Tag Archives: Luke Bryan

Random Thoughts of the Week: What Country Artists Can Learn From Nelly

In the short life of this blog, I have already reviewed my fair share of bad music. However, an increasing, and more alarming, problem, is that I have reviewed plenty of “country” music that wasn’t country at all. Kip Moore’s Wild Ones is a good rock album, but I should never have reviewed this at all because it is not country in any sense. Luke Bryan’s Kill the Lights is an album full of trend-chasing music which explores pop, r&b, and rock, and then throws some country on the end like an afterthought. Brett Eldredge’s Illinois was almost exclusively an r&b album, with some rock, and Thomas Rhett’s latest, Tangled Up–so named because of his many influences–was a terrible excuse for music filled with attempts at nearly every genre except the one to which it was marketed. This is a problem that should be addressed not only by country reviewers, but by those of the other genres–the music these artists are making is often terrible in its own genre and thus is disrespectful not only to country, but also to whatever genre it fails to be.

Recently, rapper Nelly was asked about a rumored country EP. This was his response, as reported by
Saving Country Music:

I love country music. I respect country music so much that I would never think that I can sit down and just as easy do a country album. That’s not it. That’s just like some country artist saying, ‘Hell, I’m just gonna do a rap album.

Yes! Country artists, take note–the rapper Nelly is explaining that you can’t just “do a rap album.” I don’t see why Nelly had to explain this to you, but allow me to elaborate: you don’t see rappers and pop artists flocking to make country records. Washed-up rockers are the ones coming to country because they want the money; however, successful artists are not running out to make a country record. They know they can’t, and they have respect for country and for music in general. Nelly apparently has more respect for my beloved country music than Thomas Rhett, whose father was Rhett Akins. This says nothing good about the state of country music.

No artist is going to make an album filled with fiddle, steel, and country lyrics and then market it as rap. For one, rap fans are not as gullible as the fans to whom country music attempts to cater. Secondly, the gatekeepers of other genres are smart enough to keep fiddle and steel out–as they are trademarks of country! So why is it that country, in the name of “evolution,” is allowed to become rap, r&b, pop, rock, and EDM? This doesn’t even make sense if you believe in evolution: no one thinks people evolved from fish because they aren’t related at all. Evolution is based on clear relationships; rap is clearly not related to country and therefore can’t “evolve” from it. The same goes for the r&b/funk/disco/pop mess that Thomas Rhett released. The lack of “evolution” is clear when these artists attempt to copy other genres because, as Nelly pointed out, they can’t just say, “Hell, I’m gonna do a rap album.” They won’t make a good rap album because they aren’t rappers. They aren’t rappers, r&b singers, pop artists, or rockers; they are country artists. It’s what they grew up doing, and it’s where they excel. To make bad music that other genres wouldn’t claim, and then to claim it is “country,” is disrespecting country, the other genre, and music in general.

Tomato of the Week: Kasey Chambers

I discovered her about a month ago and promised a Female Friday. Check out her feature on Female Friday!

Random Country Suggestion: George Strait–“If You Can Do Anything Else”

I’ve been on a Strait binge since his new album–here’s one of his better songs.

Non-Country Suggestion: Passenger–“Riding to New York”

A friend sent me this song this week with the message that it had “incredible lyrics”–this is right, so I’m sharing it with you all.

Billboard Country Airplay and Country Albums Chart (October 10th)

