So, if you have read this blog for more than three minutes of its short existence, you have probably heard me talk about Texas/red dirt country. Please don’t ask me to tell you the difference; some say there is no difference and others argue about it. I grew up with Texas country being played on my local Oklahoma station The Twister quite frequently. In fact, The Twister used to feature “Red Dirt Nights,” a program that has been replaced with the unfortunate “Country House Party.” In Oklahoma, the red dirt music that we once proudly supported has been blacklisted along with the music of traditional artists. This is especially unfortunate here, as many Oklahoma artists found their success in the genre.
But Texas music is still alive and well. Independent country fans long for a system that is entirely free of Music Row, Nashville, etc. Some look for the split of country music and/or the taking over of real country by Americana (which might actually be happening.) Meanwhile, Texas has already seceded from Nashville. They have stations playing Texas country only and others mixing it in with mainstream country music, giving it the level playing field that independent/Americana fans speculate about. They even have their own airplay charts, the Texas Music Chart and Texas Regional Radio Report. Just as I report the Billboard charts, I will now report the Texas Music Chart, giving Texas artists the equal opportunity to be discovered and appreciated that Oklahoma radio once gave them. I hope you will find new and deserving artists here, and that a love for Texas/red dirt country will be cultivated.
Texas Music Chart (August 3rd)
1. Wade Bowen–“Sun Shines on a Dreamer” (up 3)
2. Aaron Watson–“Freight Train”
3. Josh Ward–“Highway” (up 2)
4. William Clark Green–“Sticks and Stones” (down 1)
5. Rich O’Toole–“Talk About the Weather” (up 1)
6. Pat Green–“While I Was Away” (up 1)
7. Granger Smith–“Back Road Song” (up 1)
8. Cody Canada and the Departed–“Easy” (up 1)
9. Sam Riggs–“Long Shot” (up 1)
10. Matt Kimbro–“Livin’ the Good Life” (up 1)
11. James Lann–“Let it Rain” (down 10)
12. Whiskey Myers–“Shelter From the Rain” (up 1)
13. Cory Morrow–“Old With You” (down 1)
14. Kyle Park–“What Goes Around Comes Around” (up 1)
15. Prophets and Outlaws–“Texas Home” (down 1)
16. Bart Crow–“Life Comes At You Fast” (up 2)
17. Turnpike Troubadours–“Down Here” (up 8)
18. Matt Hillyer–“If These Old Bones Could Talk” (down 1)
19. Asleep at the Wheel featuring Randy Rogers, Reckless Kelly, and Shooter Jennings–“Bob Wills is Still the King”
20. Reckless Kelly–“Real Cool Hand” (up 1)
21. Curtis Grimes–“Smile That Smile” (up 1)
22. JB and the Moonshine Band–“Shotgun, Rifle, and a .45” (up 11) [biggest gainer]
23. Kylie Frey–“The Chase” (up 1)
24. Uncle Lucius–“Don’t Own the Right” (up 3)
25. Gabe Garcia–“Country Looks Good on You” (down 5)
26. Adam Fears–“Golden Gravel Road” (up 6)
27. Aaron Einhouse–“I Could Fall” (up 2)
28. Sundance Head–“Darlin’ Don’t Go”
29. Adrian Johnston–“Avalanche” (up 1)
30. Roger Creager–“Where the Gringos Don’t Go” (down 7)
31. Jesse Raub Jr–“Plead the Fifth” (down 5)
32. Miles Williams–“Teasin’ Me” (up 3)
33. Scott Taylor Band–“By Now” (down 2)
34. Josh Grider–“You Dream I’ll Drive” (up 5)
35. Tori Martin–“Woman Up” (up 2)
36. Stoney LaRue–“Easy She Comes” (down 2)
37. Thom Shepherd–“Little Miss Everything” (down 1)
38. Caleb McIntire–“Ozark Mountain Stomp”
39. Judson Cole Band–“Time to Run” (up 7)
40. Clayton Gardner–“Buy You a Drink” (down 24) [biggest loser]
41. The Statesboro Revue–“Undone” (entering top 50)
42. Mike Ryan–“Girls I Date” (up 2)
43. Jeremy Steding–“Love Love Love” (down 1)
44. Doc West–“Whole Lotta Bull” (down 1)
45. Callahan Divide–“Happy” (up 3)
46. TJ Broscof–“Phone Calls” (entering top 50)
47. Saints Eleven–“I Don’t” (entering top 50)
48. Kevin Fowler & Deryl Dodd–“Damn This ol’ Honkytonk Dream” (entering top 50)
49. Junior Gordon–“Country Lov’n” (down 8)
50. Cody Joe Hodges–“One More Drink” (down 5)
new No. 1: “Sun Shines on a Dreamer” (an actual good song hitting No. 1 on an airplay chart?)
