Tag Archives: Garth Brooks

The Case For Inducting Keith Whitley into the Country Music Hall of Fame

It is that time of year when we start anticipating the names who will be added to the famously selective Country Music Hall of Fame. The Hall has been notoriously careful about preserving an elite class of members, to the point there is now a significant backlog of artists, writers, and musicians who probably should already have been inducted by now. I am not writing this to assert that Keith Whitley deserves to be in before say, Alan Jackson, whose exclusion has become almost ridiculous, or to discount others worthy of the distinction. This is why I mentioned the backlog, as Keith Whitley is one of several names who have earned their place here and have yet to receive it. But I do consider it a travesty that Keith Whitley’s motorcycle, pictured here, has made it into the Hall before Whitley himself. So perhaps because of the seeming uncertainty among many that Whitley deserves this honor at all, or perhaps because I want to explain why I signed the petition started by his fans to have him inducted, or perhaps simply because Keith Whitley’s music is one of the biggest reasons I fell in love with country music and still carry a passion for it to this day, I feel especially compelled to reach out and explain why Keith Whitley deserves a place alongside his piers and his motorcycle in the Country Music Hall of Fame.

Career

Keith Whitley grew up in Kentucky and first made a name for himself performing in Ralph Stanley’s Clinch Mountain Boys. He was fifteen at the time, and he and fellow singer Ricky Skaggs became widely respected in the world of bluegrass. In 1983, he moved to Nashville and later signed with RCA Records. At first, he made more contemporary country music. His biggest chart successes during this time included the singles “Ten Feet Away” and “Miami, My Amy.” He also married fellow country singer Lorrie Morgan in 1986.

Whitley asked to have his second full-length studio album shelved, feeling that the music wasn’t really his style. Back then, the concept of labels actually listening to artists and giving them creative control was not so foreign, and the result was the 1988 release Don’t Close Your Eyes. This was a more traditional-sounding album, similar to the music being put out by Randy Travis and George Strait. IN fact, Whitley had previously recorded both “ON the Other Hand,” later a hit single by Travis, and “Nobody in His Right Mind Would Have Left Her,” which became a #1 hit for Strait, on his 1985 album L.a. to Miami. Whitley’s vision for Don’t Close Your Eyes proved successful, as the album produced three #1 singles in 1988 and 1989. These included the title track, “When You Say Nothing at All,” and “I’m no Stranger to the Rain,” all of which have become timeless songs. As a fan, I can say they are three of my favorite country songs of all time. “I’m NO stranger to the Rain” won him his only CMA Award and a Grammy nomination. It was expected that Whitley was on his way to becoming a country superstar.

Untimely Death

One of the biggest reasons for the success and popularity of Keith Whitley was the raw emotion he conveyed in his songs. His last producer stated,

There was no Pro Tools at that point. Pitch accuracy and things like that were important. But someone who could express the emotion and really own the song, so to speak, that counted for a lot. And Keith certainly knew how to do that.

Many modern singers have identified Whitley as the one who taught them to bring out this emotion in their songs, not just to sing, but to tell the story of a character.

But the emotional power in Keith Whitley’s voice came at a high price. despite his musical success, Whitley’s life was troubled. He could express pain so easily in a song because he lived it out. His alcoholism was an ongoing battle, made harder by depression and by the fact he had lost both his brother and father by 1987. The country music community was well aware of his struggles with alcohol and were pulling for him; Keith made the issues quite public, and “I’m NO stranger to the Rain” was written about it. He seemed to be trying to deal with it, but on May 9, 1989, at the age of thirty-four, Whitley died in his home of what was ruled to be alcohol poisoning. His blood alcohol level was stated to be .47, the equivalent of 20 1-ounce shots of 100-proof whiskey. And thus, tragically, Keith Whitley’s career had ended just as it had begun.

