Tag Archives: Miranda Lambert

Commentary

Random Thoughts of the Week: How Country Music Made me a Nicki Minaj Fan

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Now, before anyone loses respect for me due to the above statement or decides my opinions about country music are no longer valid, please understand that title for what it was. Also, understand that we all are music lovers first, before genre lines ever come into play. I say this because I have seen comments on other sites saying people who profess love and/or knowledge of other genres do not care as much about country music as those who love country exclusively. So, as ridiculous an opinion as this might be, I felt I should address it before making my main point.

Yesterday, (August 24th),
Saving Country Music
published an article containing some of the preliminary results of a study conducted by McMaster University. The university is studying the open-mindedness of music fans of specific genres to other genres. In other words, if someone listens to mostly country music, are they more or less likely to also listen to other genres? According to the study, country fans rank fourth in open-mindedness among the ten genres studied. The most interesting early finding was that rap, dance, and pop fans are the three most cloes-minded groups. In other words, people who listen to these three genres are not likely to be open to other music. Also, the study highlighted some “asymmetrical pairings” between certain genres. One such pairing was country and pop; country fans are more likely to listen to pop, but pop fans won’t share that love for country. So, those fans who become “country” fans because of Sam Hunt won’t suddenly start listening to Kacey Musgraves, but a country fan who likes Taylor Swift might then develop a taste for Katy Perry.

This explains why, in its effort to please the close-minded pop fans flooding “country” music, country has all but forsaken its roots. Heaven forbid a fifteen-year-old be subjected to the lyricism of Cam’s “Burning House” when she could learn about partying and sex from Luke Bryan’s douche masterpiece “Kick The Dust Up.” Country singers even go so far as to call actual country music boring and paint the fans as close-minded old people, all for the sake of keeping their fickle pop fan base happy.

So if we’re not making Kacey Musgraves fans out of Sam Hunt groupies, what is this wave of bad pop music actually doing? Well, this is what happened in my case. I grew up with country in the 90’s and 00’s. I liked most country and even the pop country of early Taylor Swift. By 2010, country radio was becoming one tailgating song after another. The country that I loved, which used to feature steel guitars, fiddles, and storytelling, now came with hip-hop beats, rap, and lyrics about clubbing. I didn’t know about all the country I could be listening to; all I knew was country radio. In my mind, country had died. I tried to like the bro country and pop country, but I grew more and more frustrated with it until last year, when I decided that if country was dead, I should find something else to listen to. I had listened to so much bad pop music that I welcomed good pop music. Even their club songs are better than country’s club songs. If I have to listen to that anyway, I’d certainly rather hear Nicki Minaj’s “The Night is Still Young” than Luke Bryan’s “That’s My Kind of Night.” I’ll always love country more, but when your choices are pop and worse pop with a twang, you take pop any day. During that time, I came to appreciate a considerable amount of pop music. I am extremely grateful for sites like SCM and Country Perspective that helped me find good country music again. Country music is still alive and well, and for that, I can be thankfull. Country music is still my favorite genre because it carries lyrics of substance, but as a music lover first, I am glad in a way that I was open to pop. (I guess that’s what comes from being an open-minded country fan.) I am certainly glad that is not all I have the choice of listening to though. These days, I would say I listen to about 80% country and 20% pop. I have always liked a little music from other genres as well, including rock, Christian, and r&b, but country and pop are the two I listen to on a regular basis. Having said that, I still hate most of the crap on country radio because it is bad pop and worse country.

The alarming thing is that my case seems to be more common than it should be. People argue that Sam Hunt or Taylor Swift can bring someone into country, and then this person might suddenly start liking Ashley Monroe and Alan Jackson. This sounds ridiculous on the surface, and now a study has backed it up. Also, pop fans are by definition listening to what is popular; in other words, someone who is introduced to “country” because of Sam Hunt is generally not going to go seeking Ashley Monroe and Alan Jackson. And seeking is what they’d have to do, because God forbid country radio play anything with substance. It seems far more likely, then, that someone who likes Ashley Monroe and Alan Jackson but who doesn’t hear anything except bad pop music on the local country station, would switch the station in exasperation and develop an appreciation for whatever is playing. I imagine there are a lot more people who have Ashley Monroe and Nicki Minaj in their iTunes library than those who have Ashley Monroe and Sam Hunt. Even more than that, there are those who have Sam Hunt and Nicki Minaj, because out of the three, these two are the most similar, which says a lot, (and nothing good) about the state of country music. Country fans are not being created by all this pop influence. All that is happening is that more pop fans are being created in response to the bad excuse for pop music that country continues to produce. By catering to the close-minded pop fans, country music continues to lose its identity in favor of being an inferior version of the music these close-minded fans love.

Tomatoes of the Week: Maddie & Tae

Their debut album comes out Friday, so they will be our featured females.