Billboard Country Airplay

1. Kenny Chesney–“Save It for a Rainy Day” (2nd week a #1)
2. Keith Urban–“John Cougar, John Deere, John 3:16”
3. Brett Eldredge–“Lose my Mind” (up 1)
4. Luke Bryan–“Strip It Down” (up 2)
5. Florida Georgia Line–“Anything Goes” (up 2)
6. Old Dominion–“Break Up With Him” (up 5) [tied for biggest gainer]
7. Carrie Underwood–“Smoke Break” (up 2)
8. Chase Rice–“Gonna Wanna Tonight”
9. Chris Janson–“Buy Me a Boat” (down 6)
10. Cole Swindell–“Let Me See Ya Girl” (up 2)
11. Maddie & Tae–“Fly” (down 1)
12. Dan + Shay–“Nothin’ Like You” (up 1)
13. Blake Shelton–“Gonna” (up 1)
14. Chris Young–“I’m Comin’ Over” (up 1)
15. Jason Aldean–“Gonna Know We Were Here” (up 5) [tied for biggest gainer]
16. Tim McGraw–“Top of the World” (up 2)
17. Cam–“Burning House” (up 2)
18. Jake Owen–“Real Life” (down 1)
19. Brothers Osborne–“Stay a Little Longer” (up 2)
20. Parmalee–“Already Callin’ You Mine” (up 3)
21. Big & Rich–“Run Away With You” (up 1)
22. Kelsea Ballerini–“Dibs” (up 2)
23. LoCash–“I Love This Life” (up 2)
24. Jana Kramer–“I Got the Boy” (up 2)
25. Hunter Hayes–“21” (up 2)
26. Brad Paisley–“Country Nation” (entering top 30)
27. The Band Perry–“Live Forever” (up 1)
28. Randy Houser–“We Went” (entering top 30)
29. Chase Bryant–“Little Bit of You” (up 1)
30. A Thousand Horses–(“This Ain’t No) Drunk Dial” (down 1)

  • Kenny Chesney’s “Save It for a Rainy Day” remains at the top for a 2nd week
  • next week’s #1 prediction: “John Cougar, John Deere, John 3:16”
  • Thomas Rhett’s “Crash and Burn” and Lady Antebellum’s “Long Stretch of Love” fell from #5 and #16, respectively, to out of the top 30
  • Brad Paisley’s mediocre “Country Nation” and Randy Houser’s unoriginal “We Went” enter the top 30 this week

Billboard Top Country Albums

1. Luke Bryan–Kill the Lights
2. Alabama–Southern Drawl [debut]
3. Turnpike Troubadours–The Turnpike Troubadours [debut]
4. Home Free–Country Evolution [debut]
5. Brett Eldredge–Illinois
6. Sam Hunt–Montevallo
7. Eric Church–The Outsiders
8. Zac Brown Band–Jekyll + Hyde
9. Florida Georgia Line–Anything Goes
10. Little Big Town–Painkiller
11. Maddie & Tae–Start Here
12. Jason Aldean–Old Boots, New Dirt
13. Alan Jackson–Angels and Alcohol
14. Brantley Gilbert–Just as I Am
15. Various Artists–Now That’s What I Call Country, Volume 8
16. Kacey Musgraves–Pageant Material
17. Kip Moore–Wild Ones
18. Chris Stapleton–Traveller
19. Chase Rice–Ignite the Night
20. Zac Brown Band–Greatest Hits So Far…
21. Jason Isbell–Something More Than Free
22. Carrie Underwood–Greatest Hits: Decade #1
23. Elvis Presley–Elvis Presley Forever
24. Cole Swindell–Cole Swindell
25. Alabama–Angels Among Us: Hymns & Gospel Favorites

  • Luke Bryan is back on top with the unfortunate Kill the Lights
  • Turnpike Troubadours debut at #3 with their brilliant self-titled album…if you have not listened to and/or bought this, do it now
  • Alabama’s Southern Drawl debuts at #2
  • at least Sam Hunt was not in the top 5 for once
  • seriously, who is buying these Now That’s What I Call Country albums?

Source: Billboard

Album Review: George Strait–Cold Beer Conversation

Rating: 8/10

After arguably the biggest career in country music, King George retired from touring in 2014, taking a well-deserved break and earning numerous awards in the farewell process. However, many fans mistakenly believed George Strait was done altogether–but George never claimed this, insisting he would indeed go on making albums. Enter
Cold Beer Conversation, announced Tuesday in one of King George’s most badass moves to date. Unfortunately for fans, this album can only be purchased on iTunes or by entering Walmart…so is the exclusivity worth it?

Without a doubt.

