You read this right: in a press conference held earlier today (September 22nd), George Strait announced a new album, Cold Beer Conversation, is coming out this Friday! The album will be available exclusively through Apple Music and Wal-Mart. Here’s a track listing, provided from Windmill’s Country:
Track Listing
1. “It Was Love” (Keith Gattis)
2. “Cold Beer Conversation” (Al Anderson / Ben Hayslip / Jimmy Yeary)
3. “Let It Go” (Keith Gattis / Bubba Strait / George Strait)
4. “Goin’ Goin Gone” (Wyatt Earp / Keith Gattis)
5. “Something Going Down” (writers to be confirmed)
6. “Take Me To Texas” (Brandy Clark / Shane McAnally)
7. “It Takes All Kinds” (George Strait, Bubba Strait, Bob Regan and Wil Nance)
8. “Stop & Drink” (Dale Dodson / Troy Jones)
9. “Everything I See” (Dean Dillon / Keith Gattis / Bubba Strait / George Strait)
10. “Rock Paper Scissors” (Casey Beathard / Monty Criswell / Bubba Strait)
11. “Wish You Well” (Clint Daniels / Jeff Hyde / Brice Long)
12. “Cheaper Than A Shrink” (Bill Anderson / Buddy Cannon / Jamey Johnson)
13. “Even When I Can’t Feel It” (Dean Dillon / Ben Hayslip / Lee Thomas Miller)
Also, Strait will be one of the first to perform at the new Las Vegas Arena–he will return to live performances for dates on April 22nd and 23rd, 2016, and September 9th and 10th. Strait will be joined in Vegas by Kacey Musgraves.
In light of the album, there will be no Female Friday. I will have a review of this as soon as I can!
2015 has been the year of the sellout in country music. The two most disappointing sellouts of the year for me were easily the Zac Brown Band and the Eli Young Band, the former with the release of the EDM single “Beautiful Drug” to country radio, and the latter with the terrible single “Turn it On” and the subsequent EP, as well as the horrible “country remix” of “Honey, I’m Good” with Andy Grammer. Keith Urban was a close third, using his talent to give us the brilliant “John Cougar, John Deere, John 3:16,” a song that personally pisses me off about as much as “Kick the Dust Up” because Keith Urban knows better. Easton Corbin used his George Strait-esque voice, previously used for “A Little More Country Than That,” to record an album full of bro country pickup lines. Brett Eldredge, though never really carrying a torch for traditional country, was never really working aginst us until his recent r&b album Illinois. Danielle Bradbery has remade herself into a wannabe pop star for the sake of reviving an already struggling career. Even the legendary Alabama sunk to the low of releasing “Southern Drawl,” a desperate attempt to be cool that failed in every respect, coolness especially. And now, Eric Paslay’s new single, “High Class” seems to have finally pushed everyone off the deep end with its blatant metro-bro bullshit lyrics and style–and this coming from the person who obviously knows better, as “She Don’t Love You” so effectively proved. In times like these, people start saying we should forsake country altogether and start calling ourselves Americana fans, that we should just surrender our beloved “country music” to these sellouts, country carpetbaggers, and metro-bro douchebags, and go listen to Americana. They say that all hope for “country” as we knew it is lost.
Well, here are some signs of hope, in no particular order of importance.
Dierks Bentley
Dierks Bentley is not selling out, as his latest single, “Riser,” has proven. I will be incredibly shocked if he succumbs to the trends, as he has no reason to. He has found the perfect balance between quality and airplay and doesn’t seem to care that he often does not get the recognition he deserves. He has made quality music throughout his career and has no reason to change that now; he’s found a formula that works for him even in this country radio climate.
Carrie Underwood
Carrie Underwood is not a traditional country artist, but she’s here because she defines what actual pop country should sound like. She takes the best of pop and country and blends them well, offering songs that both display depth in storytelling and are radio-ready. Although I was not as impressed with her new single, “Smoke Break,” as many, it certainly does not follow the current trends, and her new album, Storyteller, could be a factor in turning back the tide of mainstream country music to a real pop-country sound–what we have now is straight pop poorly disguised and incorrectly labled as country.
