Tag Archives: Merle Haggard

charts

Billboard Country Airplay and Country Albums Chart (September 26th)

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Billboard Country Airplay

1. Thomas Rhett–“Crash and Burn” (up 1)
2. Keith Urban–“John Cougar, John Deere, John 3:16” (up 1)
3. Chris Janson–“Buy Me a Boat” (up 1)
4. Kenny Chesney–“Save It for a Rainy Day” (up 2)
5. Brett Eldredge–“Lose My Mind” (up 2)
6. Dustin Lynch–“Hell of a Night” (down 5)
7. Sam Hunt–“House Party” (down 2)
8. Luke Bryan–“Strip it Down”
9. Florida Georgia Line–“Anything Goes”
10. Maddie & Tae–“Fly”
11. Chase Rice–“Gonna Wanna Tonight” (up 1)
12. Old Dominion–“Break Up With Him” (up 2)
13. Cole Swindell–“Let Me See Ya Girl”
14. Carrie Underwood–“Smoke Break” (up 3)
15. Dan + Shay–“Nothin’ Like You”
16. Blake Shelton–“Gonna”
17. Lady Antebellum–“Long Stretch of Love” (up 2)
18. Jake Owen–“Real Life”
19. Cam–“Burning House” (up 3)
20. Chris Young–“I’m Comin’ Over”
21. Tim McGraw–“Top of the World” (up 2)
22. Jason Aldean–“Gonna Know We Were Here” (up 5) [biggest gainer]
23. Big & Rich–“Run Away With You” (up 1)
24. Brothers Osborne–“Stay a Little Longer” (up 1)
25. Parmalee–“Already Callin’ You Mine” (up 1)
26. Kelsea Ballerini–“Dibs” (up 2)
27. LoCash–“I Love This Life” (up 2)
28. Jana Kramer–“I Got the Boy” (up 2)
29. Hunter Hayes–“21” (re-entering top 30)
30. The Band Perry–“Live Forever” (entering top 30)

  • new #1: “Crash and Burn”
  • next week’s #1 prediction: “John Cougar, John Deere, John 3:16”
  • Eric Church’s “Like a Wrecking Ball” and Kip Moore’s “I’m To Blame” fell from #11 and #21, respectively, to out of the top 30
  • Hunter Hayes’s “21” re-enters the top 30 this week, along with The Band Perry’s terrible new pop single, “Live Forever”
  • at least “Strip it Down” has stalled a little in its ridiculous climb to the top

Billboard Top Country Albums

1. Luke Bryan–Kill the Lights
2. Sam Hunt–Montevallo
3. Maddie & Tae–Start Here
4. Zac Brown Band–Jekyll + Hyde
5. Eric Church–The Outsiders
6. Elvis Presley–Elvis Presley Forever
7. Kip Moore–Wild Ones
8. Florida Georgia Line–Anything Goes
9. Little Big Town–Painkiller
10. Alan Jackson–Angels and Alcohol
11. Brantley Gilbert–Just as I Am
12. Jason Aldean–Old Boots, New Dirt
13. Chris Stapleton–Traveller
14. Various Artists–Now That’s What I Call Country, Volume 8
15. Various Artists–Mud Digger, Volume 6
16. Luke Bryan–Crash My Party
17. Kacey Musgraves–Pageant Material
18. Jason Isbell–Something More Than Free
19. Zac Brown Band–Greatest Hits So Far…
20. Chase Rice–Ignite the Night
21. Darius Rucker–Southern Style
22. Cole Swindell–Cole Swindell
23. Willie Nelson/Merle Haggard–Django and Jimmie
24. Kelsea Ballerini–The First Time
25. Carrie Underwood–Greatest Hits: Decade #1

  • Luke Bryan is still at the top
  • Maddie & Tae sit at #3 like beacons of hope…they really have the top country album, because neither Kill the Lights nor Montevallo are country albums
  • Chris Stapleton’s Traveller moved up 7 spots from #20 to #13 this week

Source: Billboard

Commentary

Random Thoughts of the Week: The “Random Thoughts” of Merle Haggard and Jason Aldean

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I was actually going to focus this entirely on merle Haggard until today, when I heard of the news of Jason Aldean’s comments. Both Haggard and Aldean shared some very interesting random thoughts on country music this week, and they are made even more interesting in light of each other, so I decided to look at them together.

