Country Rating: 0/10
Pop Rating: 3/10
I remember when Keith Urban actually tried. Now, there are a lot of traditionalists who have probably hated or at least dismissed Keith Urban from the start. His music always had pop and rock influence, and I can see how many strict traditionalists wouldn’t enjoy it. But there’s no denying his talent as a musician, singer, and songwriter. There was a time when he wrote many of his songs and sang with passion. As a reviewer, I can say without bias that he produced a lot of good pop country throughout his career, and as a music fan, I can say with absolute bias that I owned every Urban album right up through Get Closer. He’s recorded some great music in his time, and if you have any doubt of this, go listen to “Stupid Boy” and “The Luxury of Knowing.”
And then, somewhere around Keith’s American Idol stint, and the single “Little Bit of Everything,” all that talent started going to waste, and Urban’s passion and musicianship was lost in the wake of cringe-worthy pop music and the chasing of money and continued mainstream relevancy at all costs. It’s one thing when Kane Brown or Thomas Rhett gives us bad music, but Keith Urban knows better, and his self-awareness leaves me much more disgusted by “John Cougar, John deere, John 3:16” than by some arguably worse singles from these artists. All of this brings me to his latest effort, “The Fighter,” which may be his biggest insult to the genre and former Keith fans yet.
“The Fighter” has no semblance of country anywhere. It is generic pop music with electronic beats and some of the least impassioned vocals I’ve ever heard from either Keith or Carrie Underwood. Yes, that’s right, I forgot to mention Underwood’s part in this, but that is understandable, since mostly she just repeats the same three lines in the chorus like a bored backup singer. The song itself is about Keith Urban being a fighter for Underwood, who presumably got out of a bad relationship and needs to feel protected. The premise of Keith Urban being this type of guy is unintentionally hilarious, and Carrie Underwood doesn’t work as the character who needs to lean on him either. “What if I fall? What if I cry?” she keeps asking. It’s just annoying and doesn’t seem like her at all. There are some other obnoxious lyrics in the verses; Keith sings, “He never knew what he had, thank God.” So he is glad that she went through the hell of the previous relationship so that she would end up with him. Also, the line “he didn’t deserve you ’cause your precious heart is a precious heart” is just downright lazy ssongwriting. This song should be laughed off country radio, but it’s not even much better as a pop song and would probably be laughed off pop radio, so country is where it will stay. Reiterating why country radio will play it would be beating a dead horse, so I’ll spare you all that. But it’s artists like Keith Urban, who know better than this, can do better than this, and have done better than this, but choose instead to resort to absolute laziness because it will sell, that say more about the state of the genre and the fans who will buy this than anything else. The real tragedy is not that Urban recorded “The Fighter,” but that in 2017, he can get away with recording songs like this because that’s all he needs to do to sell records. This is one of the worst songs of his career, and without a doubt the worst song to which carrie Underwood has lent her voice.