The album opens with “It Was Love,” a pop country song which is my least favorite on the entire album.
The lyrics are too generic, featuring two teenage kids in love and even referencing a Friday night football game in the opening line. However, unlike most of these songs, this one does tell more of a story, and it is actually pop country. It has grown on me after a couple listens, and I think it will continue to do so. The title track, “Cold Beer Conversation,” is a lighthearted track about two guys sharing a beer and talking–they talk about their women, the past, etc. The instrumentation helps this song a lot, giving it an easygoing feel that matches the tone of the conversational lyrics. The album’s lead single, “Let it Go,” is another fun song about not letting life bring you down. It’s a nice little beachy song that will get stuck in your head quickly. The fun songs continue with “Goin’ Goin’ Gone,” an upbeat drinking song. Mainstream artists, take note–this guy has a job and leaves on Friday to drink. He admits that “come Monday mornin’ I just might be overdrawn”–in short, life is not just one big party without consequences–but at this point, he doesn’t really care because it’s Friday night, and he’s had a hard week. This is a real person drinking, not a frat boy.

The album turns serious for “Something Going Down,” and all I can say is, Luke Bryan, this is how to sing “Strip it Down.” I am so glad this was not overproduced, as George’s vocals really shine here like nowhere else on the album. As you can see by the reference to “Strip it Down,” this narrator is seducing a woman–only these lyrics are focused on the woman, as opposed to virtually everything else in the room. I cannot say much else–you will have to hear it, and I will post it. “Take me to Texas” is a nice ode to Strait’s home state; Strait sings, “when I go, take me to Texas.” The fiddle is appropriately featured in this song, and Strait sings with a lot of heart, which adds to it. “It Takes All Kinds,” co-written by Strait, is a straight-up western swing song. The premise is that “it takes all kinds” to make the world work–but here’s the thing: I believe this is directed at modern country stars. Evidence of this includes lines like “some wear a backwards baseball cap, if that’s you, I’m cool with that, Me, I’m more a cowboy hat, it takes all kinds.” In light of this, I can’t help but smile at the line, “Some got a beer they like to drink, some got a thought they like to think, some got a chain with a few more links, it takes all kinds.”

“Stop and Drink” is another fun drinking song, with the premise “Little stuff like that will make you stop and drink.” The “little stuff” is pretty much everything in life from the heat to Wall Street. Mainstream artists, once again, take note–this is a fun, country drinking song. “Everything I See” is a song about the memories of a lost loved one; the reference to the “sunny day in June” makes one think this was written about George’s father. This song is certainly relatable, but it is overproduced and loses a lot of the emotion that was probably originally there. “Rock Paper Scissors” is next–here, the rock is the ring, the paper is the note, and the scissors were used to “cut his face out of every picture”; she then left the rock, paper, and scissors on the table. This is just an upbeat, catchy song. However, I could do without the line about him blowing up her phone because that line has been done to death.

“Wish You Well” sees Strait in Mexico, drinking away a lost love. He’s “six Mexican beers between ‘wish you were here’ and ‘wish you wel’.” It’s another song that can get stuck in your head like “Let it Go” and is helped by the instrumentation. Next is “Cheaper Than a Shrink,” which was apparently a Joe Nichols cut previously. This is one of my favorites; here, Strait explains that he drinks because “it’s cheaper than a shrink. You don’t have to think. You just pour and drink.” This, this is a country song if I ever heard one, and the instrumentation and Strait’s signature twang really add to this. It seems like George was really enjoying himself when he recorded this. The album concludes with “Even When I Can’t Feel It,” a song featuring nice piano and fiddle in which Strait says that he believes in God “even when He’s silent” and love “even when I can’t feel it.” It’s a nice way to close the album.

Overall, this is another good album from the King of Country. I am excited to see writing credits from Strait, as this is relatively new territory for him. I do think there were moments of overproduction, particularly on “Everything I See.” But for those hesitant to go to iTunes or Walmart, it is definitely worth it. I will post the iTunes link here, but you can only listen if indeed you have iTunes. So I will also post more videos than usual so that you can hear more songs.

