Jake Worthington, whom many will remember from The Voice and perhaps most specifically from that wonderful 2014 performance of Keith Whitley’s “Don’t Close Your Eyes,” is probably the most promising traditional country artist to have come from that show. Sure, we’ve had success in the country world from RaeLynn recently, as well as some for Cassadee Pope and others, but if we’re just talking about straight-up, traditional country, Jake Worthington is the one with the most potential. You cheer for him when he gets success on the Texas charts and hope his name recognition and experience from the show can help him, because you know he is the real deal, and you want to see that potential realized.
His sophomore EP only strengthens that notion. You only get five songs and fifteen minutes, but Jake uses every minute to further reinforce his traditional country sound and lyrics. You get three heartbreak songs in “Big Time Lonesome,” “A Lot of Room to Talk,” and “Hell of a Highway” that, while they probably shouldn’t have been placed right in a row, still all sound unique and tell a different story. “How do You Honky Tonk” is reminiscent of a 90s radio hit and manages to be fun and upbeat without veering into the territory of cliché. “Don’t Think Twice” is probably the weakest of the five, but it’s still a nice love song, and Jake delivers a strong effort here, especially considering the length. The fact is, it’s one of three EPs I’ve enjoyed this year (the others being Whitney Rose’s South Texas Suite and Lindi Ortega’s Till the Goin’ Gets Gone.)
However, I can’t help but feel that it’s time for Jake Worthington to release an album. He’s given us two EPs now when he could have delivered one full-length project; both EPs were strong, but I think more people would be paying attention to an album. This has been debated a lot recently, but the fact is that more people pay attention to albums, for better or worse, and that’s mainly because Eps often leave you wanting more. With both Whitney Rose and Lindi Ortega, the projects were somewhat of an exception, each reflecting a time in the artist’s life that might not have been captured if they waited to release full albums. Those projects both had a cohesive theme despite their short length and therefore stood out as only few EPs manage to do. With Jake Worthington’s Hell of a Highway, there’s no overarching theme that holds this together–it feels more like a preview of Jake, and while that worked nicely for his debut EP, it doesn’t work as well this time. Still, it says something about these songs and Jake Worthington’s potential that this EP still manages to stand out despite these factors. As I mentioned, it’s one of only three that have made an impact on me in 2017, and that can’t be taken lightly. It took so long after his release to write about this because it’s harder to talk about EPs in general–but that’s also a testament to the fact that this particular EP still deserves talking about. All in all, it will leave you wanting more, but it’s still a nice place to start with Jake Worthington’s music.