Category Archives: Commentary

Random Thoughts of the Week: Luke Bryan Apoligizes, Blake Shelton and Miranda Lambert Announce Divorce

This column has previously been on Sundays, but this weekend I was moving so it comes late. However, since music is now being released on Friday, changing the times for album reviews, this column will move to Tuesdays starting next week.

Last week, I used the Random Thoughts column to rip apart Luke Bryan for his disparaging comments about outlaw country, as well as his mischaracterization of Waylon Jennings, Willie Nelson, and Merle Haggard. Since then, Luke has called the families of Waylon and Merle to personally apologize for his actions. Both Shooter Jennings and Ben Haggard have come forward publicly about this to say basically that this is water under the bridge, and that Luke did an honorable thing by apologizing privately. I happen to agree. Whether he meant to disparage them or not, he proved by apologizing personally that he truly cared about how it affected them. he had already tried to repair his public image on Twitter–and that is all most artists would have done. Regardless of my opinion of Luke or his music, this was a very classy thing. Last week, my post was entitled “What Happened to the Class in Country?” and this was Luke showing he still has some.

Earlier today, (July 20th), Blake Shelton and Miranda Lambert released a statement announcing their divorce. They said this was not the future they had “envisioned” and added that “it is with heavy hearts that we move forward separately.” The statement continued, “We are real people, with real lives, with real families, friends, and colleagues. Therefore, we kindly ask for privacy and compassion concerning this very personal matter.” In respect to them, we should not, and I will not, seek to decipher what led to the divorce. However, I do wonder how it will affect their careers. Will Blake Shelton lose some relevancy? He gained much more radio relevancy when he married Miranda, although this was also around the time he started on “The Voice,” which certainly played a role. If this had happened a few years ago, he might have been in trouble, but now, with the male-dominated radio waves and his job on “The Voice,” I think he will not be affected, but who knows? Miranda could continue to lose airplay as well–she is a female and that is an automatic strike against her, and now she won’t be married to Blake, so radio will probably give her less of a chance. Their dominance at the ACM and CMA Awards will certainly end, and Carrie Underwood will have a well-deserved shot at Top Female Vocalist. Personally, I hope neither of their careers is seriously hurt, but I prefer Miranda over Blake, and I would hate to see one less female on the radio because she lost her “ticket.” As I mentioned, I will not speculate on what led to the divorce, but we all know if cheating was indeed involved–as many gossip sites would have us believe–Miranda will put it in her next album. However, their privacy should be respected. Just because we hear their music and see Blake on TV does not mean their lives should be put under a microscope.

Tomato of the Week: Ashley Monroe

Her new album comes out Friday–I have been waiting for this since her last album–so what better day to feature her? Here’s the lead single from the new album, The Blade

Random Country Suggestion: Miranda Lambert and Blake Shelton, “Better in the Long Run”

A song from happier times–incidentally, co-written by our featured female Ashley Monroe.

Non-Country Suggestion: Taylor Swift, 1989

I’m late to the party on this, as I could not stand Taylor’s previous album Red attempting to be both pop and country and thus failing at both. However, I recently bought 1989 and now that she is not pretending and is embracing a pop sound, Taylor is better than she ever was in country. If you like pop, give it a listen.

Listen to 1989

That’s all for this week’s Random Thoughts!

Random Thoughts of the Week: What Happened to the Class in Country?

Unless you have been living under a rock, you have probably heard Luke Bryan’s chosen “defense” for his brand of “country,” as told in an interview Thursday. But in case you haven’t, here’s the now infamous quote, given in an interview with Hits Daily Double:

Well, yeah. I think that people who want Merle, Willie and Waylon just need to buy Merle, Willie and Waylon. I’ve never been a ‘Those were the good old days’ kind of guy. I’m not big on looking back on the past. I’m not an outlaw country singer. I don’t do cocaine and run around. So I’m not going to sing outlaw country. I like to hunt, fish, ride around on my farm, build a big bonfire and drink some beers—and that’s what I sing about. It’s what I know. I don’t know about laying in the gutter, strung out on drugs. I don’t really want to do that.