In an interview on September 9th, Merle Haggard said, of modern country music,

It needs a melody real bad. Not sure what they’ll have to remember. A song is defined as words put to music, but I don’t hear any music. All I hear is the same band, the same sound, and everybody screaming to the ceiling. You stand off at a distance and you couldn’t tell who they are. They are all screaming for one note they can barely get. I don’t find it very entertaining. I wish I did.

This comes after these comments on September 3rd, shared in another interview:

I can’t tell what they’re doing. They’re talking about screwing on a pickup tailgate and things of that nature. I don’t find no substance. I don’t find anything you can whistle and nobody even attempts to write a melody. It’s more of that kids stuff. It’s hot right now, but I’ll tell you what, it’s cooling off.

Now, aside from the obvious fact that Merle Haggard has just said what many of us are thinking, this news is significant because these words have come from a legend. Mainstream outlets are actually reporting it; Merle Haggard is name-dropped in many of today’s songs, and yet he is calling out mainstream country. A more underrated but no less significant fact is that he said it’s “cooling off”–Merle Haggard has been around awhile, and if he says a trend is dying, we all might want to listen to him. Also, Merle points out Sturgill Simpson and
Taylor Swift, of all people, as being current artists he respects. Sturgill Simpson, seen by many people on these blogs as our biggest hope, who carries a giant torch for traditional country, and Taylor Swift, who, even though she eventually went pop and made an entire career on “kid stuff” knows how to write a melody better than most of our generation. I love that he called out Swift especially, because as I said, she made a name for herself writing “kid stuff.” By mentioning her name, Merle Haggard is separating himself from those “old” country fans who just want everything to sound like Hank Williams. He’s acknowledging that you can still write “kid stuff” and be relatable; also, as a commenter on SCM pointed out, Taylor was a kid when she wrote “kid stuff,” whereas the bros are adult frat boys.

And speaking of the bros, there’s one that actually agrees with Haggard…well, sort of. Monday, (September 14th), Jason Aldean said this when asked about the lack of female representation in mainstream country music,

I feel like a lot of times female singers, to me, when they’re singing – and I’ll probably kick myself for saying this – a lot of times, it just seems like I can’t distinguish one from the other sometimes if I just listen to them, you know? A lot of times they just sound really similar to me.

Well, cluelessness of that statement aside, it does seem interesting that Aldean hears the sameness in country music that Haggard noted. However, back to the cluelessness–so he can tell all the bros apart? The females are easily more distinguishable–has anyone here heard Kelsea Ballerini sing and assumed it was Miranda Lambert? Then Aldean went on to say:

…you have some that come out like a Carrie [Underwood] or Miranda [Lambert] or somebody like that, that really has a different, distinctive sound to their voice, then it’s like, oh, okay, you can tell them apart all of a sudden. They go on to be obviously big stars, but I think it’s because you can distinguish between them … Listening to country radio, you always have these labels that are putting out new acts and it’s like, you already don’t know who this person is. So what is going to make you remember them?

Oh, okay, so he can tell two females apart on the radio: the two that are played on country radio!!! Here’s a thought; I bet, just maybe, possibly, if he heard more females, he might be able to tell more of them apart! So, in reference to females, his comments become absolutely ridiculous. However, in reference to country in general, it is interesting that both Merle Haggard and Jason Aldean, who come from very different backgrounds and perspectives, have noticed a sameness and lack of individuality in country music. Too bad Jason Aldean’s comments were only directed at women; Merle Haggard made no distinction between men and women. Still, regardless of the intent of Jason Aldean, his comments were no less honest than those of Merle Haggard, and both point to an increasing notice of, and concern for, the lack of individuality in a genre that once embraced it.

