Single Review: Maddie & Tae’s “Friends Don’t”

Rating: 7/10

Before I go any further, I know this has nothing to do with anything, but you all may have noticed my lack of writing during the past week. Some things have happened to keep me from it, some of which are personal and have nothing whatsoever to do with CE and others which have affected CE directly. Regardless, there were several things I intended to write, reviews and otherwise, which didn’t get written for various reasons–life has that way about it. The reviews will come, the other stuff won’t because the time has passed to comment. Also, for all 7 of you lovely people who voted on Twitter, there will hopefully be a playlist for April coming eventually. Obviously none of that has anything to do with Maddie & Tae, but it felt like an update was warranted. And now, on to the first thing I’ve been excited to write about since I heard it earlier this week.

AS for Maddie & Tae, I’ve written so much about these ladies just in their short existence, and it simply makes me happy as a music fan to see them arrive with this lead single from their second album, and even more happy that it stays in their pop country lane so well. Yes, it’s more pop than most of what we’ve seen from them so far, but it’s still solidly pop country, and perhaps more importantly, still sounds like the duo. Their excellent harmonies are back, always a great addition to their songs, and the acoustic guitar and banjo can be heard in the mix, giving actual country flavor to the track, as you would expect from one of their songs. Their smart, clever songwriting is on full display here with the hook “we do, but friends don’t.” It’s describing all these unique, specific situations, like calling each other in the middle of the night just to chat and having conversations with only their eyes–all things that you don’t do if you’re just friends. The song lays out all these examples and then sells it with that hook, explaining that they can’t deny this chemistry between them any longer. That’s the thing about this–the songwriting is smart, but it’s also so relatable and something probably all of us have either experienced personally or have seen happening with our friends. Sometimes we can even see it in those around us easier than we can see it in ourselves. It’s a sentiment so many will understand, and portrayed cleverly by Maddie & Tae, at once specific to this couple and universal for the listener.

Solid single, looking forward to the album.

Written by: Maddie Marlow, Tae Dye, Justin Ebach, Jon Nite

Album Review – Randall King (self-titled)

Rating: 7/10

If you’re looking for someone new to follow in the traditional country scene, meet Randall King. This self-titled debut album really fulfills any fan of the genre’s requirements. It features plenty of steel guitar, nicely varied tempos, and his voice is quite good. I just knew I was going to like this album once I heard his Southern drawl and the upbeat tempo of the first track, “Freightline”.

It’s no surprise, then, that “Freightline” is one of my favorites off of the whole album. It’s a song all about how the main character, a trucker, simply wants to get back home to his partner. She’s waiting for him, the least the trucking line could do is work faster. I just found this song a breath of fresh air, and it makes for a solid album opener. Another of my favorites off of the album is the slower “Mirror, Mirror”. It’s more introspective, with the character in the song looking into a mirror. It’s reflecting him, the biggest fool, who’s somehow managed to lose the woman he loved. Randall King’s voice really sells this song, and you get to see just how vocally talented he is. The steel guitar is amazing on this track, but since this is true for most of this album, I’ll try not to elaborate on it too much.

While we’re on the subject of songs wherein the main character isn’t perfect, there’s “Cool Under Pressure”. While it’s more upbeat, the character is saying how he has to hide his nerves around a girl he likes. I didn’t like it at first, because it seemed to me that he wasn’t being himself. When I really thought about it, though, I found the song a breath of fresh air. The man is admitting that he’s not smooth and that he doesn’t actually have the girl yet. I liked that a lot.

My absolute favorite song on the album is “When He Knows Me”. It’s about a truck driver who is losing his memory, told from the perspective of a friend or relative. It’s an incredibly sad song, wherein Randall King describes how some days the man remembers, and some days he doesn’t. The line that really gets me here is “those precious moments are getting fewer and farther between, when he knows me”. There’s also the verse where the narrator describes how he’s been mixed up with a field hand, a foe, and a friend. It really is one of the saddest songs I’ve heard all year. If you listen to anything off of this album, make it this.

While I’ve highlighted my favorites, the rest of the album is nicely varied between happy and sad, fast and slow. There isn’t really one song I hate. If I had to pick my least favorite song here, I think it’d have to be “Tuggin’ On My Heartstrings”. Which is sad, because I love it instrumentally. It’s fun, upbeat, with awesome fiddle and steel. The lyrics, though, is where I take issue. It’s about a man who’s in love with a woman, and that woman is changing literally everything about his life, from his friends to what he watches on TV. I just think that’s stereotypical and wrong. That said, I can’t help liking the melody, tempo, and everything musical about this song.

Overall, this album is solid. Not every song is a standout, but Randall King has a really good voice. He’s definitely got the talent to pull off the variety found here. With songs like “When He Knows Me”, and “Mirror Mirror On The Wall”, I’d say he’s one to watch. The fact that the whole album wasn’t slow and sad just makes it that much better, and I definitely recommend checking this out.

Buy the Album