Cam
True, Cam has only given us two singles and an EP so far, but the reason she’s in my top five signs of hope for mainstream country is that On the Verge supported her. Her first single, “My Mistake,” was a nice pop country blend, but “Burning House,” the sponsored single, is a completely acoustic, traditional country song. The fact that this program supported an artist like that signals change. Cam’s debut album cannot come soon enough!
Chris Stapleton
Some would argue whether Chris Stapleton is mainstream, but I don’t see why. He’s on a major label and has even received some airplay. Traveller is nominated for Album of the Year by the CMA, and Stapleton is nominated for Male Vocalist of the Year and New Artist of the Year. Stapleton with three nominations is a sure sign of hope.
Maddie & Tae
I have written a lot about these ladies, but I’ll say it again–they can bring those that think “country” = Sam Hunt and Kelsea Ballerini back to country. Radio has actually given them a shot. They’ve proven they’re not afraid of fighting for country; they’ve spoken out against drum machines and their debut single was “Girl in a Country Song.” The fact that Scott Borchetta and Big Machine are behind them and that they’re actually getting played is a huge sign of hope.
Despite all the selling out, there are still a lot of reasons to hope for mainstream country, perhaps now more than ever. More and more independent artists are seeing success in album sales that mainstream Nashville can’t ignore. Country legend Merle Haggard, a name-drop in many of today’s songs, is openly speaking out. Represented above are established artists and newcomers alike, fighting for real country music. I didn’t even mention Mo Pitney, Ashley Monroe, Kacey Musgraves, Jon Pardi–the list goes on. Not to mention Tim McGraw’s new album will unashamedly be titled Damn Country Music. I wasn’t thrilled by the lead single, but the album title certainly intrigues me. The point of all this is that mainstream country is far from hopeless–in fact, after years of fighting, we are finally seeing numbers on our side, artists speaking out, and more traditional artists being signed and getting airplay. In short, although it is happening slowly, we are seeing results. Why should we give up now? The day we leave our own fight and run to Americana is the day that country music will be lost.
Tomato of the Week: Jamie Lin Wilson
I featured her friend and fellow Texas country artist, Courtney Patton, last week, so this week, I am covering Jamie Lin Wilson. Check out her full article on Female Friday!
Random Country Suggestion: Randy Rogers Band–Burning the Day
A great album from one of my favorite Texas/Red Dirt bands.
1. Thomas Rhett–“Crash and Burn” (up 1)
2. Keith Urban–“John Cougar, John Deere, John 3:16” (up 1)
3. Chris Janson–“Buy Me a Boat” (up 1)
4. Kenny Chesney–“Save It for a Rainy Day” (up 2)
5. Brett Eldredge–“Lose My Mind” (up 2)
6. Dustin Lynch–“Hell of a Night” (down 5)
7. Sam Hunt–“House Party” (down 2)
8. Luke Bryan–“Strip it Down”
9. Florida Georgia Line–“Anything Goes”
10. Maddie & Tae–“Fly”
11. Chase Rice–“Gonna Wanna Tonight” (up 1)
12. Old Dominion–“Break Up With Him” (up 2)
13. Cole Swindell–“Let Me See Ya Girl”
14. Carrie Underwood–“Smoke Break” (up 3)
15. Dan + Shay–“Nothin’ Like You”
16. Blake Shelton–“Gonna”
17. Lady Antebellum–“Long Stretch of Love” (up 2)
18. Jake Owen–“Real Life”
19. Cam–“Burning House” (up 3)
20. Chris Young–“I’m Comin’ Over”
21. Tim McGraw–“Top of the World” (up 2)
22. Jason Aldean–“Gonna Know We Were Here” (up 5) [biggest gainer]
23. Big & Rich–“Run Away With You” (up 1)
24. Brothers Osborne–“Stay a Little Longer” (up 1)