Random Country Suggestion: Miranda Lambert–“Roots and Wings”

Sadly, this wasn’t chosen as a single and we are stuck with “Smokin’ and Drinkin'” instead.

Non-Country Suggestion: Nicki Minaj: “All Things Go”

One of the results of me being an open-minded country fan.

Reviews

Single Review: Carrie Underwood’s “Smoke Break”

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Rating: 6.5/10

Carrie Underwood announced Thursday evening (8/20) that she will release her long-awaited fifth studio album Storyteller on October 23rd. This is her first full-length album of new music since 2012’s Blown Away. The first single off Storyteller is entitled “Smoke Break” and is quite different from recent Carrie Underwood singles.

In 2014, Carrie Underwood released Greatest Hits: Decade #1 while she took time out of her career to have a child. Singles from that album included the Christian song “Something in the Water,” as well as “Little Toy Guns,” which dealt with domestic abuse and how the parents’ words were affecting their daughter. “Smoke Break” is a much lighter song, which can be expected. After the serious issues of her previous singles, Carrie delivers an ode to the hard-working people who deal with life’s daily problems and sometimes feel like they need a smoke or drink to get through. It is not clear whether the characters discussed actually smoke and drink from time to time, or whether they simply would like to. This can be regarded as bad songwriting or good songwriting, depending on your viewpoint. I view it as good songwriting because it is ambiguous and thus more relatable. This song relates to those who do take a drink or have a “smoke break” sometimes to deal with the pressures of life, as well as to those who wish they could drink or smoke but for whatever reason (pressure from family, religion, etc), feel that it would be wrong to do so. The characters portrayed are also relatable. The woman works three jobs trying to feed her four children and struggles with being a “good wife and a good mom and a good Christian.” The man in the second verse is struggling to climb the corporate ladder and be a “good man, good son, do somethin’ good that matters.”

This song is a country rock song, and Carrie Underwood sounds more country singing it than she has in years. I do feel that perhaps she is trying to sound country on purpose, though. This song is very different from standard Carrie Underwood material, and I would have thought a title and lyrics like those of “Smoke Break” came from Miranda Lambert. Some have pointed out that part of the chorus of “Smoke Break” sounds like Lambert’s “Automatic,” a comparison that is not hard to make. However, the thing I noticed when I heard the song and before ever hearing these comments or similarities, was that Carrie seems to be trying to be more like Miranda. This song is Miranda Lambert material, and it’s no coincidence that Carrie Underwood suddenly sounds more country when she’s singing it. I think after losing at all the award shows for years, she and her team might be trying to make her into another Miranda Lambert. I am not saying I blame them, but that won’t help, because in the end, Miranda Lambert will still be a better Miranda Lambert, as “Smoke Break” proves. In the end, “Smoke Break” is fluff, similar to Miranda Lambert and Little Big Town’s “Smokin’ and Drinkin’.” I would give Lambert’s song a 5. This song is better because it is more country and the lyrics have more depth, but it’s not especially great. I hope Carrie’s album is better. I liked Carrie when she was herself, and I don’t want to see her become an inferior Miranda at the expense of her music. “Smoke Break” is not bad, but Carrie Underwood is better than this.

charts

Billboard Country Airplay and Country Albums Chart (August 29th)

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Billboard Country Airplay

1. Zac Brown Band–“Loving You Easy” (up 1)
2. Frankie Ballard–“Young and Crazy” (up 1)
3. Sam Hunt–“House Party” (up 1)
4. Dustin Lynch–“Hell of a Night” (up 1)
5. Michael Ray–“Kiss You in the Morning” (down 4)
6. Thomas Rhett–“Crash and Burn” (up 2)
7. Chris Janson–“Buy Me a Boat” (up 1)
8. Keith Urban–“John Cougar, John Deere, John 3:16” (up 3)
9. Brett Eldredge–“Lose My Mind” (up 3)
10. Kenny Chesney–“Save It for a Rainy Day” (up 3)
11. Luke Bryan–“Kick the Dust Up” (down 5)
12. Eric Church–“Like a Wrecking Ball” (up 2)
13. Maddie & Tae–“Fly” (up 2)
14. Chase Rice–“Gonna Wanna Tonight” (up 2)
15. Florida Georgia Line–“Anything Goes” (up 2)
16. Cole Swindell–“Let Me See Ya Girl” (up 2)
17. Dan + Shay–“Nothin’ Like You” (up 3)
18. Jake Owen–“Real Life” (up 1)
19. Old Dominion–“Break Up With Him” (up 2)
20. Lady Antebellum–“Long Stretch of Love” (up 2)
21. Kip Moore–“I’m To Blame” (up 2)
22. Cam–“Burning House” (up 2)
23. Luke Bryan–“Strip It Down” (entering top 30) [biggest gainer]
24. Big & Rich–“Run Away With You” (up 1)
25. Chris Young–“I’m Comin’ Over” (up 1)
26. Blake Shelton–“Gonna” (up 3)
27. Brothers Osborne–“Stay a Little Longer”
28. Parmalee–“Already Callin’ You Mine”
29. Hunter Hayes–“21” (re-entering top 30)
30. Kelsea Ballerini–“Dibs” (entering top 30)