Then, after the backlash from a significant portion of the country community, Luke took to Twitter to respond (in other words, his manager told him, “Hey, everyone thinks you’re a douchebag, and your public image is in jeopardy.”) Here’s his response

I’ve been thinking about this all day, every now and then I feel I need to defend myself in this business. I did a great interview with many topics discussed. It’s so frustrating that something negative has spun out of the story. I would never speak against any artist. It’s not my style. I consider Willie, Waylon and Merle musical heroes. I was trying to state what I was about and where I come from with my music. It’s simple as that.

Now, before I pick apart this ridiculously fake “response,” let me first say that “outlaw country” refers to taking creative control of one’s music. I am not going to spend a lot of time covering this; a lot of other blogs have done a great job with this. I will simply say that Luke isn’t an outlaw country singer because he sings whatever the labels throw at him. He sings shit like “Kick the Dust UP” and “That’s my Kind of Night” to make money. He has no original thoughts of his own, and even if he did, his desire for money has overshadowed them. Outlaw country spawned the Texas/red dirt country movement, and that’s where you will find today’s outlaws; they are people like Wade Bowen and Randy Rogers who sing about having “standards” as opposed to making “hits” and are relegated to the Texas Music Chart and Texas and Oklahoma stations willing to play their music.

But let’s pretend “outlaw country” did mean “laying in the gutter, strung out on drugs.”
Saving Country Music has a great article documenting Willie, Merle, and Waylon’s own words about their experiences with cocaine, and I have copied the link here. To summarize, Willie fired anyone in the band caught with cocaine, Merle tried it once and would never do it again, and Waylon was a long-time addict who finally quit and overcame his addiction. So now we can add “uneducated idiot” to Luke’s first crime of “classless douchebag.”

But let’s pretend further that they did, in fact, “do cocaine” and “run around.” This boils down to Luke’s lack of disrespect for legends of the genre that allowed him to become successful. Country music is (or used to be) about class. Here’s what Toby Keith had to say about Willie Nelson after the success of their duet “Beer for my Horses:”

When you see somebody that still has the love and passion that he’s got, you don’t understand why they can’t have a [No. 1] shot like these young guys and girls…but I’ve told him time and time again that I’m glad to be the guy that got to take that ride with him

And here’s Kenny Chesney, atWaylon’s passing: “I learned a lot from him, for not even meeting him. He had his niche. He had his style. He blazed his own trail. He didn’t care what anybody thought about it. That was a true artist.” (Also, apparently Kenny knows what “outlaw” means.)
And finally, just last year, country artists voted Merle Haggard the first-ever
Artist of a Lifetime and numerous artists spoke about his career and influence. And now Luke, who says, “I would never speak against any artist” has chosen to do just that–instead of defending his douche “country,” he has chosen to misuse the term “outlaw” and drag the names of legends through the dirt for his own gain. So it wasn’t enough to destroy country radio with the shit you call music, Luke, but now you are seeking to destroy the last shreds of class and knowledge left to country music with your ignorance and disrespect…nice.

Waylon’s daughter-in-law, Kathy Pinkerman Jennings, has spoken out against Luke in a Facebook post and YouTube video. I will close this post with her thoughts, as I couldn’t have said it better myself

To Luke Bryan:

I hope your family members are proud of you for using your WORLDWIDE platform to take the time to disrespect my Father in Law. You have managed to PROVE to the world your true self.

Albeit that Waylon’s drug use is well documented and something he overcame, I assure you, he was never “laying in a gutter.” At the peak of his career and drug abuse, he was making history and setting records. He, single handedly paved the way for you and everyone else to make music the way the artist wanted to make it. I’m not willing to waste my time to debate your “music” and / or the fact you have zillions of fans – I will however, not sit back and be quiet when you have so blatantly disrespected Waylon.

I recall the time I was at the Grand Ole Opry to visit with Andy Griggs, you were making your debut appearance. My friend that was with us had just seen your video. As we stood at the side of the stage, Jeannie Seeley [Seely] was talking to us and you walked over to introduce your self to her and told her how much you admired her, she in turn introduced you to myself and my husband. I almost got a cavity because of the sweetness of the words coming out of your mouth – you told us Waylon was one of your musical heroes. You went on and on and on.