Influence

So the question is, after only a handful of hit singles, does Keith Whitley deserve country music’s highest honor? As I stated above, there is no doubt that there are many others also deserving of this recognition, and certainly there are names whose inclusion is long overdue. The problem that arises with Keith Whitley is whether or not his career was impactful and long-lasting enough to warrant him such a distinction. Would he really have been a superstar, or does his legacy elevate his status? Does a career as short as Keith’s merit equal respect and consideration with that of someone like the aforementioned Alan Jackson, who is well-liked by the industry and has been churning out quality and commercially successful music for two decades? What sets Keith Whitley apart from the countless others who charted a small string of hits and then faded into irrelevancy?

The answer is Keith Whitley’s legacy and influence. He continued to produce top 5 singles after his death, and several compilation albums were released. Some of his previously unreleased material would come out in subsequent years, and a tribute album was made in his honor in 1994. Alison Krauss’s version of “When You Say Nothing at all” was released as a single from the tribute album; it became one of her biggest hits and has since been covered by other artists. Whitley is considered to have helped open the door for the class of ’89 which included Jackson, Clint Black, Travis Tritt, and now Hall of Fame member Garth brooks. Garth initially tried to turn down his induction in 2012 because he felt others, including Whitley, deserved to be admitted before him. Tim McGraw, inspired by Keith Whitley’s music and passion, famously arrived in Nashville the day Whitley died and has also cited him as an inspiration for dealing with alcohol issues of his own. Vince Gill began writing “Go Rest High on That Mountain” after Keith’s death, and although Gill finished it several years later following his brother’s passing, the song remains a tribute to Whitley as well; this is embodied in the line, “You weren’t afraid to face the devil, you were no stranger to the rain.” The song won the 1995 Grammy for Best Country Song and has become a standard at funerals and arguably Vince Gill’s signature song. Ironically, Gill said of “Go Rest High on that Mountain” in his own 2009 Hall of Fame induction, “Turns out, if anybody remembers any of my songs, it’ll be this one.”

Keith Whitley is still influencing artists today. Chris Young paid $15,000 for Whitley’s guitar and says Keith influenced his singing. Part of Young’s decision to sign with RCA was that Keith Whitley had been on that label. It’s a shame Chris Young doesn’t take his Whitley-like voice and lend it to less boring songs, but I digress. Other artists, including Miranda Lambert and Dierks Bentley, are said to play the singer’s music regularly. Perhaps the most impressive and telling sign of the impact of Keith Whitley came in 2014 when then seventeen-year-old Jake Worthington, a contestant on NBC’s The Voice, auditioned with “Don’t Close Your Eyes.” Whitley had died years before Jake Worthington was ever born. The performance became a standout of the season and a hallmark moment for Worthington.

It can be argued that Keith Whitley didn’t do enough in his career to be considered for the Hall of Fame. But few can make the impact he did over such a short time. If he had been able to continue making records, he might be a living legend like George Strait. Or maybe he would have faded into obscurity like so many other artists before and after him. But the fact is, none of this happened, and much like Hank Williams and Patsy Cline before him, his tragic death created a legend and a legacy around him. But it takes more than legacy to explain the kind of lasting impact he had and continues to have on country music. It takes a voice like his that could express such raw emotion, to make songs that inspire people twenty-eight years later. It takes an authenticity and vulnerability rarely seen in music. It takes something real and raw that used to be the foundation of country music, the very thing that is disappearing from the airwaves today. It takes a connection so strong that it can make the kind of impression in a few albums that most artists struggle to make in twenty. Keith Whitley lived out the pain in his songs, and it’s that honesty, that part of himself left behind in his music, which transcends the years, influences generations of artists, and has earned him a place among the most elite in country music.

The Petition to Induct Keith Whitley into the Country Music Hall of Fame

In 2015, a group of dedicated Keith Whitley fans drafted a petition for the singer’s induction into the Country Music Hall of Fame. The petition has gained 7,600 signatures so far and states, among other things, that Keith Whitley’s love for and influence of country music should be recognized by the Hall.

