashville, and this record is a great example of that. It’s not trying to reinvent the wheel, and you won’t get something groundbreaking lyrically, but the hooks are strong and clever, and this is exactly what you want from an artist like Bri Bagwell.

As mentioned, the hooks are the strongest asset of the record, and none is more interesting than in “Cheat on Me,” where Bagwell opens the song with the immediately intriguing line, “I wish you would cheat on me.” She goes on to reveal that basically, she knows she doesn’t love this man, but he hasn’t done her wrong, so she feels bad hurting him. If he would just cheat on her or lie to her, she could leave without breaking his heart or feeling guilty. It’s a really blunt way of putting things, but if we’re honest, I think many of us have probably felt similarly at one point, dreading having to hurt someone for whom we care deeply, or wishing we loved someone back but knowing it will never happen.

“As Soon as You” is also really well-written, with lines like “as soon as you try to fence me in, I’m breaking loose” and “as soon as you bring up a ring, I’m nowhere to be found” explaining that she’s just not ready to settle down. Then we get the chorus, where she admits that “if you wait patiently, eventually I’ll wanna say I do, I just won’t get there as soon as you.” In a complete antithesis of this song, we have “Feel Like Home,” in which she’s the one trying to convince the man to settle down, saying, “if you don’t slow down you’ll never know if a house could ever feel like home.” I enjoy both of these songs, but they are a bit troubling in light of each other; the former feels more personal to Bri, and she has said the whole album is quite personal to her, so it makes the latter song feel slightly out of place. Individually, however, they hold up as two of the strongest tracks on the record.

Most of these songs are upbeat, but it’s nice to see a softer, more tender side to Bagwell toward the end of the album. In “Ring a Bell,” she’s singing from the perspective of the other woman, lamenting their choices to commit adultery and ruin three lives. There’s a really cool little nugget of songwriting here in the line, “you took the ring off your hand, put it in the one nightstand, next to the King James.” The album closer, “Empty Chairs,” finds Bri at her most vulnerable, as she sings of the ups and downs of being in the spotlight and asks God to be there with her even on the nights when she sees empty chairs from the stage. This is her pouring out her soul, even going so far as to admit to finding her worth in the number of tickets she’s sold. It’s just a deeply personal confession, and it’s a privilege to the listener to be let into her delicate head space here.

Bri Bagwell’s vocals are definitely a strength here. She displays a pretty extensive range and shows both technical skill and the ability to interpret a lyric. Here’s one more artist in the independent scene proving vocal ability still matters as much as a good piece of songwriting. That said, she lacks something distinctive about her voice to really make her stand out. It comes out in flashes, like in the slight rasp in “If You were a cowboy” and “Cheat on Me,” but I’d like to see her develop it more. That quality in her voice is really unique and would serve her well if she used it to her full advantage.

There isn’t a bad moment on the album, and nothing feels like filler, but the weakest point does come in the heart of the album, with “I Can’t be Lonely” and “Graffiti.” These are both breakup songs, and both are fine, but neither really has a strong hook like the rest of the tracks. Bri Bagwell’s vocals make these songs better, but neither of them are very memorable. You won’t skip them, but they won’t be the ones you keep getting stuck in your head either.

This is just a really solid, well-written, wonderfully sung album. The hooks are smart, the melodies are memorable and engaging, and Bri Bagwell is a strong vocalist with range and power. This is exactly the kind of record I would love to see in the mainstream in 2018. A nice slice of modern country for those who appreciate a good lyric but still like a more contemporary sound. Go check this album out, and get to know Bri Bagwell.

Buy the Album

charts

Texas Music From Oklahoma: A Look at the Texas Music Chart (October 19th)

