Tag Archives: Jason Aldean

Single Review: Luke Bryan Explores a New Kind of Crap With “Strip it Down”

Rating: 0/10

Luke Bryan has released a second song from his upcoming album Kill the Lights–and it actually is not a copy of “That’s my Kind of Night” or “Kick the Dust Up.” Country Exclusive didn’t exist when the atrocity that is “Kick the Dust Up” came out, so you were saved the rant, but let me say that that “song” was one of the driving factors behind this blog. I didn’t think I could possibly hate anything Luke produced worse than “Kick the Dust Up,” but then I have underestimated these things before. Enter “Strip it Down,” the r&b/pop copy of Jason Aldean’s hit “Burnin’ it Down.” Incidentally, Luke released this lyric video “exclusively” on Tinder, and I won’t go into a rant about how sleazy this is, but do yourself a favor and go read Trigger’s own rant on SCM
Here From the article:

It’s only fair to mention that officially, Tinder is not meant to be exclusively about setting up sex rendezvous. It’s just a dating app. But I’ll tell you this: If I was looking to blow off a little steam and hook up for the night, or was feeling a little lonely and wanted to go looking for love, the last thing I would want to see is the country music Gomer Pyle on there shilling his stupid video. I mean shit, you can’t get away from this guy.

But since SCM took care of that, let’s discuss the song itself. It’s about Luke wanting to reconnect with an old love by “stripping it down.” Immediately, Dierks Bentley’s “Come a Little Closer” comes to mind, as this is basically the premise of that song as well. So let’s compare the two.

Dierks’s is country with some rock. Like I already said, this is pop and r&b, with the only reference to country being the comment about getting back to the way things were “When it was an old back road and an old school beat, Cowboy boots by your little bare feet.” Dirt roads get an obligatory mention even when the song is not bro country. I assume the “old school beat” is the bro country sound before this new r&b/pop/metro-politan disease infected the genre…irony at its finest. Also, Dierks Bentley talked much more about the girl. “I feel like layin’ you down on a bed of sweet surrender where we can work it all out,” “I wanna touch you like a cleansing rain,.” and “I feel like lettin’ go of everything that stands between us and the love we used to know.” Luke does say, “Let me run my fingers down your back” but more often we find lines about the scenery, like the “white cotton sheets,” “feel my belt turn loose from these old blue jeans,” and this completely unnecessary “I wanna drop this cell phone out, Let it shatter on the ground.” It’s trying to be romantic, but it comes off like he is in a hurry to have sex rather than desperate to get back the love they lost. In fact, love is never mentioned, at least not in that context; the song simply says, “We both know that we lost it somehow, let’s get it found, strip it down, down, down.” The word “Love” is mentioned once in the bridge, with the line, “I just wanna love you so bad, baby.” So again, it sounds like he is just desperate to hook up with her. Then again, if they are getting back to the way it was on an old back road with an old school beat, then hooking up with her by a river is probably what he is going for here. Last, but certainly not least, Dierks Bentley’s “Come a Little Closer” shows emotion and actually makes you want to go have sex, whereas Luke Bryan’s “Strip it Down” just made me bored, distracted, and eventually disgusted and ready to rant about it.

This is not headache inducing like “Kick the Dust Up” and maybe wouldn’t have gotten a 0 if I hadn’t compared it to “Come a Little Closer.” But the fact is, I immediately did, and in that light, this song goes from being boring, unoriginal crap to something I hate as bad, if not worse than, his bro country collection. Those songs, at least, did what they set out to accomplish. This, after “Kick the Dust Up,” certainly does not bode well for Friday’s album.