Tomato of the Week: Courtney Patton

I am going to turn my attention to the Texas scene for this week’s Female Friday–it seems Texas is just as lacking in female representation as Nashville–and I look forward to featuring Courtney Patton.

Random Country Suggestion: Josh Turner–“Lay Low”

The excellent single from the album that has yet to be released or even announced.

Non-Country Suggestion: Kelsea Ballerini–“Secondhand Smoke”

Kelsea Ballerini is a terrible country artist, and should have never been classified as such. But her debut album actually had some decent pop songs and I put this here for that reason; listen to it as a pop song. It’s a personal song for Ballerini and should not be overlooked because of the atrocious “Dibs,” “Yeah Boy,” etc.

One Last Thought

Congratulations to Lindi Ortega, who won the Canadian Country Music Association (CCMA) 2015 Roots Artist of the Year award Saturday night (September 12th.) This is Lindi’s second win in a row, and hope for females, independent/Americana/roots artists, and music of substance everywhere.

Commentary

The 49th Annual CMA Award Nominees, With Commentary

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The nominees are in, after
the CMA flipped off the entire genre by allowing Steven Tyler and Kelsea Ballerini to announce them this morning on Good Morning America. Here are the nominees, predictions, and some personal commentary.

Musician of the Year

Sam Bush (mandolin) [yes, apparently mandolins are still in country music somewhere, who knew?]
Jerry Douglas (dobro)
Paul Franklin (steel guitar) [see above comment about mandolin]
Dan Huff (guitar)
Mac McAnally (guitar)
Prediction: Mac McAnally–He has won for the past seven years, and I doubt many artists voting have much of an idea what a “mandolin,” “steel guitar,” or “dobro,” is, so Dan Huff is the only one with a shot of defeating him.
Preference: none

Music Video of the Year

Interestingly, this category is female-dominated…I guess in videos, females are okay.

“Biscuits”–Kacey Musgraves, directed by Marc Klasfeld
“Girl Crush”–Little Big Town, directed by Karla Welch and Matthew Welch
“Girl in a Country Song”–Maddie & Tae, directed by TK McKamy
“Little Red Wagon”–Miranda Lambert, directed by Trey Vanjoy
“Something in the Water”–Carrie Underwood, directed by Raj Kapoor
Prediction: “Girl in a Country Song”
Preference: “Girl in a Country Song”

Event of the Year

Django and Jimmie–Willie Nelson and Merle Haggard, Legacy Recordings [excellent]
“Lonely Tonight”–Blake Shelton featuring Ashley Monroe, Warner Bros./Warner Music Nashville [again, good job]
“Raise ’em Up”–Keith Urban featuring Eric Church, Hit Red Records/Capitol Records Nashville [decent]
“Smokin’ and Drinkin'”–Miranda Lambert featuring Little Big Town, RCA Nashville [no]
“Wild Child”–Kenny Chesney with Grace Potter, Blue Chair Records/Columbia Nashville [good]
Prediction: “Lonely Tonight”
Preference: Willie and Merle’s album would be a cool winner, but I’d be fine with “Lonely Tonight” as well.

Vocal Duo of the Year

Brothers Osborne [meh]
Dan + Shay [no]
Florida Georgia Line [God no]
Maddie & Tae [yes]
Thompson Square [no]
Prediction: Florida Georgia Line
Preference: Maddie and Tae
Note: This is FGL’s only nomination…bro country really has taken a hit. Too bad that the Sam Hunt style has come behind it.

Vocal Group of the Year

Lady Antebellum [no]
Little Big Town [meh]
Rascal Flatts [no]
The Band Perry [God no]
Zac Brown Band [not bad]
Prediction: Little Big Town
Preference: Blackberry Smoke? Out of these, I suppose Little Big Town will have to do.

