Tag Archives: Miranda Lambert

Female Fridays: Featuring Sunny Sweeney

Last week, I featured Katie Armiger and noted that she is one of my favorite underrated female country artists. I love her sound because it is pop country that is done very well. This week, I am featuring Sunny Sweeney, one of my favorite traditional country females.

How You Might Know Sunny

Sunny Sweeney had a top 10 hit in 2011 with “From a Table Away” which many will remember. She was also an opener on Miranda Lambert’s recent Certified Platinum tour.

Bio

Sunny Sweeney (born December 7, 1976 in Houston, Texas, and raised in Longview), got a degree in public relations and even tried to make it in the “real” world for awhile. That is, until one day when she picked up a guitar and made the life-changing decision to pursue singing and songwriting. She began playing several shows a week in Texas and quickly had a growing fan base. In 2006, she independently released Heartbreaker’s Hall of Fame, which, according to her Web site,
found its way onto the desk of Big Machine Records president Scott Borchetta
This turn of events led to a record deal and the re-release of the album in 2007, with three singles making the Texas Music Chart.

In 2010, after signing to Republic Nashville, a joint venture between Big Machine and Universal Republic, Sunny released the well-known “From a Table Away.” This has been her highest charting single–on a major chart–and peaked at No. 10. it was followed by the excellent album Concrete. Concrete was my first experience with Sunny Sweeney, and I couldn’t wait to hear more music from her. Other less-known singles from that album include “Staying’s Worse Than Leaving” and “Drink Myself Single.”

For whatever reason–we can speculate on many–Sunny Sweeney and Big Machine parted ways after this album. In 2014, Sunny released her third album, Provoked with Thirty Tigers, the self-proclaimed
“home for independent artists.”
The first two singles, “Bad Girl Phase” and “My Bed”–a duet with fellow Texas singer Will Hoge that Sunny co-wrote with Ashley Monroe and Angaleena Presley of the Pistol Annies–hit No. 1 on the Texas Music Chart. This makes Sunny Sweeney the first female to have two consecutive singles hit No. 1 on the Texas charts. She said of the experience, “I am very honored to be the first female to ever have two number one songs back to back on the Texas music chart…I believe firmly that if you just keep following your heart and working your butt off, you will see the payoff and positive results.”

Why Sunny Belongs on Country Radio

Why? Well, for one, she’s already proved she can get chart success with “From a Table Away.” That song wasn’t a pop song either–it was a traditional sounding song about the “other woman” witnessing the husband, whom she thought was ready to leave his wife, from a table away with his wife. The husband is obviously still in love with the wife, and the other woman is confronting him later after having seen them together. This song did well on the charts, so why is it inconceivable to think Sunny could have radio success again? Not to mention she’s doing very well on the Texas Music Chart right now–proving that if actual country music was getting played on “country” radio, she would be highly successful. Also, much like Katie Armiger, her songwriting is relatable and autobiographical. However, unlike younger artists, such as Katie and Taylor Swift, Sunny writes from a place of more experience. Her songs speak of marriage, divorce, and adultery–many times from the view of the “other woman,”–in a way that says she’s lived the lyrics.

In addition, Sunny got a lot of exposure from Miranda Lambert’s Certified Platinum tour, so many more people should know her music now. But sadly, when I was standing in line before the doors opened to see Miranda on that very tour, a local DJ was spinning Miranda Lambert and Justin Moore hits (Justin was the other opener.) After awhile, he called out, “All of you know Miranda Lambert” to which we all cheered. Then he added, “But how many of you know Sunny Sweeney?” A handful of people answered. He said, “Well, here’s one of her songs,” and played “Bad Girl Phase,” one of the recent No. 1 Texas Music Chart singles. For many standing around me, that was the first they’d heard of Sunny Sweeney, and that speaks volumes. The same crowd that was cheering for Miranda Lambert should have been cheering for Sunny Sweeney, and yet most did not even know her name.

Tracks I Recommend

You cannot go wrong with either Concrete or Provoked, but if I had to narrow it down, here’s where I’d start.

1. Amy–Concrete
2. From a Table Away–Concrete
3. Fall for Me–Concrete
4. Staying’s Worse Than Leaving–Concrete
5. My Bed (featuring Will Hoge)–Provoked
6. Carolina on the Line–Provoked
7. Find Me–Provoked
8. Bad Girl Phase–Provoked
9. You Don’t Know Your Husband–Provoked
10. Drink Myself Single–Concrete
11. Refresh my Memory–Heartbreaker’s Hall of Fame

Listen to Concrete

Listen to Provoked

These are the two No. 1 Texas Music Chart singles. Both are great, but my personal favorite is “My Bed.”