Billboard Country Airplay and Country Albums Chart (August 8th)

Billboard Country Airplay

1. Brantley Gilbert–“One Hell of an Amen” (up 1)
2. Jason Aldean–“Tonight Looks Good on You” (down 1)
3. Michael Ray–“Kiss you in the Morning” (up 1)
4. Luke Bryan–“Kick the Dust up” (up 2)
5. Zac Brown Band–“Loving You Easy” (up 4)
6. Frankie Ballard–“Young and Crazy” (up 2)
7. Dustin Lynch–“Hell of a Night” (up 5)
8. Sam Hunt–“House Party” (up 3)
9. Brad Paisley–“Crushin’ It” (up 1)
10. Canaan Smith–“Love you Like That” (down 5)
11. Thomas Rhett–“Crash and Burn” (up 2)
12. Chris Janson–“Buy me a Boat” (up 3)
13. Keith Urban–“John Cougar, John Deere, John 3:16” (up 4)
14. Brett Eldredge–“Lose my Mind” (up 2)
15. Eric Church–“Like a Wrecking Ball” (down 1)
16. Maddie & Tae–“Fly” (up 3)
17. Kenny Chesney–“Save it for a Rainy Day” (up 6) [biggest gainer]
18. Jake Owen–“Real Life” (up 2)
19. Chase Rice–“Gonna Wanna Tonight” (down 1)
20. Kip Moore–“I’m to Blame” (up 2)
21. Cole Swindell–“Let me See ya Girl”
22. Florida Georgia Line–“Anything Goes” (up 5)
23. Old Dominion–“Break up With Him” (up 1)
24. Lady Antebellum–“Long Stretch of Love” (up 2)
25. Dan + Shay–“Nothin’ Like You”
26. Cam–“Burning House” (up 2)
27. Big & Rich–“Run Away With You” (up 2)
28. Brothers Osborne–“Stay a Little Longer” (up 2)
29. Parmalee–“Already Callin’ You Mine” (entering top 30)
30. Chris Young–“I’m Comin’ Over” (entering top 30)

  • new No. 1: “one Hell of an Amen”
  • next week’s No. 1 prediction: “Kiss You in the Morning”
  • Little Big Town’s “Girl Crush” and Blake Shelton’s “Sangria” fell from No. 3 and No. 7, respectively, to out of the top 30
  • an actual good song enters the top 30 (Chris Young) but is balanced by crap entering as well (Parmalee)

Billboard Top Country Albums

1. Jason Isbell–Something More Than Free [debut]
2. Alan Jackson–Angels and Alcohol [debut]
3. Sam Hunt–Montevallo
4. Zac Brown Band–Jekyll + Hyde
5. Eric Church–The Outsiders
6. Little Big Town–Painkiller
7. Kacey Musgraves–Pageant Material
8. Various Artists–Now That’s What I Call Country, Volume 8
9. Jason Aldean–Old Boots, New Dirt
10. Brantley Gilbert–Just as I Am
11. Florida Georgia Line–Anything Goes
12. Willie Nelson/Merle Haggard–Django and Jimmie
13. Moonshine Bandits–Blacked Out [debut]
14. Luke Bryan–Crash my Party
15. Easton Corbin–About to Get Real
16. Chase Rice–Ignite The Night
17. Luke Bryan–Spring Break…Checkin’ Out
18. Lee Bryce–Mixtape: ‘Til Summer’s Gone (EP)
19. Kenny Chesney–The Big Revival
20. Cole Swindell–Cole Swindell
21. Carrie Underwood–Greatest Hits: Decade #1
22. Zac Brown Band–Greatest Hits So Far…
23. Blake Shelton–Bringing Back the Sunshine
24. Tim McGraw–35 Biggest Hits
25. Miranda Lambert–Platinum

  • Jason Isbell and Alan Jackson score a huge victory for country music by taking the No. 1 and No. 2 spots this week
  • Canaan Smith and Kelsea Ballerini are no longer in the top 25…Kelsea’s album came out on May 19th, and Canaan’s came out on June 23rd…look at their staying power
  • after a long absence, Miranda Lambert’s Platinum is in the top 25 again this week

Source: Billboard

Female Fridays: Featuring Ashley Monroe

Her new album, The Blade, is out today (I will have a review of it shortly.) In light of that, it seems natural to feature Ashley Monroe on this Female Friday.