  • new No. 1: “Loving You Easy
  • next week’s No. 1 prediction: “Young and Crazy”
  • Luke Bryan has two terrible songs in the top 30 at once
  • the top 30 takes a hit with the addition of the terrible “Strip it Down” and “Dibs” and the re-entering of “21”…no good songs entered this week
  • Brantley Gilbert’s “One Hell of an Amen” and Jason Aldean’s “Tonight Looks Good on You” fell from No. 8 and No. 9, respectively, out of the top 30
  • Tim McGraw’s “Top of the World” fell from No. 30 to No. 33

    • Billboard Top Country Albums

    1. Luke Bryan–Kill the Lights [It kills me to type this] [debut]
    2. Sam Hunt–Montevallo
    3. Jason Isbell–Something More Than Free
    4. Michael Ray–Michael Ray [debut]
    5. Zac Brown Band–Jekyll + Hyde
    6. Alan Jackson–Angels and Alcohol
    7. Eric Church–The Outsiders
    8. Little Big Town–Painkiller
    9. Jason Aldean–Old Boots, New Dirt
    10. Various Artists–Now That’s What I Call Country, Volume 8
    11. Florida Georgia Line–Anything Goes
    12. Luke Bryan–Crash My Party
    13. Brantley Gilbert–Just as I Am
    14. Kacey Musgraves–Pageant Material
    15. Zac Brown Band–Greatest Hits So Far…
    16. Chase Rice–Ignite the Night
    17. Luke Bryan–Spring Break…Checkin’ Out
    18. Willie Nelson/Merle Haggard–Django and Jimmie
    19. Blake Shelton–Bringing Back the Sunshine
    20. Tim McGraw–35 Biggest Hits
    21. Kenny Chesney–The Big Revival
    22. Ashley Monroe–The Blade
    23. Cole Swindell–Cole Swindell
    24. Miranda Lambert–Platinum
    25. Carrie Underwood–Greatest Hits: Decade #1

    • Luke Bryan’s train wreck Kill the Lights debuts at the top of the chart
    • Luke now has THREE albums on this chart….
    • Michael Ray’s self-titled debut album debuts at No. 4 (this album was actually better than I expected…far from good, but certainly not terrible)

    Source: Billboard

Female Fridays

Female Fridays: Featuring Gwen Sebastian

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She is an underrated artist that could have potential as a pop country artist, so this Female Friday I have decided to feature Gwen Sebastian.

How You Might Know Gwen

She was a contestant on Season 2 of The Voice, but many more will know her from singing with Blake Shelton on his hit “My Eyes.”

Bio

Gwen Sebastian (born May 3, 1974, in Hebron, North Dakota), has had a hard time getting consistent recognition. After dropping out of nursing school to move to Nashville, she was eventually signed to a record deal in 2009. She released the single “Hard Rain” and the EP “V.I.P.” Both the single and the EP struggled for chart success, but Gwen was named by Country Weekly as a new artist to watch in 2010. During this time, Gwen also released a Christmas album titled Christmas in July.

Sebastian participated in the second season of The Voice, where she met Blake Shelton and Miranda Lambert. She was eliminated in the battle round, but she toured with Shelton after the show. In 2013, she released a self-titled album. Singles from this album include “Suitcase” and “Annie’s New Gun,” a duet with Miranda Lambert. She is best known, however, for her appearance on Blake Shelton’s hit “My Eyes.” To me, this proves Blake can and does help talented people, and it’s not always the RaeLynns of the world getting that privilege. “My Eyes” made me want to figure out who Gwen Sebastian was, and when I discovered her music, I was interested and wanted to hear more. I do think she needs more recognition, or she could be in danger of losing her label in the next few years.

Why Gwen Belongs on Country Radio

Firstly, she’s been there. “My Eyes” hit the top of the airplay chart just like “Lonely Tonight.” Gwen Sebastian should have the same name recognition that Ashley Monroe should, yet neither of them get airplay when they are not connected to Blake. Gwen is more on the pop country side, so not the best choice for traditionalists, but there’s room for good pop country too, and Gwen fits that role. Radio is more willing to accept pop country, so it should be easier for her to get airplay than it has been thus far. She also has a perfectly unique alto; similarly to Lindi Ortega, if you turn on the radio, you would know immediately that it is Gwen Sebastian singing. So she’s got originality, pop country leanings, and name recognition, along with her talent, and yet she can’t get on the radio…seems like a major problem.