Sign the Petition

The 51st Annual ACM Award Nominees, With Commentary

This morning, (2/1), the nominees for the 2016 Academy of Country Music (ACM) Awards were revealed on CBS the Morning and ETOnline.com. The ACM Awards will take place on April 3rd at the MGM Grand Ballroom in Las Vegas and air on CBS. For the first time in several years, Blake Shelton will not be one of the hosts–this year it will be Blake’s former co-host, Luke Bryan, along with Dierks Bentley. This seems an unlikely pair to say the least, but we’ll see on April 3rd. Here are the nominees, along with predictions, preferences, and some personal commentary.

Video of the Year

“Biscuits”–Kacey Musgraves, directed by Mark Klausfeld, produced by Nicole Acacio
“Burning House”–Cam, directed by Trey Fanjoy, produced by Trent Hardville
“Girl Crush”–Little Big Town, directed by Karla Welch and Matthew Welch, produced by Amanda Prunesti
“Mr. Misunderstood”–Eric Church, directed by Reid Long and John Peets, produced by Megan Smith
“Riser”–Dierks Bentley, directed by Wes Edwards, produced by Jennifer Rothlein
Prediction: “Burning House” or “Riser”
Preference: none

New Male Vocalist of the Year

Good to see the ACM’s breaking down this category again, as for the past several years it has been simply “New Artist.”

Brett Eldredge [no]
Chris Janson [no]
Thomas Rhett [really?]
Chase Rice [hell no]
Chris Stapleton [thank God]
Prediction: Chris Stapleton
Preference: Chris Stapleton…I would prefer Chris Stapleton anyway, but out of these, do I really have a choice?
Note: When is Thomas Rhett going to stop getting nominated for New Artist awards?

New Female Vocalist of the Year

Kelsea Ballerini [no]
Cam [yes!]
Mickey Guyton [good]
RaeLynn [oh God no]
Prediction: Cam or Kelsea Ballerini
Preference: Cam
Note: Only four artists here…what happened to including more women? This is the only category to be missing an artist….and if we can nominate Thomas Rhett, surely we can nominate Ashley Monroe or Jana Kramer. Many more if they knew how to think outside the box…Jamie Lin Wilson anyone? Having said that, I’m impressed with the inclusion of Mickey Guyton, it is well deserved.

New Vocal Duo or Group of the Year

A Thousand Horses [ok]
Brothers Osborne [good]
Maddie & Tae [yes]
Old Dominion [please]
Parmalee [no]
Prediction: Maddie & Tae
Preference: Maddie & Tae
Note: I am sorry that Maddie & Tae and Brothers Osborne must be in the same category with the likes of Old Dominion. Maddie & Tae really deserve this award and should win it…they deserve to be the Duo of the Year, but this would involve de-throning Florida Georgia Line.

Vocal Event of the Year

“Hang Over Tonight”–Gary Allan featuring Chris Stapleton, produced by
Gary Allan and Greg Droman, MCA Nashville
“Home Alone Tonight”–Luke Bryan featuring Karen Fairchild, produced by Jeff Stevens and Jody Stephens, Capitol Nashville
“Raise ’em Up”–Keith Urban featuring Eric Church, produced by Nathan Chapman and Keith Urban, Hit Red Records/Capitol Nashville
“Smokin’ and Drinkin'”–Miranda Lambert featuring Little Big Town, produced by Frank Liddell, Chuck Anilay, and Glenn Worf, RCA Nashville
“Wild Child”–Kenny Chesney with Grace Potter, produced by Buddy Cannon and Kenny Chesney, Blue Chair Records/Columbia Nashville
Prediction: “Raise ’em Up”
Preference: “Wild Child” out of these, but there are better nominees by far.
Note: Why is “Hang Over Tonight” being nominated for anything? This was not successful commercially or critically, has stalled Gary Allan’s entire career, and cost him millions of fans…but let’s nominate it for an ACM, makes perfect sense. “Home Alone Tonight” is trash, “Smokin’ and Drinkin'” is just there, and the others are decent. Terrible list altogether. The CMA nominated Willie and Merle’s collaboration album at least.