I have no No. 1 prediction for next week as I just started looking at this chart regularly
Texas is as male dominated as Nashville…look at the lack of women
There are several albums that came out earlier this year, prior to the existence of Country Exclusive, which definitely deserve discussion–some because they were incredibly awesome, others because they were incredibly awful, and still others, like Zac Brown Band’s latest album, for reasons that can only be explained in a full-length review. On weeks with fewer releases, I will do my best to catch up on albums that I feel especially deserve attention. This album came out on April 20th and is one of the best albums I’ve heard this year.
Randy Rogers and Wade Bowen are two amazing artists in their own right. They are two of the biggest names in Texas/red dirt country, and if someone asked me about red dirt, those are the first two names I’d give them. Their putting together a collaboration album is the equivalent of Jason Aldean and Luke Bryan combining their individual bro country arrogance into one glorious album full of dirt roads and bikkinis. So, the correct response to the news that Randy Rogers and Wade Bowen are teaming up and naming an album after their “Hold my Beer and Watch This” tours, is to expect Texas country gold. Thankfully, this album delivered.
The album opens with “In the Next Life,” a reflective song about the highs and lows of their careers. The line “I guess what they say is true, all you need is one good friend” pretty much sums up their chemistry and the tone of the album. It’s lighthearted and upbeat, and the instrumentation is great. Next is “I Had my Hopes up High,” an upbeat track about their experiences hitching rides from various people. I hope these were actual experiences. Once again, the instrumentation is great. In fact, let me say this now so I won’t have to repeat it for every song–Instrumentation is one thing that is awesome throughout the whole album, with steel guitar and fiddle and enough rock for this listener. I recognize the technical awesomeness of straight traditional country, but I do like a little rock as well, and that is something that Texas artists seem to blend into their country fflawlessly. If you want to look for “evolution” of the country sound, this album is where to find it.
The album slows down with the heartbreak song, “Till It Does.” I was hooked with the first line, as Wade Bowen sings: “I never told her that I loved her, but I do.” The premise is that the heartache “don’t happen till it does.” It’s such a simple line, but it’s truth. It was a great time to primarily feature Wade, as these types of songs are one of his strengths. Next is “Good Luck With That,” a fun song in which Wade wants to tell off his boss, a “certified SOB” and Randy wants to tell his wife he’s the “man of the house” and can stay out with Wade as long as he wants to. Each tells the other, “Good luck with that.” As I say often in my reviews, this song would be playing on radio right now if radio was country. The next song, “It’s Been a Great Afternoon,” is also “radio ready.” It’s a drinking song in which they have massive hangovers after possibly the night before from “Good Luck With That.” They reflect, “I can’t say we’ve had a good morning, but damn, it’s been a great afternoon.” This is my least favorite song on the album, but it works after “Good Luck With That” and it has grown on me some.
“Standards” is about a “record man” trying to pitch them a song about a dirt road, to which their response is, “I don’t have hits, I’ve got standards.” I don’t even need to explain why this is beautiful. “El Dorado” is my favorite song on the album, and is a ballad about a cowboy who is about to die. I love the line, “Better the angels should claim you than the long ride alone.” The song is reflective and peaceful more than sorrowful. Their harmonies really work well in this song, even more than in the rest of the album. “Hangin’ Out in Bars” is another standout song for me about a man who is “hangin’ out in bars” after his woman left him. This song features Randy Rogers more, and it was the perfect time for that, as this song suits his voice excellently.
