Tag Archives: Zac Brown Band

Billboard Country Airplay and Country Albums Chart (August 22nd)

Billboard Country Airplay

1. Michael Ray–“Kiss You in the Morning” (up 1)
2. Zac Brown Band–“Loving You Easy” (up 2)
3. Frankie Ballard–“Young and Crazy”
4. Sam Hunt–“House Party” (up 4)
5. Dustin Lynch–“Hell of a Night” (up 2)
6. Luke Bryan–“Kick the Dust Up” (down 5)
7. Thomas Rhett–“Crash and Burn” (up 2)
8. Brantley Gilbert–“One Hell of an Amen” (down 3)
9. Jason Aldean–“Tonight Looks Good on You” (down 3)
10. Chris Janson–“Buy Me a Boat”
11. Keith Urban–“John Cougar, John Deere, John 3:16” (up 1)
12. Brett Eldredge–“Lose My Mind” (down 1)
13. Kenny Chesney–“Save It for a Rainy Day” (up 1)
14. Eric Church–“Like a Wrecking Ball” (down 1)
15. Maddie & Tae–“Fly”
16. Chase Rice–“Gonna Wanna Tonight”
17. Florida Georgia Line–“Anything Goes” (up 2)
18. Cole Swindell–“Let Me See Ya Girl”
19. Jake Owen–“Real Life” (down 2)
20. Dan + Shay–“Nothin’ Like You”
21. Old Dominion–“Break up With Him” (up 1)
22. Lady Antebellum–“Long Stretch of Love” (up 1)
23. Kip Moore–“I’m To Blame” (down 2)
24. Cam–“Burning House”
25. Big & Rich–“Run Away With You”
26. Chris Young–“I’m Comin’ Over” (up 2)
27. Brothers Osborne–“Stay a Little Longer” (down 1)
28. Parmalee–“Already Callin’ You Mine” (down 1)
29. Blake Shelton–“Gonna” (entering top 30)
30. Tim McGraw–“Top of the World” (entering top 30)

  • new No. 1: “Kiss You in the Morning”
  • next week’s No. 1 prediction: “Loving You Easy”
  • Jana Kramer’s “I Got the Boy” and Hunter Hayes’s “21” fell temporarily out of the top 30 this week

Billboard Top Country Albums

1. Sam Hunt–Montevallo
2. Alan Jackson–Angels and Alcohol
3. Zac Brown Band–Greatest Hits So Far…
4. Zac Brown Band–Jekyll + Hyde
5. Jason Isbell–Something More Than Free
6. Eric Church–The Outsiders
7. Little Big Town–Painkiller
8. Chase Rice–Ignite the Night
9. Jason Aldean–Old Boots, New Dirt
10. Florida Georgia Line–Anything Goes
11. Brantley Gilbert–Just as I Am
12. Various Artists–Now That’s What I Call Country, Volume 8
13. Ashley Monroe–The Blade
14. Blake Shelton–Bringing Back the Sunshine
15. Kacey Musgraves–Pageant Material
16. Luke Bryan–Crash My Party
17. Luke Bryan–Spring Break…Checkin’ Out
18. Willie Nelson/Merle Haggard–Django and Jimmie
19. Big & Rich–Gravity
20. Kenny Chesney–The Big Revival
21. Big Smo–Bringin’ It Home (EP)
22. Carrie Underwood–Greatest Hits: Decade #1
23. Cole Swindell–Cole Swindell
24. Darius Rucker–Southern Style
25. Easton Corbin–About to Get Real

  • Zac Brown Band’s Greatest Hits So Far… moved up from No. 17 to No. 3
  • Ashley Monroe’s The Blade fell from No. 2 to No. 13
  • unfortunately, Sam Hunt is back at No. 1

Source: Billboard

Random Thoughts of the Week: My Opinion on Zac Brown Band Releasing “Beautiful Drug”