Listen to Album

https://www.youtube.com/watch?v=2pBze4sMY0s

Billboard Country Airplay and Country Albums Chart (October 3rd)

Billboard Country Airplay

1. Kenny Chesney–“Save It for a Rainy Day” (up 3)
2. Keith Urban–“John Cougar, John Deere, John 3:16”
3. Chris Janson–“Buy Me a Boat”
4. Brett Eldredge–“Lose My Mind” (up 1)
5. Thomas Rhett–“Crash and Burn” (down 4)
6. Luke Bryan–“Strip it Down” (up 2)
7. Florida Georgia Line–“Anything Goes” (up 2)
8. Chase Rice–“Gonna Wanna Tonight” (up 3)
9. Carrie Underwood–“Smoke Break” (up 5) [tied for biggest gainer]
10. Maddie & Tae–“Fly”
11. Old Dominion–“Break Up With Him” (up 1)
12. Cole Swindell–“Let Me See Ya Girl” (up 1)
13. Dan + Shay–“Nothin’ Like You” (up 2)
14. Blake Shelton–“Gonna” (up 2)
15. Chris Young–“I’m Comin’ Over” (up 5) [tied for biggest gainer]
16. Lady Antebellum–“Long Stretch of Love” (up 1)
17. Jake Owen–“Real Life” (up 1)
18. Tim McGraw–“Top of the World” (up 3)
19. Cam–“Burning House”
20. Jason Aldean–“Gonna Know We Were Here” (up 2)
21. Brothers Osborne–“Stay a Little Longer” (up 3)
22. Big & Rich–“Run Away With You” (up 1)
23. Parmalee–“Already Callin’ You Mine” (up 2)
24. Kelsea Ballerini–“Dibs” (up 2)
25. LoCash–“I Love This Life” (up 2)
26. Jana Kramer–“I Got the Boy” (up 2)
27. Hunter Hayes–“21” (up 2)
28. The Band Perry–“Live Forever” (up 2)
29. A Thousand Horses–“(This Ain’t No) Drunk Dial” (entering top 30)
30. Chase Bryant–“Little Bit of You” (entering top 30)

  • new #1: “Save It for a Rainy Day”
  • next week’s #1 prediction: “John Cougar, John Deere, John 3:16”
  • Dustin Lynch’s “Hell of a Night” and Sam Hunt’s “House Party” fell from #6 and #7, respectively, to out of the top 30
  • A Thousand Horses and Chase Bryant enter the top 30 with the less than impressive “(This Ain’t No) Drunk Dial” and “Little Bit of You”

Billboard Top Country Albums

1. Brett Eldredge–Illinois [debut]
2. Luke Bryan–Kill the Lights
3. Sam Hunt–Montevallo
4. Zac Brown Band–Jekyll + Hyde
5. Eric Church–The Outsiders
6. Florida Georgia Line–Anything Goes
7. Maddie & Tae–Start Here
8. Little Big Town–Painkiller
9. Alan Jackson–Angels and Alcohol
10. Jason Aldean–Old Boots, New Dirt
11. Brantley Gilbert–Just as I Am
12. Kip Moore–Wild Ones
13. Kacey Musgraves–Pageant Material
14. Chris Stapleton–Traveller
15. Various Artists–Now That’s What I Call Country, Volume 8
16. Elvis Presley–Elvis Presley Forever
17. Zac Brown Band–Greatest Hits So Far…
18. Jason Isbell–Something More Than Free
19. Chase Rice–Ignite the Night
20. Kelsea Ballerini–The First Time
21. Willie Nelson/Merle Haggard–Django and Jimmie
22. Cole Swindell–Cole Swindell
23. Carrie Underwood–Greatest Hits: Decade #1
24. Darius Rucker–Southern Style
25. Various Artists–Mud Digger, Volume 6

  • Brett Eldredge’s mediocre r&b-influenced Illinois finally replaces Luke Bryan’s horrifying album at the top, and for that, I have to thank Brett
  • look at the staying power of Jason Isbell, Chris Stapleton, and Willie and Merle, enough said