How You Might Know Ashley

She’s the beautiful voice that completes Blake Shelton’s “Lonely Tonight.” Also, she was one-third (my favorite third) of the Pistol Annies–other Annies include Miranda Lambert and Angaleena Presley.

https://www.youtube.com/watch?v=e-4jn6q4NlQ

Bio

Ashley Monroe (born September 10, 1986, from Knoxville, Tennessee), has been paying her dues for many years. At age eleven, she won a talent competition in Pigeon Forge singing “I Want to be a Cowboy’s Sweetheart” and landed a job in a theater performing several nights a week. Her idyllic life was turned upside down two years later, when her father died suddenly. Ashley mentions her father’s death often in her songs (“Like a Rose,” “Monroe Suede”.) Music was her outlet, and she became a very talented songwriter as she dealt with his death.

Ashley moved to Nashville soon after, and after a long search for a major label, Columbia Records finally took a chance on her, allowing her to start work on her debut album at nineteen. Two Singles were released, “Satisfied” and “I don’t Want To”–a duet with Ronnie Dunn–but neither charted well, and Ashley’s album went unreleased. Ashley and Columbia parted ways in 2007. (The album, Satisfied, was eventually released in 2009.)

It would be six years before Ashley would release another solo album. During those years, Ashley worked both as a songwriter and backing vocalist. Chances are, if you like country and listen to it often, you know a song that Ashley Monroe worked on. Songs that bear her writing include Jason Aldean’s “The Truth,” Miranda Lambert’s “Heart Like Mine,” and Carrie Underwood’s “Flat on the Floor.” Her backing vocals can be heard on Miranda’s “Me and Your Cigarettes,” and Wade Bowen’s “If We Ever Make it Home,” among others. In addition, she independently released an EP with Trent Dabbs (with the unoriginal title Ashley Monroe and Trent Dabbs), sang with Jack White’s Third Man House Band, and collaborated with The Raconteurs and Ricky Skaggs on a single called “Old Enough.” In 2012, she even performed a song called “Bruises” with Train and toured with the group.

The most pivotal event in Ashley’s career during this time was the formation of the Pistol Annies in 2011. Miranda Lambert and Ashley, now friends, formed the group with Angaleena Presley, making their surprise debut at the ACM Girls Night Out on April 22, 2011, with “hell on Heels.” They were an instant success and produced two remarkable albums, Hell on Heels (2011) and Annie Up (2013.) The success of the Annies rebuilt Ashley’s solo career and sparked Angaleena’s, unfortunately leading to the disbanding of the Annies in 2014. However, Ashley was signed by Warner Bros, and finally released her second solo album in 2013. The album was titled Like a Rose and was produced by Vince Gill. Like a Rose was one of the best albums I have heard in the last five years, and it was met with much deserved critical acclaim. She finally got the breakthrough she had worked so long to achieve with Like a Rose, proving that hard work and dedication really can and does pay off. My only complaint with it was it ended too soon–it only contained nine tracks, and I immediately wanted to hear more. Today I get that wish, as her third album, The Blade, is finally here. I will reserve comments on that for the review, although I will say it was also produced by Vince Gill, so one would expect it to be awesome.

Why Ashley Belongs on Country Radio

Now would be the perfect time to start playing Ashley Monroe on country radio. Everyone knows her from “Lonely Tonight.” Plus, a commenter on another site described her voice as “pure gold” and that’s the best way to put it. She is a great songwriter, but even when she didn’t write the song, she has a way of telling a story when she sings. It’s probably from dealing with the pain of her father’s death and having to grow up so young. At any rate, when Ashley Monroe sings, you want to listen, to sad songs especially, but really to anything. I have praised other women for their songwriting, but with Ashley, the strength lies in her voice. Not to mention her voice is authentically country. She could put pop beats or rock beats or whatever behind it–she doesn’t, she generally stays traditional with traces of pop here and there–but she would still sound country. We need a woman like that on the radio.

Tracks I Recommend

This is not counting The Blade, as I am doing an entire album review over that. In light of that, I feel it would be a disservice to pick apart Like a Rose, as it is all awesome. So just go listen to it. As for Satisfied, everything on it is great as well, but it is more of an acquired taste, especially for those who like less twang or are just starting with Ashley. So just go listen to Like a Rose and proceed from there. With that album you cannot go wrong.