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Texas Music Chart

1. Randy Rogers & Wade Bowen–“Lady Bug” (up 2)
2. Bart Crow–“Life Comes at You Fast”
3. Curtis Grimes–“Smile That Smile” (up 1)
4. Casey Donahew Band–“Loser” (up 1)
5. Mike Ryan–“Girls I Date” (up 2)
6. Kevin Fowler & Deryl Dodd–“Damn This Ol’ Honky Tonk Dream” (down 5)
7. The Statesboro Revue–“Undone” (down 1)
8. TJ Broscoff–“Phone Calls” (up 1)
9. Josh Grider–“You Dream I’ll Drive” (up 2)
10. Stoney LaRue–“Easy She Comes” (up 3)
11. Roger Creager & Cody Johnson–“If You Had to Choose” (up 4)
12. Jon Wolfe–“Don’t It Feel Good” (up 7)
13. Mario Flores–“Beer Time” (up 3)
14. Uncle Lucius–“Don’t Own the Right”
15. Saints Eleven–“I Don’t” (up 3)
16. Reckless Kelly–“Real Cool Hand” (down 8)
17. Turnpike Troubadours–“Down Here” (down 7)
18. Zane Williams–“She Is” (up 2)
19. JB and the Moonshine Band–“Shotgun, Rifle, and a .45” (down 2)
20. Chance Anderson Band–“245 Miles” (up 1)
21. Jason James–“I’ve Been Drinkin’ More” (up 1)
22. William Clark Green–“Ringling Road” (up 5)
23. Josh Ward–“Whiskey & Whitley” (up 16)
24. Jason Boland & The Stragglers–“Holy Relic Sale” (up 6)
25. Dalton Domino–“Jesus & Handbags”
26. Luke Robinson–“Roses on the Radio” (up 3)
27. Green River Ordinance–“Red Fire Night” (up 13)
28. Miles Williams–“Teasin’ Me” (down 16) [biggest loser]
29. Casey Berry–“Blood of the Lamb” (up 2)
30. Cameran Nelson–“Nothing’s Got Nothin'” (up 18) [biggest gainer]
31. Bri Bagwell–“My Boots” (up 2)
32. Ray Johnston Band–“Small Town Square”
33. American Aquarium–“Losing Side of Twenty-Five” (up 3)
34. The Damn Quails–“Just a Little While”
35. Cody Jinks–“Loud and Heavy” (up 2)
36. Micky & the Motorcars–“Tonight we Ride” (down 1)
37. Pat Green–“While I Was Away” (down 11)
38. Cody Joe Hodges–“One More Drink” (up 4)
39. Paul Thorn–“Everybody Needs Somebody” (down 1)
40. Josh Abbott Band–“Amnesia” (up 3)
41. Jason Cassidy–“Rest of Forever” (up 4)
42. Aaron Watson–“Getaway Truck” (entering top 50)
43. Blue Water Highway Band–“Medicine Man” (up 4)
44. Kaleb McIntire–“Ozark Mountain Stomp” (down 16)
45. Breelan Angel–“She Made Your Bed” (up 1)
46. Tori Martin–“Woman Up” (down 5)
47. Prophets and Outlaws–“Country Music Gold” (entering top 50)
48. Parker McCollum–“High Above the Water” (up 1)
49. Folk Family Revival–“I Drew a Line” (entering top 50)
50. Zach Coffey–“Love Will Lead me Back to You” (re-entering top 50)

  • New #1: “Lady Bug”
  • next week’s #1 prediction: “Life Comes at You Fast”
  • Aaron Watson is back on the charts with “Get Away Truck,” entering at #42

Source: Texas Music Chart

charts

Texas Music From Oklahoma: A Look at the Texas Music Chart (October 12th)

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Texas Music Chart

1. Kevin Fowler & Deryl Dodd–“Damn This Ol’ Honky Tonk Dream” (up 4)
2. Bart Crow–“Life Comes at You Fast”
3. Randy Rogers & Wade Bowen–“Lady Bug” (up 3)
4. Curtis Grimes–“Smile That Smile”
5. Casey Donahew Band–“Loser” (up 2)
6. The Statesboro Revue–“Undone” (up 2)
7. Mike Ryan–“Girls I Date” (up 2)
8. Reckless Kelly–“Real Cool Hand” (down 7)
9. TJ Broscoff–“Phone Calls” (up 3)
10. Turnpike Troubadours–“Down Here” (down 7)
11. Josh Grider–“You Dream I’ll Drive” (up 2)
12. Miles Williams–“Teasin’ Me” (down 1)
13. Stoney LaRue–“Easy She Comes” (up 2)
14. Uncle Lucius–“Don’t Own the Right” (up 2)
15. Roger Creager & Cody Johnson–“If You Had to Choose” (up 3)
16. Mario Flores–“Beer Time” (up 3)
17. JB and the Moonshine Band–“Shotgun, Rifle, and a .45”
18. Saints Eleven–“I Don’t” (up 6)
19. Jon Wolfe–“Don’t It Feel Good” (up 1)
20. Zane Williams–“She Is” (up 2)
21. Chance Anderson Band–“245 Miles” (up 6)
22. Jason James–“I’ve Been Drinkin’ More” (up 1)
23. Kyle Park–“What Goes Around Comes Around” (down 9)
24. Cory Morrow–“Old With You” (down 14)
25. Dalton Domino–“Jesus & Handbags” (up 3)
26. Pat Green–“While I Was Away” (down 1)
27. William Clark Green–“Ringling Road” (up 2)
28. Kaleb McIntire–“Ozark Mountain Stomp” (up 3)
29. Luke Robinson–“Roses on the Radio” (up 6)
30. Jason Boland & the Stragglers–“Holy Relic Sale” (up 7)
31. Casey Berry–“Blood of the Lamb” (up 2)
32. Ray Johnston Band–“Small Town Square”
33. Bri Bagwell–“My Boots” (up 8) [biggest gainer]
34. The Damn Quails–“Just a Little While” (up 2)
35. Micky & the Motorcars–“Tonight we Ride” (down 1)
36. American Aquarium–“Losing Side of Twenty-Five” (up 2)
37. Cody Jinks–“Loud and Heavy” (up 3)
38. Paul Thorn–“Everybody Needs Somebody” (up 5)
39. Josh Ward–“Whiskey & Whitley” (entering top 50)
40. Green River Ordinance–“Red Fire Night” (up 7)
41. Tori Martin–“Woman Up” (down 2)
42. Cody Joe Hodges–“One More Drink” (up 2)
43. Josh Abbott Band–“Amnesia” (entering top 50)
44. Cody Johnson–“Proud” (down 2)
45. Jason Cassidi–“Rest of Forever” (entering top 50)
46. Breelan Angel–“She Made Your Bed” (down 1)
47. Blue Water Highway Band–“Medicine Man” (down 1)
48. Cameran Nelson–“Nothing’s Got Nothin'”
49. Parker McCollum–“High Above the Water”
50. Josh Fuller–“On the Radio” (re-entering top 50)