Single Record of the Year

Interestingly, or stupidly, the Song of the Year and Songwriter of the Year nominees are not out yet and should be announced “in the coming weeks”…Song of the Year has traditionally been about critical acclaim, and Single Record was for commercial success, but lately they have become somewhat interchangeable.

“Burning House”–Cam, produced by Jeff Bhasker, Tyler Johnson, and Cameron Ochs, Arista Nashville/RCA Records/Kravenworks [excellent]
“Buy me a Boat”–Chris Janson, produced by Brent Anderson, Chris DuBois, and Chris Janson, Warner Music Nashville [no]
“Die a Happy Man”–Thomas Rhett, produced by Dan Huff and Jesse Frasur, The Vallory Music Co. [to be expected, but hell no]
“Girl Crush”–Little Big Town, produced by Jay Joyce, Capitol Records Nashville [yes]
“I’m Comin’ Over”–Chris Young, produced by Corey Crowder and Chris Young, RCA Nashville [decent]
Prediction: No idea…this could go to Cam, Thomas Rhett, or Little Big Town, if we’re talking commercial success. All three would deserve it based on this.
Preference: “Burning House” or “Girl Crush”
Note: The only thing I’m certain of here is that Chris Young has absolutely no chance.

Album of the Year

I’m Comin’ Over–Chris Young, produced by Corey Crowder and Chris Young, RCA Records [lol]
Montevallo–Sam Hunt, produced by Zach Crowell and Shane McAnally, MCA Nashville [never]
Mr. Misunderstood–Eric Church, produced by Jay Joyce, EMI Records Nashville [yes]
Tangled up–Thomas Rhett, produced by Dan Huff, Jesse Frasur, and Chris Destafano, The Vallory Music Co. [absolutely horrifying]
Traveller–Chris Stapleton, produced by Dave Cobb and Chris Stapleton, Mercury Records [yes]
Prediction: Traveller
Preference: Traveller
Note: Glad to see Eric Church with a nomination here, and disappointed in the lack of women. Thomas Rhett’s Tangled Up is even worse than Montevallo which is saying something…some good nominees, but a bad category overall. At least Stapleton is now a front runner, after his upsets at the CMA’s. But Kacey Musgraves should definitely have a nomination here. The fact that Chris Young’s boring effort is here is completely laughable.

Vocal Duo of the Year

Brothers Osborne [good]
Dan + Shay [no]
Maddie & Tae [yes]
Joey + Rory [good]
Florida Georgia Line[no]
Prediction: Maddie & Tae…going out on a limb.
Preference: Maddie & Tae
Note: I don’t think Florida Georgia Line will do it again…they’ve slipped in popularity. Also, never underestimate the power of the sympathy vote for Joey + Rory, cancer is a powerful thing. I’m glad to see Joey + Rory with a nomination too, but they shouldn’t get the win…that right belongs to Maddie & Tae, and enough splitting of the votes may happen here that we will see them take it.

Vocal Group of the Year

Wow, what an awful category.

Eli Young Band [no]
Little Big Town [yes]
Old Dominion [for the love of God]
Rascal Flatts [no]
Zac Brown Band [not after this year….”Beautiful Drug” is not worth any recognition, even if the group is]
Prediction: Little Big Town…they’ve become the Miranda Lambert of the Vocal Group category.
Preference: Little Big Town
Note: Can we give it to Turnpike Troubadours?

Male Vocalist of the Year

Jason Aldean [no]
Dierks Bentley [good]
Eric Church [yes]
Brett Eldredge [lol]
Chris Stapleton [yes]
Prediction: Eric Church or Chris Stapleton
Preference: Chris Stapleton, but I’d be happy with Eric.
Note: No Blake Shelton…interestingly, Blake Shelton was shut out entirely from this extravaganza.

Female Vocalist of the Year

Kelsea Ballerini [no]
Jana Kramer [good]
Miranda Lambert [duh]
Kacey Musgraves [good]
Carrie Underwood [good]
Prediction: Miranda Lambert–like with the CMA’s, I’m not an idiot.
Preference: Carrie Underwood
Note: Glad to see Jana Kramer with a nomination…if we could have replaced Kelsea with Ashley Monroe, this would have been a pretty fair list.