New Artist of the Year

Kelsea Ballerini [no]
Sam Hunt [if he wins, I will never watch the CMA Awards again, I swear to you all]
Maddie & Tae [good]
Thomas Rhett [God no]
Chris Stapleton [shocking and good]
Prediction: Sam Hunt
Preference: Maddie & Tae or Chris Stapleton
Notes: Glad to see Stapleton with a nomination here, but if Sam Hunt wins this, as he undoubtedly will, my days of watching the CMA’s are done indefinitely.

Single of the Year

“American Kids”–Kenny Chesney, produced by Buddy Cannon and Kenny Chesney, Blue Chair Records/Columbia Nashville
“Girl Crush”–Little Big Town, produced by Jay Joyce, Capitol Records Nashville
“I Don’t Dance”–Lee Bryce, produced by Lee Bryce, Curb Records
“Take Your Time”–Sam Hunt, produced by Zach Crowell and Shane McAnally, MCA Nashville
“Talladega”–Eric Church, produced by Arturo Buenahora, EMI Nashville
Prediction: “Girl Crush” or “Take Your Time”
Preference: “Girl Crush”
Note: If “Take Your Time” wins here, while it would be insulting to country in general, at least it would be for commercial success. This is the one award that Sam Hunt could win that wouldn’t make me immediately throw up.

Song of the Year

“American Kids”–Rodney Klawson, Luke Laird, and Shane McAnally [no]
“Girl Crush”–Liz Rose, Lori McKenna, and Hillary Lindsey [ok]
“Like a Cowboy”–Randy Houser and Brice Long [no]
“Like a Wrecking Ball”–Eric Church and Kasey Beathard [hell no]
“Take Your Time”–Sam Hunt, Shane McAnally, and Josh Osborne [for the love of all that is holy]
Prediction: “Girl Crush”
Preference: Out of these, “Girl Crush” hands down. While I like all of them except “Take Your Time”–if that wins, above Sam Hunt rules apply–I could have thrown a rock and hit better Song of the Year nominees. Jason Isbell, Alan Jackson, Kacey Musgraves, Ashley Monroe, shall I go on?

Album of the Year

Old Boots, New Dirt–Jason Aldean, produced by Michael Knox, Broken Bow [no]
Pageant Material–Kacey Musgraves, produced by Kacey Musgraves, Luke Laird, and Shane McAnally, Mercury Nashville [excellent]
Painkiller–Little Big Town, produced by Jay Joyce, Capitol Records Nashville [no]
The Big Revival–Kenny Chesney, produced by Buddy Cannon and Kenny Chesney, Blue Chair Records/Columbia Nashville [no]
Traveller–Chris Stapleton, produced by Dave Cobb and Chris Stapleton, Mercury Nashville [excellent]
Prediction: Painkiller or Pageant Material
Preference: Pageant Material or Traveller
Note: Again, good to see Stapleton with a nomination, as well as Dave Cobb, who produced Jason Isbell and Lindi Ortega’s remarkable albums as well. The CMA might actually get it right here and vote in Pageant Material which would be a great selection, although there are other albums that deserve to be nominated along with it besides these.

Female Vocalist of the Year

Kelsea Ballerini [no]
Miranda Lambert [duh]
Kacey Musgraves [good]
Carrie Underwood [good]
LeeAnn Womack [lol]
Prediction: Miranda Lambert–I’m not an idiot.
Preference: Carrie Underwood
Note: Ashley Monroe should have at least a nomination here, especially if LeeAnn Womack is going to be name-dropped in here to fill a quota.

Male Vocalist of the Year

Dierks Bentley [great job CMA]
Eric Church [ok]
Luke Bryan [at this point, at least Sam Hunt wasn’t here]
Blake Shelton [ok]
Chris Stapleton [interesting]
Prediction: Luke Bryan or Dierks Bentley
Preference: Dierks Bentley–if he won this, I might actually be able to watch the CMA’s again even if Sam Hunt won something.