Zac Brown is widely known for having called out Luke Bryan’s 2013 bro country anthem “That’s My Kind of Night” as
the worst song he’d ever heard.
So this week, when the news broke that the Zac Brown Band would
release the EDM single “Beautiful Drug” to country radio,
many fans were disheartened and felt betrayed. This subject has been discussed over and over on other blogs, and I debated whether or not to bring it up. But it needs to be addressed.

https://www.youtube.com/watch?v=NOOcd62KpA4

Zac Brown Band is one of my favorites in any genre, so the moment their new album, Jekyll + Hyde, became available, I purchased it. I didn’t preview any tracks ahead of time; it was ZBB, they always deliver. It should be noted here that while they have never done EDM or pop country, the group is known for experimenting with their sound. In fact, one of my favorite songs from them is “Overnight” from 2012’s Uncaged, which is an r&b bedroom song featuring Trombone Shorty. They also do many songs tinged with reggae, and having seen them live, I’ve seen them play Southern rock as well. So as a ZBB fan, it really did not come as much of a shock to me when “Beautiful Drug” came on. Even when the EDM beats kicked in at the chorus, I was not terribly shocked. A lot of people criticized Zac Brown then, saying he should never have started an album with this song and that this was a betrayal to his core fans. As a core fan, I can say that although it was a surprise, I did not consider this a betrayal. “Beautiful Drug” is indeed a club song, but it is a love song; a betrayal would have been a song about tailgating in the moonlight. I actually like “Beautiful Drug,” although it is not country. Jekyll + Hyde was all over the place in terms of sound and can be criticized for not being country, or not really sticking to any genre. Having said that, I liked “Beautiful Drug” as an EDM song, I liked “Home Grown” as a country song, and I liked “Junkyard” and “Heavy as the Head” as rock songs.

The real betrayal of Zac Brown was when he announced that “Beautiful Drug,” an EDM club song, will be released to radio as a crossover hit. I should mention that “Heavy is the Head” was released to rock radio and gave the band a No. 1. Why then does “Beautiful Drug” need to be on country radio? They should have sent it to pop radio where it belongs. This is a betrayal. This is not the Zac Brown that called out Luke Bryan. When I turn on the radio, I can usually count on hearing good singles from Zac Brown Band mixed in with all the crap being marketed as country. They stand out as hope for country music, even if they experiment with other genres. The statement they could have and should have made would have been to release “Beautiful Drug” to pop radio, as well as another single to country radio. This marks a difference in genre and sets up boundary lines, which is something Zac Brown seems to have stood for in 2013. Most people who have called out this song hate “Beautiful Drug” and/or think ZBB should have never recorded it in the first place. As someone who was not offended by its appearance on a Zac Brown Band album, I am here to say it does not belong on country radio. Zac Brown Band has been the biggest bright spot for country music in the last five years, managing to break the airplay barrier with fiddles and lyrics of substance. The news of this release to country radio means that the Zac Brown who would once fight for country music has now surrendered to a trend. This is disheartening to say the least and a slap in the face to Zac Brown Band fans who count on them as the last hope for country music.

Tomato of the Week: Gwen Sebastian

She flies under the radar a lot, but I think she could have real potential as a good pop country artist. Her full article will be featured on Female Friday.

Random Country Suggestion: Tyler Farr: “Suffer in Peace”

The excellent title track from his new album that will never be a single because it has too much heart.

Non-Country Suggestion: Zac Brown Band featuring Chris Cornell–“Heavy is the Head”

The previously mentioned No. 1 on rock radio that stayed where it belonged.

Billboard Country Airplay and Country Albums Chart (August 15th)