Tracks I Recommend

I haven’t actually listened to much of the earlier Gwen Sebastian material, but her 2013 album is mostly good. I’ll highlight my favorites, but you should give the whole album a listen.

1. I’m Not Who You Think I Am–Gwen Sebastian
2. Annie’s New Gun (featuring Miranda Lambert)Gwen Sebastian
3. Bring it to Me–Gwen Sebastian
4. SuitcaseGwen Sebastian
5. One Like ThatGwen Sebastian

Listen to Gwen Sebastian’s self-titled album

charts

Billboard Country Airplay and Country Albums Chart (August 15th)

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Billboard Country Airplay

1. Luke Bryan–“Kick the Dust Up” (up 3) [really?]
2. Michael Ray–“Kiss You in the Morning” (up 1) [again, really?]
3. Frankie Ballard–“Young and Crazy” (up 3)
4. Zac Brown Band–“Loving You Easy” (up 1)
5. Brantley Gilbert–“One Hell of an Amen” (down 4)
6. Jason Aldean–“Tonight Looks Good on You” (down 4)
7. Dustin Lynch–“Hell of a Night”
8. Sam Hunt–“House Party”
9. Thomas Rhett–“Crash and Burn” (up 2)
10. Chris Janson–“Buy Me a Boat” (up 2)
11. Brett Eldredge–“Lose My Mind” (up 3)
12. Keith Urban–“John Cougar, John Deere, John 3:16” (up 1)
13. Eric Church–“Like a Wrecking Ball” (up 2)
14. Kenny Chesney–“Save It for a Rainy Day” (up 3)
15. Maddie & Tae–“Fly” (up 1)
16. Chase Rice–“Gonna Wanna Tonight” (up 3)
17. Jake Owen–“Real Life” (up 1)
18. Cole Swindell–“Let Me See Ya Girl” (up 3)
19. Florida Georgia Line–“Anything Goes” (up 3)
20. Dan + Shay–“Nothin’ Like You” (up 5) [biggest gainer]
21. Kip Moore–“I’m to Blame” (down 1)
22. Old Dominion–“Break up With Him” (up 1)
23. Lady Antebellum–“Long Stretch of Love” (up 2)
24. Cam–“Burning House” (up 2)
25. Big & Rich–“Run Away With You” (up 2)
26. Brothers Osborne–“Stay a Little Longer” (up 2)
27. Parmalee–“Already Callin’ You Mine” (up 2)
28. Chris Young–“I’m Comin’ Over” (up 2)
29. Jana Kramer–“I Got the Boy” (entering top 30)
30. Hunter Hayes–“21” (entering top 30)

  • new No. 1: “Kick the Dust Up”
  • next week’s No. 1 prediction: “Kiss You in the Morning”
  • Luke Bryan and Michael Ray have albums coming out Friday, and they have the No. 1 and No. 2 slots…how convenient
  • once again, a good song (Jana Kramer) enters the top 30 and is balanced by crap (Hunter Hayes)
  • Brad Paisley’s “Crushin’ It” and Canaan Smith’s “Love You Like That” fell from No. 9 and No. 10, respectively, to out of the top 30

Billboard Top Country Albums

1. Alan Jackson–Angels and Alcohol
2. Ashley Monroe–The Blade [debut]
3. Sam Hunt–Montevallo
4. Jason Isbell–Something More Than Free
5. Zac Brown Band–Jekyll + Hyde
6. Eric Church–The Outsiders
7. Little Big Town–Painkiller
8. Jason Aldean–Old Boots, New Dirt
9. Brantley Gilbert–Just as I Am
10. Florida Georgia Line–Anything Goes
11. Kacey Musgraves–Pageant Material
12. Various Artists–Now That’s What I Call Country, Volume 8
13. Luke Bryan–Crash My Party
14. Willie Nelson/Merle Haggard–Django and Jimmie
15. Chase Rice–Ignite the Night
16. Luke Bryan–Spring Break…Checkin’ Out
17. Zac Brown Band–Greatest Hits So Far…
18. Easton Corbin–About to Get Real
19. Cole Swindell–Cole Swindell
20. Kenny Chesney–The Big Revival
21. Big Smo–Bringin’ It Home (EP)
22. Blake Shelton–Bringing Back the Sunshine
23. Carrie Underwood–Greatest Hits: Decade #1
24. Miranda Lambert–Platinum
25. Kelsea Ballerini–The First Time

  • Alan Jackson’s Angels and Alcohol hits No. 1 after all
  • Ashley Monroe’s mostly great album The Blade debuts at No. 2
  • Luke Bryan will probably have three albums on this chart next week…
  • if Sam Hunt weren’t in the way, this would be the best top five albums I’ve seen in awhile…sadly, he is infecting it
  • who is buying these Now That’s What I Call Country albums???

Source: Billboard