Entertainer of the Year

Jason Aldean [no]
Garth Brooks [good]
Luke Bryan [duh but no]
Eric Church [good]
Miranda Lambert [good]
Prediction: Luke Bryan, with an outside chance of Garth Brooks
Preference: Garth Brooks

The 49th Annual CMA Award Nominees, With Commentary

The nominees are in, after
the CMA flipped off the entire genre by allowing Steven Tyler and Kelsea Ballerini to announce them this morning on Good Morning America. Here are the nominees, predictions, and some personal commentary.

Musician of the Year

Sam Bush (mandolin) [yes, apparently mandolins are still in country music somewhere, who knew?]
Jerry Douglas (dobro)
Paul Franklin (steel guitar) [see above comment about mandolin]
Dan Huff (guitar)
Mac McAnally (guitar)
Prediction: Mac McAnally–He has won for the past seven years, and I doubt many artists voting have much of an idea what a “mandolin,” “steel guitar,” or “dobro,” is, so Dan Huff is the only one with a shot of defeating him.
Preference: none

Music Video of the Year

Interestingly, this category is female-dominated…I guess in videos, females are okay.

“Biscuits”–Kacey Musgraves, directed by Marc Klasfeld
“Girl Crush”–Little Big Town, directed by Karla Welch and Matthew Welch
“Girl in a Country Song”–Maddie & Tae, directed by TK McKamy
“Little Red Wagon”–Miranda Lambert, directed by Trey Vanjoy
“Something in the Water”–Carrie Underwood, directed by Raj Kapoor
Prediction: “Girl in a Country Song”
Preference: “Girl in a Country Song”

Event of the Year

Django and Jimmie–Willie Nelson and Merle Haggard, Legacy Recordings [excellent]
“Lonely Tonight”–Blake Shelton featuring Ashley Monroe, Warner Bros./Warner Music Nashville [again, good job]
“Raise ’em Up”–Keith Urban featuring Eric Church, Hit Red Records/Capitol Records Nashville [decent]
“Smokin’ and Drinkin'”–Miranda Lambert featuring Little Big Town, RCA Nashville [no]
“Wild Child”–Kenny Chesney with Grace Potter, Blue Chair Records/Columbia Nashville [good]
Prediction: “Lonely Tonight”
Preference: Willie and Merle’s album would be a cool winner, but I’d be fine with “Lonely Tonight” as well.

Vocal Duo of the Year

Brothers Osborne [meh]
Dan + Shay [no]
Florida Georgia Line [God no]
Maddie & Tae [yes]
Thompson Square [no]
Prediction: Florida Georgia Line
Preference: Maddie and Tae
Note: This is FGL’s only nomination…bro country really has taken a hit. Too bad that the Sam Hunt style has come behind it.

Vocal Group of the Year

Lady Antebellum [no]
Little Big Town [meh]
Rascal Flatts [no]
The Band Perry [God no]
Zac Brown Band [not bad]
Prediction: Little Big Town
Preference: Blackberry Smoke? Out of these, I suppose Little Big Town will have to do.

New Artist of the Year

Kelsea Ballerini [no]
Sam Hunt [if he wins, I will never watch the CMA Awards again, I swear to you all]
Maddie & Tae [good]
Thomas Rhett [God no]
Chris Stapleton [shocking and good]
Prediction: Sam Hunt
Preference: Maddie & Tae or Chris Stapleton
Notes: Glad to see Stapleton with a nomination here, but if Sam Hunt wins this, as he undoubtedly will, my days of watching the CMA’s are done indefinitely.