Listen to Like a Rose

Billboard Country Airplay and Country Albums Chart (August 1st)

Billboard Country Airplay

1. Jason Aldean–“Tonight Looks Good on You” (up 1)
2. Brantley Gilbert–“One Hell of an Amen” (up 3)
3. Little Big Town–“Girl Crush” (up 1)
4. Michael Ray–“Kiss You in the Morning” (up 2)
5. Canaan Smith–“Love You Like That” (down 4)
6. Luke Bryan–“Kick the Dust Up” (up 2)
7. Blake Shelton–“Sangria” (down 4)
8. Frankie Ballard–“Young and Crazy” (up 1)
9. Zac Brown Band–“Loving You Easy” (up 1)
10. Brad Paisley–“Crushin’ It” (up 1)
11. Sam Hunt–“House Party” (up 2)
12. Dustin Lynch–“Hell of a Night”
13. Thomas Rhett–“Crash and Burn” (up 1)
14. Eric Church–“Like a Wrecking Ball” (up 1)
15. Chris Janson–“Buy me a Boat” (up 1)
16. Brett Eldredge–“Lose my Mind” (up 1)
17. Keith Urban–“John Cougar, John Deere, John 3:16” (up 1)
18. Chase Rice–“Gonna Wanna Tonight” (up 3)
19. Maddie & Tae–“Fly”
20. Jake Owen–“Real Life”
21. Cole Swindell–“Let me See ya Girl” (up 1)
22. Kip Moore–“I’m to Blame” (up 1)
23. Kenny Chesney–“Save it For a Rainy Day” (up 4) [biggest gainer]
24. Old Dominion–“Break up With Him” (up 2)
25. Dan + Shay–“Nothin’ Like You” (down 1)
26. Lady Antebellum–“Long Stretch of Love” (down 1)
27. Florida Georgia Line–“Anything Goes” (up 1)
28. Cam–“Burning House” (up 1)
29. Big & Rich–“Run Away With You” (up 1)
30. Brothers Osborne–“Stay a Little Longer” (re-entering top 30)

  • new No. 1: “Tonight Looks Good On You”
  • next week’s No. 1 prediction: “One Hell of an Amen”
  • Little Big Town will not reach No. 1 sadly
  • Maddie & Tae will stall out soon, the bros are pushing them out
  • Easton Corbin’s “Baby, Be my Love Song” fell out of the top 30 from No. 7

Billboard Top Country Albums

1. Sam Hunt–Montevallo (really?)
2. Zac Brown Band–Jekyll + Hyde
3. Kacey Musgraves–Pageant Material
4. Little Big Town–Painkiller
5. Eric Church–The Outsiders
6. Various Artists–Now That’s What I Call Country, Volume 8
7. Brantley Gilbert–Just as I Am
8. Willie Nelson/Merle Haggard–Django and Jimmie
9. Jason Aldean–Old Boots, New Dirt
10. Florida Georgia Line–Anything Goes
11. Easton Corbin–About to Get Real
12. Luke Bryan–Spring Break…Checkin’ Out
13. Luke Bryan–Crash my Party
14. Chase Rice–Ignite the Night
15. Carrie Underwood–Greatest Hits, Decade #1
16. Blake Shelton–Bringing Back the Sunshine
17. Kenny Chesney–The Big Revival
18. Darius Rucker–Southern Style
19. Canaan Smith–Bronco
20. A Thousand Horses–Southernality
21. Zac Brown Band–Greatest Hits So Far…
22. Cole Swindell–Cole Swindell
23. Kelsea Ballerini–The First Time
24. Tim McGraw–35 Biggest Hits
25. Tyler Farr–Suffer in Peace

  • Sam Hunt’s awful Montevallo replaces Easton Corbin About to Get Real at No 1
  • Easton Corbin falls from No. 1 to No. 11
  • look at the staying power of Merle Haggard and Willie Nelson as opposed to say, Canaan Smith or Easton Corbin…just saying