Entertainer of the Year

Garth Brooks [good]
Luke Bryan [to be expected]
Kenny Chesney [ok]
Eric Church [good]
Miranda Lambert [but she’s 20% of the category, so won’t the viewing audience drop drastically?]
Prediction: Luke Bryan or Garth Brooks
Preference: Garth Brooks

Female Fridays

Female Fridays: Featuring Brandy Clark

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Brandy Clark is known more for her songwriting, but she is also a talented singer who has received much critical acclaim. I am excited to feature her on this Female Friday.

How You Might Know Brandy

She’s known for her songwriting, often in connection with Kacey Musgraves and Shane McAnally. These three have co-written many of Kacey’s songs, but perhaps their most notable success is the Miranda Lambert hit “Mama’s Broken Heart.”

Bio

From Brandy Clark’s Web site:

“I get my inspiration from real people who are just surviving their life and getting through their day. That’s who I write songs for,” Clark explains. “I want to write songs for somebody who is working at a bank — if that person could write a song, what they would write. That’s my goal.”

Brandy Clark (born October 9, 1977, from Morton, Washington), was interested in music at an early age. She grew up with and was influenced by the music of Loretta Lynn, Patsy Cline, and Merle Haggard. After college, she began taking her music career more seriously. She enrolled at Belmont University in 1998 and studied commercial music. After graduation from Belmont, Brandy got a job with Leadership Music and eventually received a publishing deal.

Brandy has written many notable songs over the years. I already mentioned “Mama’s Broken Heart,” but she also co-wrote The Band Perry’s “Better Dig Two,” and Kacey Musgraves’s “Follow Your Arrow.” Brandy is cited on songs by Reba McEntire, Keith Urban, Wade Bowen, and Sunny Sweeney, just to name a few. In fact, it is worth noting that Brandy was a co-writer of Sunny Sweeney’s “Bad Girl Phase,” which I mentioned in Sunny’s
Female Friday as being the first #1 single by a female artist on the Texas Music Chart. Since this column is about promoting females, it is also worth mentioning that Brandy Clark and Kacey Musgraves became two of only fourteen women to win a CMA for Song of the Year when “Follow Your Arrow” received this distinction in 2014. in Between all the writing for others, Brandy wrote several songs that eventually turned into an EP in 2012 and later into her debut album, 12 Stories, in 2013.

“I was just writing songs. But with titles like ‘Take a Little Pill’ and ‘Day She Got Divorced,’ artists wouldn’t cut those songs. However, they are some of my favorites and, artistically, I fit them,” says Clark , who decided to record her own album after playing “Get High” for her songwriting partner Shane McAnally. “Shane said that I could write a whole record of songs from that woman’s perspective and make an album that no one has ever made. That’s kind of what we did.”

And that’s what her debut album is–an album no one else would make, full of real “stories” of real people. 12 Stories was named by many critics as 2013’s best album–in fact, there are many who would argue that Brandy Clark deserves more recognition than her friend Kacey Musgraves (I am not touching that debate.) Brandy Clark is currently working on her second album; it is due out in 2016.

Why Brandy Belongs on Country Radio

She belongs there for the same reason that Kacey Musgraves does–she’s singing and writing real, relatable songs, and she’s not afraid of the truth. Radio won’t play Kacey for all of these reasons, and also she is too “country.” Brandy is too “country” for country radio too, and the fact that I have to even write this sentence is ridiculous. Brandy Clark was partly responsible for “Mama’s Broken Heart,” “Better Dig Two,” and “Follow Your Arrow,” but country radio can’t give her own music a fair chance? I don’t even know how to explain why she belongs on country radio–because in a world where country radio played country songs, Brandy Clark would be on the radio and making #1 hits.

Tracks I Recommend

I hesitate to pick apart what many consider to be the best album of 2013, but these are my personal favorites.