Billboard Country Airplay

1. Luke Bryan–“Kick the Dust Up” (up 3) [really?]
2. Michael Ray–“Kiss You in the Morning” (up 1) [again, really?]
3. Frankie Ballard–“Young and Crazy” (up 3)
4. Zac Brown Band–“Loving You Easy” (up 1)
5. Brantley Gilbert–“One Hell of an Amen” (down 4)
6. Jason Aldean–“Tonight Looks Good on You” (down 4)
7. Dustin Lynch–“Hell of a Night”
8. Sam Hunt–“House Party”
9. Thomas Rhett–“Crash and Burn” (up 2)
10. Chris Janson–“Buy Me a Boat” (up 2)
11. Brett Eldredge–“Lose My Mind” (up 3)
12. Keith Urban–“John Cougar, John Deere, John 3:16” (up 1)
13. Eric Church–“Like a Wrecking Ball” (up 2)
14. Kenny Chesney–“Save It for a Rainy Day” (up 3)
15. Maddie & Tae–“Fly” (up 1)
16. Chase Rice–“Gonna Wanna Tonight” (up 3)
17. Jake Owen–“Real Life” (up 1)
18. Cole Swindell–“Let Me See Ya Girl” (up 3)
19. Florida Georgia Line–“Anything Goes” (up 3)
20. Dan + Shay–“Nothin’ Like You” (up 5) [biggest gainer]
21. Kip Moore–“I’m to Blame” (down 1)
22. Old Dominion–“Break up With Him” (up 1)
23. Lady Antebellum–“Long Stretch of Love” (up 2)
24. Cam–“Burning House” (up 2)
25. Big & Rich–“Run Away With You” (up 2)
26. Brothers Osborne–“Stay a Little Longer” (up 2)
27. Parmalee–“Already Callin’ You Mine” (up 2)
28. Chris Young–“I’m Comin’ Over” (up 2)
29. Jana Kramer–“I Got the Boy” (entering top 30)
30. Hunter Hayes–“21” (entering top 30)

  • new No. 1: “Kick the Dust Up”
  • next week’s No. 1 prediction: “Kiss You in the Morning”
  • Luke Bryan and Michael Ray have albums coming out Friday, and they have the No. 1 and No. 2 slots…how convenient
  • once again, a good song (Jana Kramer) enters the top 30 and is balanced by crap (Hunter Hayes)
  • Brad Paisley’s “Crushin’ It” and Canaan Smith’s “Love You Like That” fell from No. 9 and No. 10, respectively, to out of the top 30

Billboard Top Country Albums

1. Alan Jackson–Angels and Alcohol
2. Ashley Monroe–The Blade [debut]
3. Sam Hunt–Montevallo
4. Jason Isbell–Something More Than Free
5. Zac Brown Band–Jekyll + Hyde
6. Eric Church–The Outsiders
7. Little Big Town–Painkiller
8. Jason Aldean–Old Boots, New Dirt
9. Brantley Gilbert–Just as I Am
10. Florida Georgia Line–Anything Goes
11. Kacey Musgraves–Pageant Material
12. Various Artists–Now That’s What I Call Country, Volume 8
13. Luke Bryan–Crash My Party
14. Willie Nelson/Merle Haggard–Django and Jimmie
15. Chase Rice–Ignite the Night
16. Luke Bryan–Spring Break…Checkin’ Out
17. Zac Brown Band–Greatest Hits So Far…
18. Easton Corbin–About to Get Real
19. Cole Swindell–Cole Swindell
20. Kenny Chesney–The Big Revival
21. Big Smo–Bringin’ It Home (EP)
22. Blake Shelton–Bringing Back the Sunshine
23. Carrie Underwood–Greatest Hits: Decade #1
24. Miranda Lambert–Platinum
25. Kelsea Ballerini–The First Time

  • Alan Jackson’s Angels and Alcohol hits No. 1 after all
  • Ashley Monroe’s mostly great album The Blade debuts at No. 2
  • Luke Bryan will probably have three albums on this chart next week…
  • if Sam Hunt weren’t in the way, this would be the best top five albums I’ve seen in awhile…sadly, he is infecting it
  • who is buying these Now That’s What I Call Country albums???

