Tag Archives: ACM Girls Night Out

Female Fridays: Featuring Ashley Monroe

Her new album, The Blade, is out today (I will have a review of it shortly.) In light of that, it seems natural to feature Ashley Monroe on this Female Friday.

How You Might Know Ashley

She’s the beautiful voice that completes Blake Shelton’s “Lonely Tonight.” Also, she was one-third (my favorite third) of the Pistol Annies–other Annies include Miranda Lambert and Angaleena Presley.

Bio

Ashley Monroe (born September 10, 1986, from Knoxville, Tennessee), has been paying her dues for many years. At age eleven, she won a talent competition in Pigeon Forge singing “I Want to be a Cowboy’s Sweetheart” and landed a job in a theater performing several nights a week. Her idyllic life was turned upside down two years later, when her father died suddenly. Ashley mentions her father’s death often in her songs (“Like a Rose,” “Monroe Suede”.) Music was her outlet, and she became a very talented songwriter as she dealt with his death.

Ashley moved to Nashville soon after, and after a long search for a major label, Columbia Records finally took a chance on her, allowing her to start work on her debut album at nineteen. Two Singles were released, “Satisfied” and “I don’t Want To”–a duet with Ronnie Dunn–but neither charted well, and Ashley’s album went unreleased. Ashley and Columbia parted ways in 2007. (The album, Satisfied, was eventually released in 2009.)

It would be six years before Ashley would release another solo album. During those years, Ashley worked both as a songwriter and backing vocalist. Chances are, if you like country and listen to it often, you know a song that Ashley Monroe worked on. Songs that bear her writing include Jason Aldean’s “The Truth,” Miranda Lambert’s “Heart Like Mine,” and Carrie Underwood’s “Flat on the Floor.” Her backing vocals can be heard on Miranda’s “Me and Your Cigarettes,” and Wade Bowen’s “If We Ever Make it Home,” among others. In addition, she independently released an EP with Trent Dabbs (with the unoriginal title Ashley Monroe and Trent Dabbs), sang with Jack White’s Third Man House Band, and collaborated with The Raconteurs and Ricky Skaggs on a single called “Old Enough.” In 2012, she even performed a song called “Bruises” with Train and toured with the group.

The most pivotal event in Ashley’s career during this time was the formation of the Pistol Annies in 2011. Miranda Lambert and Ashley, now friends, formed the group with Angaleena Presley, making their surprise debut at the ACM Girls Night Out on April 22, 2011, with “hell on Heels.” They were an instant success and produced two remarkable albums, Hell on Heels (2011) and Annie Up (2013.) The success of the Annies rebuilt Ashley’s solo career and sparked Angaleena’s, unfortunately leading to the disbanding of the Annies in 2014. However, Ashley was signed by Warner Bros, and finally released her second solo album in 2013. The album was titled Like a Rose and was produced by Vince Gill. Like a Rose was one of the best albums I have heard in the last five years, and it was met with much deserved critical acclaim. She finally got the breakthrough she had worked so long to achieve with Like a Rose, proving that hard work and dedication really can and does pay off. My only complaint with it was it ended too soon–it only contained nine tracks, and I immediately wanted to hear more. Today I get that wish, as her third album, The Blade, is finally here. I will reserve comments on that for the review, although I will say it was also produced by Vince Gill, so one would expect it to be awesome.

Why Ashley Belongs on Country Radio

Now would be the perfect time to start playing Ashley Monroe on country radio. Everyone knows her from “Lonely Tonight.” Plus, a commenter on another site described her voice as “pure gold” and that’s the best way to put it. She is a great songwriter, but even when she didn’t write the song, she has a way of telling a story when she sings. It’s probably from dealing with the pain of her father’s death and having to grow up so young. At any rate, when Ashley Monroe sings, you want to listen, to sad songs especially, but really to anything. I have praised other women for their songwriting, but with Ashley, the strength lies in her voice. Not to mention her voice is authentically country. She could put pop beats or rock beats or whatever behind it–she doesn’t, she generally stays traditional with traces of pop here and there–but she would still sound country. We need a woman like that on the radio.

Tracks I Recommend

This is not counting The Blade, as I am doing an entire album review over that. In light of that, I feel it would be a disservice to pick apart Like a Rose, as it is all awesome. So just go listen to it. As for Satisfied, everything on it is great as well, but it is more of an acquired taste, especially for those who like less twang or are just starting with Ashley. So just go listen to Like a Rose and proceed from there. With that album you cannot go wrong.

Listen to Like a Rose