1. What’ll Keep Me Out of Heaven–12 Stories
2. Hold my Hand–12 Stories
3. Pray to Jesus–12 Stories
4. Stripes–12 Stories
5. Hungover–12 Stories

Listen to 12 Stories

The song that made me a fan of Brandy Clark.

charts

Billboard Country Airplay and Country Albums Chart (September 12th)

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Billboard Country Airplay

1. Sam Hunt–“House Party” (up 1)
2. Dustin Lynch–“Hell of a Night” (up 1)
3. Thomas Rhett–“Crash and Burn” (up 1)
4. Chris Janson–“Buy Me a Boat” (up 1)
5. Keith Urban–“John Cougar, John Deere, John 3:16” (up 1)
6. Frankie Ballard–“Young and Crazy” (down 5)
7. Brett Eldredge–“Lose My Mind” (up 1)
8. Kenny Chesney–“Save It for a Rainy Day” (up 1)
9. Maddie & Tae–“Fly” (up 3)
10. Florida Georgia Line–“Anything Goes” (up 1)
11. Eric Church–“Like a Wrecking Ball”
12. Chase Rice–“Gonna Wanna Tonight” (up 1)
13. Luke Bryan–“Strip It Down” (up 3)
14. Cole Swindell–“Let Me See Ya Girl” (up 1)
15. Zac Brown Band–“Loving You Easy” (down 8)
16. Old Dominion–“Break Up With Him” (up 1)
17. Dan + Shay–“Nothin’ Like You” (up 1)
18. Blake Shelton–“Gonna” (up 4) [biggest gainer]
19. Jake Owen–“Real Life”
20. Lady Antebellum–“Long Stretch of Love”
21. Kip Moore–“I’m To Blame”
22. Carrie Underwood–“Smoke Break” (up 2)
23. Cam–“Burning House”
24. Chris Young–“I’m Comin’ Over” (up 1)
25. Big & Rich–“Run Away With You” (up 1)
26. Brothers Osborne–“Stay a Little Longer” (up 1)
27. Tim McGraw–“Top of the World” (up 2)
28. Parmalee–“Already Callin’ You Mine”
29. Jason Aldean–“Gonna Know We Were Here” (up 1)
30. Kelsea Ballerini–“Dibs” (re-entering top 30)

  • new #1: “House Party”
  • next week’s #1 prediction: “Hell of a Night”
  • Michael Ray’s “Kiss You in the Morning” fell out of the top 30, only to be replaced by Kelsea Ballerini’s “Dibs”
  • hope for country music exists, as Maddie & Tae are inside the top ten with “Fly”

Billboard Top Country Albums

1. Luke Bryan–Kill the Lights [please, someone take this slot back from this horrendous album]
2. Kip Moore–Wild Ones [debut]
3. Elvis Presley–Elvis Presley Forever
4. Sam Hunt–Montevallo
5. Zac Brown Band–Jekyll + Hyde
6. Eric Church–The Outsiders
7. Florida Georgia Line–Anything Goes
8. Alan Jackson–Angels and Alcohol
9. Little Big Town–Painkiller
10. Brantley Gilbert–Just as I Am
11. Jason Isbell–Something More Than Free
12. Jason Aldean–Old Boots, New Dirt
13. Luke Bryan–Crash My Party
14. Kacey Musgraves–Pageant Material
15. Various Artists–Now That’s What I Call Country, Volume 8
16. Michael Ray–Michael Ray
17. Zac Brown Band–Greatest Hits So Far…
18. Kenny Chesney–The Big Revival
19. A Thousand Horses–Southernality
20. Chase Rice–Ignite the Night
21. Pat Green–Home
22. Kelsea Ballerini–The First Time
23. Cole Swindell–Cole Swindell
24. Willie Nelson/Merle Haggard–Django and Jimmie
25. Chris Stapleton–Traveler

  • Luke Bryan remains at #1…I don’t think I need to explain how thoroughly depressing this is
  • Kip Moore’s pretty good rock album Wild Ones debuts at #2
  • after a debut at #5, Pat Green’s Home falls all the way to #21
  • A Thousand Horses moved up from #29 to #19 with Southernality

Source: Billboard