Single of the Year

“American Kids”–Kenny Chesney, produced by Buddy Cannon and Kenny Chesney, Blue Chair Records/Columbia Nashville
“Girl Crush”–Little Big Town, produced by Jay Joyce, Capitol Records Nashville
“I Don’t Dance”–Lee Bryce, produced by Lee Bryce, Curb Records
“Take Your Time”–Sam Hunt, produced by Zach Crowell and Shane McAnally, MCA Nashville
“Talladega”–Eric Church, produced by Arturo Buenahora, EMI Nashville
Prediction: “Girl Crush” or “Take Your Time”
Preference: “Girl Crush”
Note: If “Take Your Time” wins here, while it would be insulting to country in general, at least it would be for commercial success. This is the one award that Sam Hunt could win that wouldn’t make me immediately throw up.

Song of the Year

“American Kids”–Rodney Klawson, Luke Laird, and Shane McAnally [no]
“Girl Crush”–Liz Rose, Lori McKenna, and Hillary Lindsey [ok]
“Like a Cowboy”–Randy Houser and Brice Long [no]
“Like a Wrecking Ball”–Eric Church and Kasey Beathard [hell no]
“Take Your Time”–Sam Hunt, Shane McAnally, and Josh Osborne [for the love of all that is holy]
Prediction: “Girl Crush”
Preference: Out of these, “Girl Crush” hands down. While I like all of them except “Take Your Time”–if that wins, above Sam Hunt rules apply–I could have thrown a rock and hit better Song of the Year nominees. Jason Isbell, Alan Jackson, Kacey Musgraves, Ashley Monroe, shall I go on?

Album of the Year

Old Boots, New Dirt–Jason Aldean, produced by Michael Knox, Broken Bow [no]
Pageant Material–Kacey Musgraves, produced by Kacey Musgraves, Luke Laird, and Shane McAnally, Mercury Nashville [excellent]
Painkiller–Little Big Town, produced by Jay Joyce, Capitol Records Nashville [no]
The Big Revival–Kenny Chesney, produced by Buddy Cannon and Kenny Chesney, Blue Chair Records/Columbia Nashville [no]
Traveller–Chris Stapleton, produced by Dave Cobb and Chris Stapleton, Mercury Nashville [excellent]
Prediction: Painkiller or Pageant Material
Preference: Pageant Material or Traveller
Note: Again, good to see Stapleton with a nomination, as well as Dave Cobb, who produced Jason Isbell and Lindi Ortega’s remarkable albums as well. The CMA might actually get it right here and vote in Pageant Material which would be a great selection, although there are other albums that deserve to be nominated along with it besides these.

Female Vocalist of the Year

Kelsea Ballerini [no]
Miranda Lambert [duh]
Kacey Musgraves [good]
Carrie Underwood [good]
LeeAnn Womack [lol]
Prediction: Miranda Lambert–I’m not an idiot.
Preference: Carrie Underwood
Note: Ashley Monroe should have at least a nomination here, especially if LeeAnn Womack is going to be name-dropped in here to fill a quota.

Male Vocalist of the Year

Dierks Bentley [great job CMA]
Eric Church [ok]
Luke Bryan [at this point, at least Sam Hunt wasn’t here]
Blake Shelton [ok]
Chris Stapleton [interesting]
Prediction: Luke Bryan or Dierks Bentley
Preference: Dierks Bentley–if he won this, I might actually be able to watch the CMA’s again even if Sam Hunt won something.

Entertainer of the Year

Garth Brooks [good]
Luke Bryan [to be expected]
Kenny Chesney [ok]
Eric Church [good]
Miranda Lambert [but she’s 20% of the category, so won’t the viewing audience drop drastically?]
Prediction: Luke Bryan or Garth Brooks
Preference: Garth Brooks

Female Fridays: Featuring Katie Armiger

As I mentioned in a previous post, I am tired of people defending Keith Hill by saying there aren’t any women out there for country radio to play. Enter Female Fridays, which will seek to correct this problem by giving the “tomatoes” a place to be discovered, heard, and appreciated. I am very excited to feature Katie Armiger, one of my favorite women in country music, on the first Female Friday.