Next is “Ladybug,” a lighthearted track in which they look for a ladybug or a four-leaf clover to end their bad luck on the farm. It’s the fun version of Jason Aldean’s “Amarillo Sky.” They end the album with an excellent cover of “Reasons to Quit,” which was on Willie Nelson and Merle Haggard’s famous 1983 collaboration Pancho & Lefty. They think about quitting their bad habits but decide the “reasons to quit” don’t outnumber “all the reasons why.”
If you haven’t figured it out yet, this is indeed Texas country gold. I didn’t love every song on it–I loved some and liked the rest–but the great instrumentation all the way through and their chemistry together adds to it and makes it even better. Every song on it is not a standout, but there is literally nothing to complain about with this album, and it is definitely worth a listen. I hope the “Vol. 1” means we will be getting more from these two soon.
Red dirt artist Stoney LaRue was arrested early Monday morning (July 20th) and charged with domestic abuse for allegedly pushing his girlfriend down a staircase. According to the Oklahoma City police department, they were dispatched to the apartment at approximately 7:30 A.M. The victim, Amanda Winsworth, told police that Stoney LaRue (Phillips) and Richa Chandra had been out drinking and came home around 4 A.M. The victim went out to her car to sleep because she had to leave for work in a few hours. At 6:50 A.M., she came inside and began getting ready. Her hair dryer woke Phillips, which started an argument. Phillips then threw her makeup bag, curling iron, and other toiletries down the stairs. When she bent to retrieve the items, she claims he pushed her from behind, causing her to fall headfirst down the staircase. He was arrested on charges of domestic vilence, and Chandra was arrested on charges of public drunk after attempting to interfere with his arrest. Police noted scratches and scrapes on the victim’s legs and back.
Early this morning, (July 21st), Amanda Winsworth posted this on Twitter: “The happenings of this incident have been blown out of proportion by the media. I was never struck by my boyfriend. Please respect our privacy while we fix this matter.” This story will be updated when we have more information.
Update
Stoney LaRue has released the following statement concerning the charges:
I want to apologize to my family, my friends and my fans for the recent circumstances that have come to light. I am going to take some time to work on myself. I will be entering an intensive and extensive program, and I appreciate your thoughts and good wishes for me during this trying time. Please check my website and Facebook page for updates on my upcoming tour dates, but most importantly, I appreciate your support during this time.
Unless you have been living under a rock, you have probably heard Luke Bryan’s chosen “defense” for his brand of “country,” as told in an interview Thursday. But in case you haven’t, here’s the now infamous quote, given in an interview with Hits Daily Double:
Well, yeah. I think that people who want Merle, Willie and Waylon just need to buy Merle, Willie and Waylon. I’ve never been a ‘Those were the good old days’ kind of guy. I’m not big on looking back on the past. I’m not an outlaw country singer. I don’t do cocaine and run around. So I’m not going to sing outlaw country. I like to hunt, fish, ride around on my farm, build a big bonfire and drink some beers—and that’s what I sing about. It’s what I know. I don’t know about laying in the gutter, strung out on drugs. I don’t really want to do that.
Then, after the backlash from a significant portion of the country community, Luke took to Twitter to respond (in other words, his manager told him, “Hey, everyone thinks you’re a douchebag, and your public image is in jeopardy.”) Here’s his response
I’ve been thinking about this all day, every now and then I feel I need to defend myself in this business. I did a great interview with many topics discussed. It’s so frustrating that something negative has spun out of the story. I would never speak against any artist. It’s not my style. I consider Willie, Waylon and Merle musical heroes. I was trying to state what I was about and where I come from with my music. It’s simple as that.