Single Review: Clare Dunn’s “Move on”

Rating: 3/10

So, it’s no secret that I want to see more women getting country radio attention. And for anyone who knows me, it’s no secret that I like a little rock in my country, and love both sides of Miranda Lambert–the traditional country side of “Roots and Wings” and the pop rock side displayed on “Little Red Wagon.” So when Miranda Lambert selected Clare Dunn for her Roadside Bars and Pink Guitars tour, claming that
“you don’t see that many women who get up there and really slay a guitar and play some real rock ‘n’ roll country”
I was excited to hear Clare’s music. Fast forward to a few weeks ago, when Clare’s new single “Move on” became the most added song to country radio after Lambert and Little Big Town’s “Smokin’ and Drinkin,” and I knew I had to review it.

But here’s the problem–where Miranda calls it “rock ‘n’ roll country,” I don’t hear anything country about “Move On.” It’s a pretty good song–certainly wouldn’t make me change the radio station–and that’s why it’s not getting a lower rating, but if this song were being sold as a pop or rock song, I would give it an 8 or 9. Sell it as country, and that’s why it gets a 3.

“Move on” is about a woman asking the man to hurry up and “move on” from pretending to be just friends when it’s obvious they both want more. She uses lines like “Sometimes I wish you just, Well, if I told you what I’m really thinkin’ it might make you blush.” She wants him to “move on, move on, move on, and make your move on me.” It reminds me a little of “Are you Gonna Kiss me or Not” by Thompson Square, and lyrically, it’s not a bad song.

Musically, it’s pretty good too–for a pop rock song. I love the electric guitars and drum loops–but nothing in it is country. This is Clare Dunn being the rock version of Kelsea Ballerini. Kelsea Ballerini is talented, but as a pop artist. Clare Dunn is talented, but as a pop or rock artist. Neither belong on country radio, and it is unfortunate that these women are getting airplay over more traditional artists like Sunny Sweeney or Kacey Musgraves. Apparently, in 2015, you can just write anything short of straight rap–and that’s probably coming–and decide it’s country. Clare Dunn, call yourself pop or rock, and this rating will change drastically.

Random Thoughts of the Week: Introducing the “Tomatoes”

I gave this the name “random thoughts” because basically that’s what you will find here. Think of the music version of a daily or weekly sports column with some news and/or opinions along with several random bits of information. Country Perspective has a similar Thursday column called “The Hodgepodge” and it is one of my favorite things to read from them, so I wanted to start something similar on my own blog.

One of the most irritating things for me in the wake of #SaladGate is the comment/defense that Keith Hill was merely stating facts of the music business right now. To be clear, country radio has far more problems than the lack of airplay for women. There is quality music being made by both men and women that is not getting the airplay it deserves, but I am truly tired of hearing, “Well, there really aren’t that many women right now,” or “he was just stating facts,” or the most infuriating, “of course that’s the statistic, how can you play women when there aren’t any?”

The thing is, my music collection is filled with women. There are plenty of great women artists, both mainstream and independent, but most casual listeners don’t know any names besides Miranda Lambert and Carrie Underwood, or maybe Kacey Musgraves and Kelsea Ballerini now, but that’s being optimistic. A large part of this is that radio doesn’t play these women, and so people assume they don’t exist.

People should know the “tomatoes” of the country world. Whether you like their music or not, they should at least have a chance to be heard, and so I will be featuring a woman on this site every Friday to help with this problem. Personal preference will not be taken into account–I hate Luke Bryan and Florida Georgia Line, but I got the chance to decide that because I heard them. So although I will comment on my personal preference, my main focus here is to fix this problem of people thinking there aren’t any women out there to fill the country airwaves.

Tomato of the Week: Katie Armiger

https://www.youtube.com/watch?v=DXI44BUDvJA

In light of her recent feud with her long-time label, Cold River Records, Katie is the first, and one of my favorite, underappreciated tomatoes. Check out her full article on Female Friday!

Random Country Suggestion: Shannon Brown

This song came on my iPhone on Shuffle, and I went to see what else she did (turns out nothing) and ended up buying this whole album.

Random Non-Country Suggestion: Selena Gomez–“The Heart Wants What it Wants”

I love country, but I like a little of everything else too, and I truly love this song. I have this version and a cover by our featured female–both are great.

That’s all for this week’s Random Thoughts!