Tag Archives: Cumberland Gap

Song Review: “Cumberland Gap” by Jason Isbell and the 400 Unit

Rating: 9/10

I took some time with the second song from Isbell’s upcoming album before commenting on it here because “Hope the High Road” grew more and more forgettable as I listened to it. Brianna reviewed that, and she was quite impressed; so was I at first, but as I say, it started to get more generic. So I gave “Cumberland Gap” several listens, and I’m happy to say it’s having exactly the opposite effect, getting better each time.

“Cumberland Gap” speaks directly to the life and hardship in that region, but even if you’re not from that little stretch of a Appalachia running through Kentucky, Virginia, and Tennessee, you can relate to a town with little else besides “churches, bars, and grocery stores” if you come from any little town in America or across the world. It’s that universality that makes the lyrics of the song stand out and will help many understand the pain the narrator feels as he tries to avoid facing the window at the local bar so he can imagine himself in any other town. It’s remarkable how these lyrics can still speak even with this heavy production–because let me tell you, this is not country or folk or singer/songwriter, this is rock, or perhaps more accurately southern rock. This is what Jason Isbell promised ahead of The Nashville Sound, and it’s certainly present on this song. That production works here, as it adds an edge and an anger to the darkness of these lyrics.
The one criticism I have against “Cumberland Gap” is sometimes the lyrics can be lost in the recording, and I wish I could hear them more clearly. It took several listens to make out some of them, and once I could, the song got even better. overall, though, this made me look forward to the album much more than “hope the High road.” But definitely be prepared for the rock production because if these two tracks are any indication, this will not be another Something More Than Free. Take that as you will; so far, I’m on board.

Written by: Jason Isbell