Tag Archives: Ashley McBryde

My Top Thirteen Songs of 2018 so Far

Editor’s Note: These are not ranked in any particular order, and all songs have been reviewed or featured in some way, whether in Memorable songs or on one of our playlists, by Country Exclusive. Please respect this list for what it is–one person’s opinion, and an outlet for sharing good music. That said, feel free and encouraged to share your favorite songs of the year so far in the comments below!
And don’t ask why I picked thirteen, some things should remain a mystery.

Anderson East: “Cabinet Door”

From Encore, featured on our January playlist

This was the first song to blow me away in 2018, and yes, hopefully I will review this album at some point. This is the tale of a man whose wife of fifty-two years has passed away; he’s left lost and alone trying to pick up the pieces, and he’s talking to her about everything he misses, and everything that hasn’t been right since she’s been gone. It’s just an incredible song of love and loss, and it’s impossible not to feel something when you hear it.

Caitlyn Smith: “This Town is Killing Me”

From Starfire

What an honest, bittersweet, heartbreaking story of an artist’s struggles in Nashville, the things they’ll give up and go through in order to chase that dream, and the reasons it’s worth it. Caitlyn Smith is a world-class vocalist, and she’s known for belting and displaying her incredible range, but it’s a song like this, where her emotions are laid bare before us, that really sets her apart and makes her special. An artist with this much talent shouldn’t be struggling for a second in Music City, but it’s the hardship that led to this poignant, beautiful song.

Mike & the Moonpies: “Steak Night at the Prairie Rose”

From Steak Night at the Prairie Rose

Maybe it’s the relationship I have with my dad, or maybe it’s the stories of chasing his dreams of music, or perhaps it’s just a damn good song, but I think “Steak Night at the Prairie Rose” has been really underrated as a song in 2018. Just a simple tribute to his father and to music that should just be heard. Also, love that organ.

Wade Bowen: “Day of the Dead”

From Solid Ground

An underrated song from an underrated album. Putting some really cool Mexican influence in his Texas country, Wade sings of a man who’s run off to Mexico during the Day of the dead on his ex’s wedding day. It uses some interesting metaphors for the death of their love, and it’s one where the melody, instrumentation, and lyrics all work together to create a really great piece of music.

Courtney Patton: “Round Mountain”

From What it’s Like to Fly Alone

As I said recently on Twitter, here’s a song that blows me away every time I hear it. A beautifully crafted narrative of a woman who married young and felt trapped by her life and family–she made mistakes and eventually abandoned them, and the beauty here is that she’s neither apologetic for her actions nor unaware of what she’s done and the people she’s hurt. Also, there’s an overdose of lovely fiddle.

Courtney Marie Andrews: “Took You Up”

From May Your Kindness Remain

An incredibly moving love song that reminds us the best things in life are free. What a world it would be if we could all learn to embrace life like the lovers in this song. Also, Courtney Marie Andrews absolutely sings the hell out of this.

Red Shahan: “Waterbill”

From Culberson County

And for those of you who don’t think fun songs can be on these lists, I present Red Shahan’s “Waterbill,” the best album opener of the year so far and an absolutely fun, infectious tune that’s been one of my most played in 2018. It’s also got one of the best lyrics this year with: “you ain’t livin’ unless you’re livin’ life broke.” It’s impossible not to smile when you hear this song.

Sarah Shook & the Disarmers: “New Ways to Fail”

From Years

Another fun tune, and probably the most honest, relatable song you’ll hear for a long while. I can’t say anything else about this, I can just assure you that you’ve felt like this at some point in your life, and that relatability is what makes a great country song.

John Prine: “Lonesome Friends of Science”

From The Tree of Forgiveness

John Prine is a songwriter like no other, and we’re blessed to still be getting great, thoughtful songs from him at this stage of his life. He can create empathy for anyone or anything, even “poor planet Pluto,” who was demoted and uninvited by the other planets, as he explains in this song. And what a great way to live, thinking it doesn’t matter if the whole world ends today because this place is not really your home.

Ashley Monroe: “Orphan”

From Sparrow

Overall, I did not care for the overly polished sounds on Ashley Monroe’s latest effort, but this autobiographical sketch of an orphan is beautiful, and it’s made even better by the lovely strings supporting it. This is a story only Ashley Monroe can deliver, and it might be the best song of her career thus far.

Old Crow Medicine Show: “Look Away”

From Volunteer

In a world where Southern culture is being forsaken and eradicated at an alarming rate, “Look Away” uses lines from “Dixie” and embraces everything that is good and cherished about the South. This is a five-minute case for why Southerners still have things to be proud of, and why so many people embrace this land and its rich heritage.

American Aquarium: “One Day at a Time”

From Things Change

The best songs come from a place of honesty, the ability to release a part of your soul out into your music. BJ Barham gives us that in “One Day at a Time,” detailing his journey getting sober. And “you see the man left holding the pen controls how every story ends, and truth becomes a martyr for the sake of the song”–that line is just brilliant.

Jason Boland & the Stragglers: “Hard Times are Relative”

From Hard Times are Relative

The first time I heard this, I declared it the best song of the year so far. I don’t know how that will hold up, but this is an excellently crafted story song and a reminder to us that when we think our lives are tough, these people in times past had it far worse.