Source: Billboard

Billboard Country Airplay and Country Albums Chart (August 8th)

Billboard Country Airplay

1. Brantley Gilbert–“One Hell of an Amen” (up 1)
2. Jason Aldean–“Tonight Looks Good on You” (down 1)
3. Michael Ray–“Kiss you in the Morning” (up 1)
4. Luke Bryan–“Kick the Dust up” (up 2)
5. Zac Brown Band–“Loving You Easy” (up 4)
6. Frankie Ballard–“Young and Crazy” (up 2)
7. Dustin Lynch–“Hell of a Night” (up 5)
8. Sam Hunt–“House Party” (up 3)
9. Brad Paisley–“Crushin’ It” (up 1)
10. Canaan Smith–“Love you Like That” (down 5)
11. Thomas Rhett–“Crash and Burn” (up 2)
12. Chris Janson–“Buy me a Boat” (up 3)
13. Keith Urban–“John Cougar, John Deere, John 3:16” (up 4)
14. Brett Eldredge–“Lose my Mind” (up 2)
15. Eric Church–“Like a Wrecking Ball” (down 1)
16. Maddie & Tae–“Fly” (up 3)
17. Kenny Chesney–“Save it for a Rainy Day” (up 6) [biggest gainer]
18. Jake Owen–“Real Life” (up 2)
19. Chase Rice–“Gonna Wanna Tonight” (down 1)
20. Kip Moore–“I’m to Blame” (up 2)
21. Cole Swindell–“Let me See ya Girl”
22. Florida Georgia Line–“Anything Goes” (up 5)
23. Old Dominion–“Break up With Him” (up 1)
24. Lady Antebellum–“Long Stretch of Love” (up 2)
25. Dan + Shay–“Nothin’ Like You”
26. Cam–“Burning House” (up 2)
27. Big & Rich–“Run Away With You” (up 2)
28. Brothers Osborne–“Stay a Little Longer” (up 2)
29. Parmalee–“Already Callin’ You Mine” (entering top 30)
30. Chris Young–“I’m Comin’ Over” (entering top 30)

  • new No. 1: “one Hell of an Amen”
  • next week’s No. 1 prediction: “Kiss You in the Morning”
  • Little Big Town’s “Girl Crush” and Blake Shelton’s “Sangria” fell from No. 3 and No. 7, respectively, to out of the top 30
  • an actual good song enters the top 30 (Chris Young) but is balanced by crap entering as well (Parmalee)

Billboard Top Country Albums

1. Jason Isbell–Something More Than Free [debut]
2. Alan Jackson–Angels and Alcohol [debut]
3. Sam Hunt–Montevallo
4. Zac Brown Band–Jekyll + Hyde
5. Eric Church–The Outsiders
6. Little Big Town–Painkiller
7. Kacey Musgraves–Pageant Material
8. Various Artists–Now That’s What I Call Country, Volume 8
9. Jason Aldean–Old Boots, New Dirt
10. Brantley Gilbert–Just as I Am
11. Florida Georgia Line–Anything Goes
12. Willie Nelson/Merle Haggard–Django and Jimmie
13. Moonshine Bandits–Blacked Out [debut]
14. Luke Bryan–Crash my Party
15. Easton Corbin–About to Get Real
16. Chase Rice–Ignite The Night
17. Luke Bryan–Spring Break…Checkin’ Out
18. Lee Bryce–Mixtape: ‘Til Summer’s Gone (EP)
19. Kenny Chesney–The Big Revival
20. Cole Swindell–Cole Swindell
21. Carrie Underwood–Greatest Hits: Decade #1
22. Zac Brown Band–Greatest Hits So Far…
23. Blake Shelton–Bringing Back the Sunshine
24. Tim McGraw–35 Biggest Hits
25. Miranda Lambert–Platinum

  • Jason Isbell and Alan Jackson score a huge victory for country music by taking the No. 1 and No. 2 spots this week
  • Canaan Smith and Kelsea Ballerini are no longer in the top 25…Kelsea’s album came out on May 19th, and Canaan’s came out on June 23rd…look at their staying power
  • after a long absence, Miranda Lambert’s Platinum is in the top 25 again this week

Source: Billboard

Random Thoughts of the Week: Jason Isbell and Alan Jackson Prove Quality is Worth More Than Airplay

Congratulations to Jason Isbell and Alan Jackson, who have claimed the No. 1 and No. 2 spots, respectively, on the Billboard Top Country Albums chart. Both released excellent albums–I reviewed them both here on Country Exclusive–on July 17th, the first Friday release date for albums in North America. Jackson’s Angels and Alcohol was a traditional album by a country veteran, released on a major label. Isbell’s Something More Than Free was an Americana/Southern rock/folk/country blend marked by excellent songwriting, released independently. Musically, these albums were polar opposites–well, as opposite as two albums can be within the same genre. While they both had great songwriting, the content on their albums was quite different, and their ways of storytelling and crafting lyrics aren’t similar either.