25. Parmalee–“Already Callin’ You Mine” (up 1)
26. Kelsea Ballerini–“Dibs” (up 2)
27. LoCash–“I Love This Life” (up 2)
28. Jana Kramer–“I Got the Boy” (up 2)
29. Hunter Hayes–“21” (re-entering top 30)
30. The Band Perry–“Live Forever” (entering top 30)
new #1: “Crash and Burn”
next week’s #1 prediction: “John Cougar, John Deere, John 3:16”
Eric Church’s “Like a Wrecking Ball” and Kip Moore’s “I’m To Blame” fell from #11 and #21, respectively, to out of the top 30
Hunter Hayes’s “21” re-enters the top 30 this week, along with The Band Perry’s terrible new pop single, “Live Forever”
at least “Strip it Down” has stalled a little in its ridiculous climb to the top
Billboard Top Country Albums
1. Luke Bryan–Kill the Lights
2. Sam Hunt–Montevallo
3. Maddie & Tae–Start Here
4. Zac Brown Band–Jekyll + Hyde
5. Eric Church–The Outsiders
6. Elvis Presley–Elvis Presley Forever
7. Kip Moore–Wild Ones
8. Florida Georgia Line–Anything Goes
9. Little Big Town–Painkiller
10. Alan Jackson–Angels and Alcohol
11. Brantley Gilbert–Just as I Am
12. Jason Aldean–Old Boots, New Dirt
13. Chris Stapleton–Traveller
14. Various Artists–Now That’s What I Call Country, Volume 8
15. Various Artists–Mud Digger, Volume 6
16. Luke Bryan–Crash My Party
17. Kacey Musgraves–Pageant Material
18. Jason Isbell–Something More Than Free
19. Zac Brown Band–Greatest Hits So Far…
20. Chase Rice–Ignite the Night
21. Darius Rucker–Southern Style
22. Cole Swindell–Cole Swindell
23. Willie Nelson/Merle Haggard–Django and Jimmie
24. Kelsea Ballerini–The First Time
25. Carrie Underwood–Greatest Hits: Decade #1
Luke Bryan is still at the top
Maddie & Tae sit at #3 like beacons of hope…they really have the top country album, because neither Kill the Lights nor Montevallo are country albums
Chris Stapleton’s Traveller moved up 7 spots from #20 to #13 this week
I debated about whether or not to do a Female Friday over Kacey Musgraves because she’s probably the most known female in country music besides Carrie Underwood and Miranda Lambert. But being known and being appreciated are two vastly different things, and I think Kacey Musgraves is certainly underappreciated by country radio and many times by country listeners themselves. It’s one thing to know her as the controversial singer of “Follow Your Arrow” and “Biscuits” and quite another to know her as one of the writers of “Fine.” So with that in mind, I decided that Kacey deserves a Female Friday.
How You Might Know Kacey
I’m sure you all know “Follow Your Arrow,” but I’m not going to post that for the aforementioned reasons. Many of you should also know her debut single “Merry Go ‘Round” which won a Grammy for Best Country Song in 2014.
Bio
From a 2013 interview with PrideSource, on her musical influences,
I’ve always loved Dolly Parton and I used to sing her songs when I was little. She’s a great storyteller and that’s probably where I got a lot of my influence from. I love Loretta Lynn and Willie Nelson and his truth telling. I love Glen Campbell and a lot of old-school country. I’m really all over the map, but the country I seem to like is a lot older.
From a 2013 interview with The Guardian, on her controversial lyrics,
“Certain kinds of people will always have an issue with my music,” says Musgraves. “But that’s fine, it’s OK. I don’t want to be the McDonald’s of music. I don’t want to not turn anyone off. If you were everybody’s cup of tea, you’d probably be boring.
“I don’t feel that the songs I sing and the music I make are very subversive, but I can see how it would be to some people,” she goes on. “The things I sing about are just what inspires me and what I’ve been exposed to in my life. It’s not like I’ve thought, Ooh, this is a button pusher!”