Honorable Mentions

  • Blackberry Smoke: “I’ve Got This Song”
  • Brent Cobb: “Come Home Soon”
  • Ashley McBryde: “Livin’ Next to Leroy”
  • Courtney Marie Andrews: “Border”
  • Kayla Ray: “Rockport”
  • Brandi Carlile: “The Mother”
  • Dierks Bentley ft. Brandi Carlile: “Travelin’ Light”

March Playlist on Spotify and Apple Music

March didn’t start out strong, and for awhile, I wondered if we’d actually be able to make a worthwhile list at the end of the month. But I held out hope for the later releases, especially the March 30th albums that promised to bring us a ton of great music. And yeah, I needn’t have worried; we were blessed with great music from Courtney Marie Andrews, Kacey Musgraves, Lindi Ortega, Red Shahan, Ashley McBryde…and the list goes on. It’s as good a time as any to check out all of these artists. This has been our most diverse playlist so far, from the traditional, almost bluegrass selection by Vivian Leva to the rock anthems of Red Shahan, so there should truly be something here for everyone. As always, many thanks to Zack for supplying this on Spotify.

Apple Music users can follow me there @countryexclusive for access to all our playlists, as well as updates to the Saving Country Music top 25. For March’s playlist,
Click Here

For Spotify:

Album Review – Ashley McBryde – Girl Going Nowhere

Rating: 7.5/10

Before listening to this album, the only thing I’d heard from Ashley McBryde was “A Little Dive Bar in Dahlonega”. I liked her voice in that song, and I found the chorus catchy. The subject of making the best of a bad day is something I think is very important. Now that I’ve listened to this album, that song is still one of my favorites, but Ashley McBryde’s music has a lot of good things going for it, aside from just that one song.

The album starts off with the title track. It’s also one of my favorites. According to the description on apple Music, the song is autobiographical. Ashley had a teacher who said she’d never get anywhere by playing music. Even when she defied said teacher’s expectations and made it, though, Ashley still had people saying that she’d crash and burn. Still, the draw of the crowd and doing what she loved kept her dreams afloat, and though it hurt when people said those things, Ashley still kept on going. After the acoustic production of this song, “Radioland” came as quite a surprise. It’s an upbeat track, with some great guitar. While I would usually not go for this kind of thing on a country album, the whole rock sound works well for Ashley’s voice, which is good as she’s got more where that came from. This particular song is all about listening to the radio as she grew up, and the memories she had. I liked the flow of the song, and it made for a nice, somewhat lighter moment.

“American Scandal” is one of my least favorite songs on the album. It’s pleasant to listen to, but it just doesn’t stick out. It’s a relationship song. She wants the passion of scandals past. I guess things are just too vague for me to really relate to the characters in this one. “Southern Babylon” is an interesting song. It’s all about her going to Hell, where she had to play guitar in flames. While discussing this song with Megan, she said it was awesome for someone to put a song about going to Hell on their debut album. She also wished that the production had been different, and when she said that, I realized my problem with this song. I wish it had been rougher, maybe more upbeat, something instrumentally to indicate the theme of the song. Overall, I think this track was an awesome idea, I just wish it had been executed differently.

We go from Hell to memories. “The Jacket” is the next track, and it’s all about her father’s old jean jacket. It had seen many of his memories, and he ultimately gives it to her so that she could feel like he was with her. I do love this song. It takes being materialistic and turns it around. The object actually has a meaning. “Living Next to Leroy” is a fun and upbeat song, despite the lyrics revolving around getting high. It’s another nostalgia-laced song, wherein she talks about her neighbor who was big into drugs. In the end of the song, she gets her diploma, and Leroy isn’t there to be proud of her.

“Andy (I Can’t Live Without You)” is a softer song. The instrumentation is mostly made up of guitar, and her tone is softer. It’s all about a relationship wherein her boyfriend drives her crazy, but she can’t seem to live without him. I loved how this song portrayed how relationships are never perfect, and even that man who drives you crazy could still be the one for you. “El Dorado” is yet another faster song, all about driving to the next show, and trying to find the town it’s in. SHe’s tired, they’re running out of gas, and yet she keeps going. I take this as sort of a sequel to “Girl Goin’ Nowhere”, since she’s headed toward her dreams. I like the instrumentation of the song, but the repeated line of “can’t stop now” does quickly get old. Still, it’s not an awful song, and it makes for good listening.

Finally, we come to the last two songs. “Tired of Being Happy” is a slower, more blues-infused track. The woman in the song is telling her ex that if he gets tired of being happy and in love, he could give her a call. She doesn’t want to ruin what he has, but she’s there, just in case he ever wants to take her up on the offer. “Home Sweet Highway” is another road song, all about how the highway is her home. This song doesn’t stick out much for me either, maybe because it’s slower. Still, I like how she keeps bringing things back to the road.

Overall, I think this is a well-done album. It’s one of the best mainstream country albums I’ve heard in a while, probably since Maddie and Tae’s album. Ashley’s voice is versatile, going from vulnerable in songs like “Andy”, to more confident in “Radioland”, and “El Dorado”. I think if you want to find a new artist who’s in the mainstream scene, you should definitely check out this album.

Buy the Album
https://www.youtube.com/watch?v=9s830jmiqnw