This is not about music, Outlaw Country, whatever – it’s about DISRESPECT.

You are a platinum, disrespecting, no singing, whining, grasping for media attention, asshole. Use your platform for something good, instead of bashing the LEGENDS that came before you.

Tomato of the Week: Sunny Sweeney

As she just had two singles hit No. 1 on the previously mentioned Texas Music Chart, I thought it appropriate to feature her this week. Check out her full article on Female Friday!

Random Country Suggestions

This week I am including two country suggestions, because they both seem appropriate. There will be no non-country suggestion.

Random Thoughts of the Week: Introducing the “Tomatoes”

I gave this the name “random thoughts” because basically that’s what you will find here. Think of the music version of a daily or weekly sports column with some news and/or opinions along with several random bits of information. Country Perspective has a similar Thursday column called “The Hodgepodge” and it is one of my favorite things to read from them, so I wanted to start something similar on my own blog.

One of the most irritating things for me in the wake of #SaladGate is the comment/defense that Keith Hill was merely stating facts of the music business right now. To be clear, country radio has far more problems than the lack of airplay for women. There is quality music being made by both men and women that is not getting the airplay it deserves, but I am truly tired of hearing, “Well, there really aren’t that many women right now,” or “he was just stating facts,” or the most infuriating, “of course that’s the statistic, how can you play women when there aren’t any?”

The thing is, my music collection is filled with women. There are plenty of great women artists, both mainstream and independent, but most casual listeners don’t know any names besides Miranda Lambert and Carrie Underwood, or maybe Kacey Musgraves and Kelsea Ballerini now, but that’s being optimistic. A large part of this is that radio doesn’t play these women, and so people assume they don’t exist.

People should know the “tomatoes” of the country world. Whether you like their music or not, they should at least have a chance to be heard, and so I will be featuring a woman on this site every Friday to help with this problem. Personal preference will not be taken into account–I hate Luke Bryan and Florida Georgia Line, but I got the chance to decide that because I heard them. So although I will comment on my personal preference, my main focus here is to fix this problem of people thinking there aren’t any women out there to fill the country airwaves.

Tomato of the Week: Katie Armiger

In light of her recent feud with her long-time label, Cold River Records, Katie is the first, and one of my favorite, underappreciated tomatoes. Check out her full article on Female Friday!

Random Country Suggestion: Shannon Brown

This song came on my iPhone on Shuffle, and I went to see what else she did (turns out nothing) and ended up buying this whole album.

Random Non-Country Suggestion: Selena Gomez–“The Heart Wants What it Wants”

I love country, but I like a little of everything else too, and I truly love this song. I have this version and a cover by our featured female–both are great.

That’s all for this week’s Random Thoughts!

What Kelsea Ballerini’s No. 1 Single has to Say About Women in Country Music

Kelsea Ballerini’s debut single, “Love me Like You Mean It,” made history this week when it became the first debut single by a female to hit No. 1 on the billboard country charts since Carrie Underwood’s “Jesus, Take the Wheel” in 2006. Kelsea hit No. 1 on both the Billboard Country Airplay and mediabase country charts. I wonder what Keith Hill is saying about women in country now. (For those of you who don’t know, radio executive Keith Hill made himself a household name and a chauvinistic douchebag all in one day about a month ago when he compared women in country to tomatoes and said they should be taken out of radio completely.)

So what does this say about country? Well, it proves that country radio is not sexist, even if Keith Hill is. However, Kelsea sounds like a pop artist or at best a Taylor Swift, and what this does say is that women have to sound like pop singers to get on the radio. Also, there are plenty of women out there making great country albums who are being snubbed by country radio–Kacey Musgraves, Ashley Monroe, and Sunny Sweeney, just to name a few. Just proves that women are making more quality country music and therefore getting less airplay. So while it is a great day for the “tomatoes,” it is a sad day for country in general. Give Kacey or Ashley a NO. 1 instead. All the same, congratulations to Kelsea Ballerini for breaking this ridiculous nine-year drought.