Source: Billboard

Billboard Country Airplay and Country Albums Chart (September 26th)

Billboard Country Airplay

1. Thomas Rhett–“Crash and Burn” (up 1)
2. Keith Urban–“John Cougar, John Deere, John 3:16” (up 1)
3. Chris Janson–“Buy Me a Boat” (up 1)
4. Kenny Chesney–“Save It for a Rainy Day” (up 2)
5. Brett Eldredge–“Lose My Mind” (up 2)
6. Dustin Lynch–“Hell of a Night” (down 5)
7. Sam Hunt–“House Party” (down 2)
8. Luke Bryan–“Strip it Down”
9. Florida Georgia Line–“Anything Goes”
10. Maddie & Tae–“Fly”
11. Chase Rice–“Gonna Wanna Tonight” (up 1)
12. Old Dominion–“Break Up With Him” (up 2)
13. Cole Swindell–“Let Me See Ya Girl”
14. Carrie Underwood–“Smoke Break” (up 3)
15. Dan + Shay–“Nothin’ Like You”
16. Blake Shelton–“Gonna”
17. Lady Antebellum–“Long Stretch of Love” (up 2)
18. Jake Owen–“Real Life”
19. Cam–“Burning House” (up 3)
20. Chris Young–“I’m Comin’ Over”
21. Tim McGraw–“Top of the World” (up 2)
22. Jason Aldean–“Gonna Know We Were Here” (up 5) [biggest gainer]
23. Big & Rich–“Run Away With You” (up 1)
24. Brothers Osborne–“Stay a Little Longer” (up 1)
25. Parmalee–“Already Callin’ You Mine” (up 1)
26. Kelsea Ballerini–“Dibs” (up 2)
27. LoCash–“I Love This Life” (up 2)
28. Jana Kramer–“I Got the Boy” (up 2)
29. Hunter Hayes–“21” (re-entering top 30)
30. The Band Perry–“Live Forever” (entering top 30)

  • new #1: “Crash and Burn”
  • next week’s #1 prediction: “John Cougar, John Deere, John 3:16”
  • Eric Church’s “Like a Wrecking Ball” and Kip Moore’s “I’m To Blame” fell from #11 and #21, respectively, to out of the top 30
  • Hunter Hayes’s “21” re-enters the top 30 this week, along with The Band Perry’s terrible new pop single, “Live Forever”
  • at least “Strip it Down” has stalled a little in its ridiculous climb to the top

Billboard Top Country Albums

1. Luke Bryan–Kill the Lights
2. Sam Hunt–Montevallo
3. Maddie & Tae–Start Here
4. Zac Brown Band–Jekyll + Hyde
5. Eric Church–The Outsiders
6. Elvis Presley–Elvis Presley Forever
7. Kip Moore–Wild Ones
8. Florida Georgia Line–Anything Goes
9. Little Big Town–Painkiller
10. Alan Jackson–Angels and Alcohol
11. Brantley Gilbert–Just as I Am
12. Jason Aldean–Old Boots, New Dirt
13. Chris Stapleton–Traveller
14. Various Artists–Now That’s What I Call Country, Volume 8
15. Various Artists–Mud Digger, Volume 6
16. Luke Bryan–Crash My Party
17. Kacey Musgraves–Pageant Material
18. Jason Isbell–Something More Than Free
19. Zac Brown Band–Greatest Hits So Far…
20. Chase Rice–Ignite the Night
21. Darius Rucker–Southern Style
22. Cole Swindell–Cole Swindell
23. Willie Nelson/Merle Haggard–Django and Jimmie
24. Kelsea Ballerini–The First Time
25. Carrie Underwood–Greatest Hits: Decade #1

  • Luke Bryan is still at the top
  • Maddie & Tae sit at #3 like beacons of hope…they really have the top country album, because neither Kill the Lights nor Montevallo are country albums
  • Chris Stapleton’s Traveller moved up 7 spots from #20 to #13 this week

Source: Billboard