Kacey Musgraves (born August 21st, 1988, from Golden, Texas), grew up singing and songwriting. She sang western swing music in the clubs around Texas and listened to the aforementioned country artists, along with The Spice Girls and Tom Petty, among others. She dreamed of leaving Golden and eventually did, after placing seventh on Nashville Star in 2007, an experience for which she is glad few remember her. Kacey had self-released three albums before her appearance on the show. In 2008, while living in Austin, she was signed to independent label Triple Pop and recorded two songs, “Apologize” and “See You Again.” She eventually moved to Nashville and was signed to Mercury in 2012.
Kacey Musgraves has released two excellent, critically acclaimed albums, Same Trailer Different Park (2013), and Pageant Material (2015), along with a single called “The Trailer Song” (2014.) Additionally, she can be found singing backing vocals on Dierks Bentley’s 2013 single “Bourbon in Kentucky,” was featured on Josh Abbot Band’s 2011 single “Oh, Tonight,” and is credited with writing many other songs, including several for ABC’s Nashville. Same Trailer Different Park won a Grammy for Best Country Album in 2014, as well as an ACM for Album of the Year. Pageant Material is nominated for this year’s CMA Album of the Year. Kacey’s debut single, “Merry Go ‘Round,” won a Grammy for Best Country Song and charted inside the top ten on Billboard Country Airplay, a remarkable achievement for a woman, a debut single, and a song of such substance. “Merry Go ‘Round” has been certified platinum and “Follow Your Arrow” has been certified gold. “Follow Your Arrow” also became the 2014 CMA Song of the Year.
But it was “Follow Your Arrow,” as well as Pageant Material‘s lead single, “Biscuits,” that typecast her as the controversial singer who supports gay rights and/or anti-religious lyrics. “Follow Your Arrow” does exactly that, with its “Kiss lots of boys, or kiss lots of girls, if that’s what you’re into,”–but that’s not all Kacey is about. She’s been classified by many as the singer who supports casual sex, (“It is What it Is,”) homosexuality, (“Follow Your Arrow,”) anti-religious lyrics and/or lyrics concerning hypocrisy, (“Biscuits”), and smoking pot (“Follow Your Arrow,” “Pageant Material,”) and that’s drawn both criticism and praise. Many praise her for her outspoken, progressive values while others typecast her as only singing about these things and don’t even bother to check out the rest of her discography. That is highly unfortunate, especially if you claim to love country–Kacey is a traditional country artist if I ever heard one, and she shouldn’t be overlooked either because of her values or because of some ill-conceived belief that “controversy” is all she sings about. In fact, her current single, “Dime Store Cowgirl,” is the most personal and least socially controversial song Kacey has ever sent to radio, so hopefully it will get a chance.
Why Kacey Belongs on Country Radio
Kacey Musgraves started out with a top ten hit, but now she has been all but blacklisted from country radio. Why? She’s too “country.” She’s too “controversial.” She supports drug use, gay rights, etc. Well, for one, they played “Merry Go ‘Round” and that was country. Secondly, so she’s controversial…at least there’s something to her lyrics besides “calling dibs” on some “boy.” Thirdly, so it’s okay for Luke Bryan to promote “Strip it Down” on Tinder, for the bros to objectify women–and sing about casual sex, I might add–and for virtually everyone in mainstream country except Carrie Underwood to glorify excessive drinking, but Kacey Musgraves can’t talk about getting high? Talk about hypocrisy. And one more thing: Kacey Musgraves is actually doing something that radio programmers want to do–she’s bringing in a younger audience with her “controversial” brand of country. And guess what? Unlike the people coming to “country” through Kelsea Ballerini, the bros, Sam Hunt, and Taylor Swift–with some exception for early Taylor Swift–these people are being introduced to actual country. We traditionalists advocate balance. We don’t want everything to sound like Hank Williams and Loretta Lynn–we just want some actual country on country radio. Kacey Musgraves is an answer; she brings in a younger demographic while keeping her completely traditional sound.