So what did these two albums have in common? Musically, although different, each had a distinct country sound. As I have mentioned, each contained quality music marked with great songwriting. I gave each album a 9 when I reviewed them. Each contained many songs written solely by the artist. This is especially surprising in Jackson’s case, considering that most mainstream songs are written by at least three people these days. (It takes at least three to write crap about a dirt road, but one can write good music?) Jackson wrote seven of the ten tracks on his album. Isbell’s songwriting is something he has been praised for and something I discussed at length in his review; for him to write the material on his album, however, is not as unusual because he is an independent artist.

But, wait…there’s something else glaringly obvious these two albums have in common. Neither has had five minutes of radio support. Jackson has had a little and may have more with a future single, but he has not had airplay comparative to what he should have with the No. 2 album in the country. Isbell isn’t getting airplay at all and yet has managed to beat Jackson by less than 500 units after a fight that came down to the wire. Both albums sold over 46,000 copies.

And here I thought if you weren’t on country radio, you didn’t exist. If you were living under a rock in February, that is what Gary Overton, CEO of Sony Music Nashville, who was later fired, infamously told The Tennessean–“If you’re not on country radio, you don’t exist.” Overton’s comments were the cause of an uproar from Texas artists such as Aaron Watson who, after claiming the No. 1 album that very week, noted, “My name is Aaron Watson. I’m not played on country radio. And I have the #1 record in country music this week. I do exist.” Aaron Watson went to settle the matter with Bobby Bones and, in a strange turn of events, was told that he was being “disrespectful to women” for calling a producer “sweetheart.” This led to an epic online rant from Texas artist Charlie Robison–too long to post here–which in turn led to Florida Georgia Line’s tweet that they had “lost a lot of respect” for Robison. His reply was, “How do you lose respect for someone who doesn’t exist?”

Overton’s comments were overshadowed by the idiocy of Keith Hill in May, but they shouldn’t be overlooked. Alan Jackson and Jason Isbell certainly exist–and there is a silent majority out there buying their albums saying they’d rather search the Internet and streaming services to find good music than listen to what is offered on radio. Kacey Musgraves has been all but blacklisted on country radio, and she has held her position on the chart, debuting at No. 1 quietly. We may also see this next week with Ashley Monroe–fingers crossed–whom I have never heard on the radio. Willie Nelson and Merle Haggard don’t get played anymore, and their album Django and Jimmie has had no problem staying in the top ten, while radio-supported Billy Currington, Canaan Smith, Kelsea Ballerini, and Easton Corbin struggle to keep their places on the charts. What would happen if they lost radio support? How long will country radio ignore the numbers? Maybe they can ignore a bunch of traditionalists griping on blogs, but It’s not just people griping on blogs anymore, it’s on the charts now.

Tomato of the Week: Angaleena Presley

As I featured her fellow Pistol Annie Ashley Monroe last week, I thought it fitting that she should be this week. Check out her article on Female Friday!

Random Country Suggestion: Zac Brown Band–“Bittersweet”

Great song off their new album, Jekyll + Hyde. It should be a future single.

https://www.youtube.com/watch?v=PPvyfLtlI-A

Non-Country Suggestion: Chris Tomlin–Love Ran Red

I often post pop music here, but as I’ve mentioned before, I like a little of everything, and I like some Christian music too. If you don’t like Christian music, don’t listen. If you do, you are probably familiar with Chris Tomlin, and his work speaks for itself. He is the Strait or Jackson in the Christian world that just keeps releasing good music, and his latest album is no different.

Listen to Love Ran Red

That’s all for this week’s Random Thoughts!