Now, before I pick apart this ridiculously fake “response,” let me first say that “outlaw country” refers to taking creative control of one’s music. I am not going to spend a lot of time covering this; a lot of other blogs have done a great job with this. I will simply say that Luke isn’t an outlaw country singer because he sings whatever the labels throw at him. He sings shit like “Kick the Dust UP” and “That’s my Kind of Night” to make money. He has no original thoughts of his own, and even if he did, his desire for money has overshadowed them. Outlaw country spawned the Texas/red dirt country movement, and that’s where you will find today’s outlaws; they are people like Wade Bowen and Randy Rogers who sing about having “standards” as opposed to making “hits” and are relegated to the Texas Music Chart and Texas and Oklahoma stations willing to play their music.
But let’s pretend “outlaw country” did mean “laying in the gutter, strung out on drugs.” Saving Country Music has a great article documenting Willie, Merle, and Waylon’s own words about their experiences with cocaine, and I have copied the link here. To summarize, Willie fired anyone in the band caught with cocaine, Merle tried it once and would never do it again, and Waylon was a long-time addict who finally quit and overcame his addiction. So now we can add “uneducated idiot” to Luke’s first crime of “classless douchebag.”
But let’s pretend further that they did, in fact, “do cocaine” and “run around.” This boils down to Luke’s lack of disrespect for legends of the genre that allowed him to become successful. Country music is (or used to be) about class. Here’s what Toby Keith had to say about Willie Nelson after the success of their duet “Beer for my Horses:”
When you see somebody that still has the love and passion that he’s got, you don’t understand why they can’t have a [No. 1] shot like these young guys and girls…but I’ve told him time and time again that I’m glad to be the guy that got to take that ride with him
And here’s Kenny Chesney, atWaylon’s passing: “I learned a lot from him, for not even meeting him. He had his niche. He had his style. He blazed his own trail. He didn’t care what anybody thought about it. That was a true artist.” (Also, apparently Kenny knows what “outlaw” means.)
And finally, just last year, country artists voted Merle Haggard the first-ever Artist of a Lifetime and numerous artists spoke about his career and influence. And now Luke, who says, “I would never speak against any artist” has chosen to do just that–instead of defending his douche “country,” he has chosen to misuse the term “outlaw” and drag the names of legends through the dirt for his own gain. So it wasn’t enough to destroy country radio with the shit you call music, Luke, but now you are seeking to destroy the last shreds of class and knowledge left to country music with your ignorance and disrespect…nice.
Waylon’s daughter-in-law, Kathy Pinkerman Jennings, has spoken out against Luke in a Facebook post and YouTube video. I will close this post with her thoughts, as I couldn’t have said it better myself
To Luke Bryan:
I hope your family members are proud of you for using your WORLDWIDE platform to take the time to disrespect my Father in Law. You have managed to PROVE to the world your true self.
Albeit that Waylon’s drug use is well documented and something he overcame, I assure you, he was never “laying in a gutter.” At the peak of his career and drug abuse, he was making history and setting records. He, single handedly paved the way for you and everyone else to make music the way the artist wanted to make it. I’m not willing to waste my time to debate your “music” and / or the fact you have zillions of fans – I will however, not sit back and be quiet when you have so blatantly disrespected Waylon.
I recall the time I was at the Grand Ole Opry to visit with Andy Griggs, you were making your debut appearance. My friend that was with us had just seen your video. As we stood at the side of the stage, Jeannie Seeley [Seely] was talking to us and you walked over to introduce your self to her and told her how much you admired her, she in turn introduced you to myself and my husband. I almost got a cavity because of the sweetness of the words coming out of your mouth – you told us Waylon was one of your musical heroes. You went on and on and on.
This is not about music, Outlaw Country, whatever – it’s about DISRESPECT.
You are a platinum, disrespecting, no singing, whining, grasping for media attention, asshole. Use your platform for something good, instead of bashing the LEGENDS that came before you.
Tomato of the Week: Sunny Sweeney
As she just had two singles hit No. 1 on the previously mentioned Texas Music Chart, I thought it appropriate to feature her this week. Check out her full article on Female Friday!
Random Country Suggestions
This week I am including two country suggestions, because they both seem appropriate. There will be no non-country suggestion.