Source: Billboard

Billboard Country Airplay and Country Albums Chart (July 25th)

Billboard Country Airplay

1. Canaan Smith–“Love you Like That” (up 3)
2. Jason Aldean–“Tonight Looks Good On You”
3. Blake Shelton–“Sangria” (down 2)
4. Little Big Town–“Girl Crush” (up 1)
5. Brantly Gilbert–“One Hell of an Amen” (up 1)
6. Michael Ray–“Kiss you in the Morning” (up 1)
7. Easton Corbin–“Baby, Be my Love Song” (down 4) [biggest loser]
8. Luke Bryan–“Kick the Dust Up” (up 1)
9. Frankie Ballard–“Young and Crazy” (up 3)
10. Zac Brown Band–“Loving You Easy”
11. Brad Paisley–“Crushin’ It”
12. Dustin Lynch–“Hell of a Night” (up 1)
13. Sam Hunt–“House Party” (up 1)
14. Thomas Rhett–“Crash and Burn” (up 1)
15. Eric Church–“Like a Wrecking Ball” (up 1)
16. Chris Janson–“Buy me a Boat” (up 1)
17. Brett Eldredge–“lose my Mind” (up 1)
18. Keith Urban–“John Cougar, John Deere, John 3:16” (up 1)
19. Maddie & Tae–“Fly” (up 1)
20. Jake Owen–“Real Life” (up 1)
21. Chase Rice–“Gonna Wanna Tonight” (up 1)
22. Cole Swindell–“Let me See ya Girl” (up 2)
23. Kip Moore–“I’m to Blame”
24. Dan + Shay–“Nothin’ Like You” (up 2)
25. Lady Antebellum–“Long Stretch of Love”
26. Old Dominion–“Break up With Him” (up 1)
27. Kenny Chesney–“Save it for a Rainy Day” (entering top 30)
28. Florida Georgia Line–“Anything Goes” (entering top 30)
29. Cam–“Burning House” (entering top 30)
30. Big & Rich–“Run Away With You” (down 1)

  • new No. 1: “Love You Like That” (after a completely corrupt and artificial push from Canaan’s label
  • next week’s No. 1 prediction: “Tonight Looks Good on You”
  • Florida Georgia Line and Cam enter top 30 together…how can they be played on the same station?
  • Tim McGraw and Catherine Dunn’s “Diamond Rings and Old Barstools” fell out of the top 30 from No. 8
  • Reba’s “Going out Like That” fell out of the top 30 from no. 28
  • Brothers Osborne’s “Stay a Little Longer” fell out of the top 30 after entering last week at No. 30

Billboard Top Country Albums

1. Easton Corbin–About to Get Real
2. Kacey Musgraves–Pageant Material
3. Sam Hunt–Montevallo
4. Zac Brown Band–Jekyll + Hyde
5. Various Artists–Now That’s What I Call Country, Volume 8
6. Little Big Town–Painkiller

7. Eric Church–The Outsiders
8. Brantley Gilbert–Just As I Am
9. Willie Nelson/Merle Haggard–Django and Jimmie
10. Jason Aldean–Old Boots, New Dirt
11. Florida Georgia Line–Anything Goes
12. Blake Shelton–Bringing Back the Sunshine
13. Canaan Smith–Bronco
14. Luke Bryan–Spring Break, Checkin’ Out
15. Luke Bryan–Crash my Party
16. Carrie Underwood–Greatest Hits, Decade #1
17. Cole Swindell–Cole Swindell
18. A Thousand Horses–Southernality
19. Chase Rice–Ignite the Night
20. Kelsea Ballerini–The First Time
21. Chris Stapleton–Traveler
22. Tim McGraw–35 Biggest Hits
23. Darius Rucker–Southern Style
24. The Lax–Outlaw in Me
25. Billy Currington–Summer Forever

  • Chase Rice’s Ignite the Night moved up 5 spots from No. 24 to No. 19
  • the first 16 spots were the same as last week’s
  • music will now be released on Friday, and so there are no new releases on this week’s chart

Source: Billboard