How You Might Know Katie

While she has not had much airplay, Katie Armiger has had fairly consistent success with her videos on GAC’s Top 20 Countdown. Many will remember the video for “Safe,” a tribute to first responders that got over 2 million hits on YouTube.

Bio

Kaitie Armiger (born June 23, 1991, from Sugarland, Texas) got her start at the age of fourteen after winning a talent competition sponsored by a Houston radio station. She won some demo sessions in Nashville, which eventually turned into a full album and a recording contract with Cold River Records. She has recorded four studio albums to date, including her self-titled debut, (2007), Believe (2008), Confessions of a Nice Girl(2010) and Fall into Me(2013.) She is known for her excellent songwriting–she co-wrote all of the fourteen tracks on Fall Into Me and, similar to Taylor Swift, claims much of her writing is autobiographical. My first introduction to Katie was on the excellent Fall Into Me, but since then, I have listened to her earlier material, and there are many great tracks sprinkled throughout her earlier albums as well. Her growth as a singer and a songwriter is evident.

Katie Armiger’s fifth studio album was due out this summer. She had already released the lead single, “One Night Between Friends” and even held an album-listening party for fans on June 14th at the CMA Music Festival in Nashville. Then, on June 16th, Cold River Records president Pete OHeeron released this statement

Katie Armiger has decided to take a breather and decide her next career aspirations. … It has been the thrill of a lifetime to work with her and watch her blossom into one of the best singer-songwriters of her generation. Katie is a special talent and an even better person. As a label, we love her and support her decision and we will always be her biggest fans.

He went on to say that the label had no plans for a reduction in staff, that Katie’s album had been shelved, and that those who had entered her new contest, “Girls With Dreams” (a songwriting competition for a $10,000 scholarship) would be reimbursed. This is Katie’s own reaction, which she posted later on Instagram

Let’s try this again since that was taken down…’A Breather? Quit country music? Leaving my career behind?’ Not my words, and certainly not my intention. I’ll be able to make an official statement soon… Love you all! OH… I no longer have access to my Twitter or FB accounts.

Incidentally, this was also taken down, and this has been the last we’ve heard from Katie. Regardless of what happens–and I hope she’ll be able to go somewhere else and keep making great music–it is awful to see an artist so misrepresented by her label and her new album shelved so close to its release.

Why Katie Belongs on Country Radio

This won’t be a strong case for every female I feature–not every artist has “radio ready” material; Garth Brooks’s latest single choices are good examples of this. However, Katie should be on country radio. Her songs are pop country that is done well, like early Taylor Swift and Mickey Guyton (I will eventually feature Guyton too.) Her writing is relatable and vulnerable, again like that of Taylor Swift, and she reminds me of what Taylor would have become if she had stayed country. Katie Armiger has the honesty that has been lost in country music, the same honesty that made Taylor Swift successful. Fall Into Me is an album full of songs about love–in fact, Katie said the album is about
“love in all its many forms” and yet every song seems different, and each is relatable, especially to women. I think if Katie got more airplay, she would have the radio success that Taylor Swift proved relatable songwriting is worth–and not only that, it would be pop country instead of straight pop on country radio.

Tracks I Recommend

As I said, Fall Into Me is a great pop country album, and there are several good earlier tracks worth a listen too, but if you are getting to know Katie, here’s where I recommend you start.

1. I’m Free–Fall Into Me
2. Better in a Black Dress–Fall Into Me
3. The Heart Wants What it Wants (single)
4. Black and White–Fall Into Me
5. Stealing Hearts–Fall Into Me
6. Okay Alone–Fall Into Me
7. Man I Thought You Were–Fall Into Me
8. Playin’ With Fire–Fall Into Me (although this leans toward pop, so if you don’t like that, you might not like it)
9. Cardboard Boxes–Fall Into Me
10. Something Better–Believe
11. Scream–Confessions of a Nice Girl
12. Just Can’t Say Goodbye–Katie Armiger

Listen to Fall Into Me

This is an excellent cover of the Selena Gomez song that Katie released earlier this year.

That’s all for the first Female Friday!