  • new #1: “Damn This Ol’ Honky Tonk Dream”
  • next week’s #1 prediction: “Lady Bug
  • Josh Abbott Band’s “Amnesia” enters at #43 this week

Source: Texas Music Chart

charts

Texas Music From Oklahoma: A Look at the Texas Music Chart (October 5th)

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Texas Music Chart

1. Reckless Kelly–“Real Cool Hand” (up 1)
2. Bart Crow–“Life Comes at You Fast” (up 2)
3. Turnpike Troubadours–“Down Here” (down 2)
4. Curtis Grimes–“Smile That Smile” (up 1)
5. Kevin Fowler & Deryl Dodd–“Damn This Ol’ Honky Tonk Dream” (up 1)
6. Randy Rogers & Wade Bowen–“Lady Bug” (up 1)
7. Casey Donahew Band–“Loser” (up 2)
8. The Statesboro Revue–“Undone” (up 3)
9. Mike Ryan–“Girls I Date” (up 4)
10. Cory Morrow–“Old With You” (down 7)
11. Miles Williams–“Teasin’ Me” (down 1)
12. TJ Broscoff–“Phone Calls” (up 6)
13. Josh Grider–“You Dream I’ll Drive” (up 2)
14. Kyle Park–“What Goes Around Comes Around” (down 6)
15. Stoney LaRue–“Easy She Comes” (up 2)
16. Uncle Lucius–“Don’t Own the Right” (up 4)
17. JB and the Moonshine Band–“Shotgun, Rifle, and a .45” (down 1)
18. Roger Creager & Cody Johnson–“If You Had to Choose” (up 11) [biggest gainer]
19. Mario Flores–“Beer Time” (up 3)
20. Jon Wolfe–“Don’t It Feel Good” (up 4)
21. Whiskey Myers–“Shelter From the Rain” (down 7)
22. Zane Williams–“She Is” (up 1)
23. Jason James–“I’ve Been Drinkin’ More” (up 4)
24. Saints Eleven–“I Don’t” (up 1)
25. Pat Green–“While I Was Away” (down 6)
26. Cody Canada and the Departed–“Easy” (down 5)
27. Chance Anderson Band–“245 Miles” (down 1)
28. Dalton Domino–“Jesus & Handbags” (up 6)
29. William Clark Green–“Ringling Road” (up 10)
30. Matt Kimbrow–“Livin’ the Good Life” (down 18) [biggest loser]
31. Kaleb McIntire–“Ozark Mountain Stomp” (down 1)
32. Ray Johnston Band–“Small Town Square”
33. Casey Berry–“Blood of the Lamb”
34. Micky & the Motorcars–“Tonight we Ride” (up 4)
35. Luke Robinson–“Roses on the Radio”
36. The Damn Quails–“Just a Little While” (up 1)
37. Jason Boland & The Stragglers–“Holy Relic Sale” (up 7)
38. American Aquarium–“Losing Side of Twenty-Five” (up 3)
39. Tori Martin–“Woman Up” (down 8)
40. Cody Jinks–“Loud and Heavy”
41. Bri Bagwell–“My Boots” (up 1)
42. Cody Johnson–“Proud” (up 5)
43. Paul Thorn–“Everybody Needs Somebody” (up 3)
44. Cody Joe Hodges–“One More Drink” (down 1)
45. Breelan Angel–“She Made Your Bed” (up 3)
46. Blue Water Highway Band–“Medicine Man” (down 1)
47. Green River Ordinance–“Red Fire Night” (up 3)
48. Cameran Nelson–“Nothing’s Got Nothin'” (up 1)
49. Parker McCollum–“High Above the Water” (entering top 50)
50. Zach Coffey–“Love Will Lead me Back to You” (entering top 50)

  • new #1: “Real Cool Hand”
  • next week’s #1 prediction: “Life Comes at You Fast”

Source: Texas Music Chart