Tag Archives: Slate Creek Records

Female Fridays: Featuring Angaleena Presley

Last week, I featured her fellow Pistol Annie Ashley Monroe, so this week I thought I would introduce Angaleena Presley.

How You Might Know Angaleena

As mentioned above, she was a member of the Pistol Annies, along with Miranda Lambert and Ashley Monroe.

Bio

Angaleena Presley’s career has been considerably shorter than those of my previously featured females, so naturally her bio would be shorter. However, while digging for Angaleena info–I also knew less about her than the others I have featured–I found two things that together paint a far better and more accurate picture of the Angaleena I listen to than a long list of facts about her career ever could. From Angaleena’s Web site:

If there’s a pedigree for a modern country music star, then Angaleena Presley fits all of the criteria: a coal miner’s daughter; native of Beauty, Kentucky; a direct descendent of the original feuding McCoys; a one-time single mother; a graduate of both the school of hard knocks and college; a former cashier at both Wal-Mart and Winn-Dixie. Perhaps best of all the member of Platinum-selling Pistol Annies (with Miranda Lambert and Ashley Monroe) says she “doesn’t know how to not tell the truth”

From an interview with Rolling Stone, in reference to her musical influences:

When I was in college, I was in my dorm and I heard Patty Griffin singing “Sweet Lorraine.” I rose up and was like, “Whoa, she just said a bad word!” Loretta Lynn, she was forthcoming in her songs, but Patty Griffin was just like, “This is how it was: ‘My dad called me a [slut] and [a whore] on my wedding day.'” It opened some kind of Pandora’s box in my creative psyche. I think about a month later I wrote the first song that I thought, “OK, I think I might have something here.”

Angaleena Presley (born September 1st, 1976 in Martin County, Kentucky, and raised in beauty, Kentucky), has indeed gained a reputation for telling “the truth” in her songwriting. After graduating from Eastern Kentucky University, she moved to Nashville in 2000 and soon gained a publishing deal. Through her publisher, she later met Ashley Monroe, which would eventually pay off–but not until 2011, with the formation of the Pistol Annies. As I mentioned last week, they released two excellent albums, Hell on Heels (2011) and Annie Up (2013.) I have already introduced Ashley and Angaleena, and everyone knows Miranda, but I have debated doing an entire Female Friday with Pistol Annies as well, as their music is remarkable in its own right. One of my biggest disappointments last year was the news that Pistol Annies had broken up.

However, the breakup of the Annies was mostly due to the revival of Ashley’s solo career and the beginning of Angaleena’s. Angaleena’s debut album, American Middle Class, was released on October 14, 2014, under Slate Creek Records. It is a traditional country album with some elements of blues and bluegrass mixed in here and there. It does indeed tell the “truth,” containing songs about pregnancy, drug abuse, the bad economy, etc. The album was met with much critical acclaim, and Angaleena finally proved that she could succeed on her own just as Ashley and Miranda had done.

Why Angaleena Belongs on Country Radio

While I do not feel that she is “radio ready” in this current climate like the other women I have featured–they all have songs that lean slightly toward pop country or rock country–she would be ideal for radio if it actually played country instead of everything else. She would benefit if country split into different genres or if Americana started gaining a wider influence and stealing more country artists (this is the direction Kacey Musgraves is heading.) She is a modern day Loretta Lynn, penning songs about real life that she actually lived. I read the quote from her site above and immediately her songs and songs she wrote for Pistol Annies come to mind. She was a coal miner’s daughter from Kentucky, (“American Middle Class” and “Dry County Blues,”) a single mother (“Trading One Heartbreak for Another” and “Housewife’s Prayer” by Pistol Annies and her own song “Drunk,”) a cashier (“Grocery Store,”) etc. I’ll be honest here and say that she was an acquired taste for me both in the Annies and as a solo artist, but there is no question she is a talented singer and songwriter and deserves more recognition. I will also say that while I just described her as an acquired taste, I am glad I took the time to acquire it, because I truly enjoy Angaleena Presley music and am looking forward to her sophomore album.

Tracks I Recommend

Last week, I didn’t want to pick apart Ashley Monroe’s excellent album Like a Rose, feeling that to do so would be a disservice. Many would say the same about the picking apart of Angaleena’s American Middle Class as well. So before I do it, I will say that if you like more twang and/or bluegrass influence, you will like the whole album. There is not a bad song on it lyrically. The purpose of this highlighting of tracks is more to ease newcomers into Angaleena’s style.

1. American Middle Class–American Middle Class
2. Better off Red–American Middle Class
3. All I Ever Wanted–American Middle Class
4. Life of the Party–American Middle Class
5. Drunk–American Middle Class

Listen to American Middle Class

Also, if you are a Texas country fan like me, you should check out JB and the Moonshine Band’s “Black and White” featuring Angaleena Presley. There doesn’t seem to be a YouTube video of that, or I’d post it here. But it’s worth a listen, especially if you don’t end up liking Angaleena’s style.