Tracks I Recommend
For this, I’ll pick the standout tracks from each album separately, in order of awesomeness. I recommend both albums equally; each had highs and lows, and I listen to each one far too much.
Same Trailer, Different Park
1. “It Is What it Is”
2. “Merry Go ‘Round”
3. “Back on the Map”
4. “Silver Lining”
5. “I Miss You”
6. “Follow Your Arrow”
7. “Blowin’ Smoke”
1. Dustin Lynch–“Hell of a Night” (up 1)
2. Thomas Rhett–“Crash and Burn” (up 1)
3. Keith Urban–“John Cougar, John Deere, John 3:16” (up 2)
4. Chris Janson–“Buy Me a Boat”
5. Sam Hunt–“House Party” (down 4)
6. Kenny Chesney–“Save It for a Rainy Day” (up 2)
7. Brett Eldredge–“Lose My Mind”
8. Luke Bryan–“Strip It Down” (up 5) [biggest gainer]
9. Florida Georgia Line–“Anything Goes” (up 1)
10. Maddie & Tae–“Fly” (down 1)
11. Eric Church–“Like a Wrecking Ball”
12. Chase Rice–“Gonna Wanna Tonight”
13. Cole Swindell–“Let Me See Ya Girl” (up 2)
14. Old Dominion–“Break Up With Him” (up 2)
15. Dan + Shay–“Nothin’ Like You” (up 2)
16. Blake Shelton–“Gonna” (up 2)
17. Carrie Underwood–“Smoke Break” (up 5)
18. Jake Owen–“Real Life” (up 1)
19. Lady Antebellum–“Long Stretch of Love” (up 1)
20. Chris Young–“I’m Comin’ Over” (up 4)
21. Kip Moore–“I’m To Blame”
22. Cam–“Burning House” (up 1)
23. Tim McGraw–“Top of the World” (up 4)
24. Big & Rich–“Run Away With You” (up 1)
25. Brothers Osborne–“Stay a Little Longer” (up 1)
26. Parmalee–“Already Callin’ You Mine” (up 2)
27. Jason Aldean–“Gonna Know We Were Here” (up 2)
28. Kelsea Ballerini–“Dibs” (up 2)
29. LoCash–“I Love This Life” (entering top 30)
30. Jana Kramer–“I Got the Boy” (re-entering top 30)
new #1: “Hell of a Night”
next week’s #1 prediction: “Crash and Burn”
Jana Kramer adds quality to the top 30 with the re-entrance (finally) of “I Got the Boy”
this is balanced by LoCash’s “I Love This Life
Frankie Ballard’s “Young and Crazy” and Zac Brown Band’s “Loving You Easy” fell from #6 and #15, respectively, to out of the top 30
Luke Bryan has hit #8 with “Strip it Down” after only 5 weeks…draw your own conclusions about this
Billboard Top Country Albums
1. Luke Bryan–Kill the Lights
2. Maddie & Tae–Start Here [debut]
3. Sam Hunt–Montevallo
4. Zac Brown Band–Jekyll + Hyde
5. Eric Church–The Outsiders
6. Elvis Presley–Elvis Presley Forever
7. Kip Moore–Wild Ones
8. Florida Georgia Line–Anything Goes
9. Little Big Town–Painkiller
10. Alan Jackson–Angels and Alcohol
11. Brantley Gilbert–Just as I Am
12. Jason Aldean–Old Boots, New Dirt
13. Darius Rucker–Southern Style
14. Luke Bryan–Crash My Party
15. Various Artists–Mud Digger, Volume 6 [debut]
16. Various Artists–Now That’s What I Call Country, Volume 8
17. Kacey Musgraves–Pageant Material
18. Jason Isbell–Something More Than Free
19. Kenny Chesney–The Big Revival
20. Chris Stapleton–Traveller
21. Chase Rice–Ignite the Night
22. Zac Brown Band–Greatest Hits So Far…
23. Michael Ray–Michael Ray
24. Kelsea Ballerini–The First Time
25. Cole Swindell–Cole Swindell
