Tag Archives: Mike and the Moonpies

My Top Thirteen Songs of 2018 so Far

Editor’s Note: These are not ranked in any particular order, and all songs have been reviewed or featured in some way, whether in Memorable songs or on one of our playlists, by Country Exclusive. Please respect this list for what it is–one person’s opinion, and an outlet for sharing good music. That said, feel free and encouraged to share your favorite songs of the year so far in the comments below!
And don’t ask why I picked thirteen, some things should remain a mystery.

Anderson East: “Cabinet Door”

From Encore, featured on our January playlist

This was the first song to blow me away in 2018, and yes, hopefully I will review this album at some point. This is the tale of a man whose wife of fifty-two years has passed away; he’s left lost and alone trying to pick up the pieces, and he’s talking to her about everything he misses, and everything that hasn’t been right since she’s been gone. It’s just an incredible song of love and loss, and it’s impossible not to feel something when you hear it.

Caitlyn Smith: “This Town is Killing Me”

From Starfire

What an honest, bittersweet, heartbreaking story of an artist’s struggles in Nashville, the things they’ll give up and go through in order to chase that dream, and the reasons it’s worth it. Caitlyn Smith is a world-class vocalist, and she’s known for belting and displaying her incredible range, but it’s a song like this, where her emotions are laid bare before us, that really sets her apart and makes her special. An artist with this much talent shouldn’t be struggling for a second in Music City, but it’s the hardship that led to this poignant, beautiful song.

Mike & the Moonpies: “Steak Night at the Prairie Rose”

From Steak Night at the Prairie Rose

Maybe it’s the relationship I have with my dad, or maybe it’s the stories of chasing his dreams of music, or perhaps it’s just a damn good song, but I think “Steak Night at the Prairie Rose” has been really underrated as a song in 2018. Just a simple tribute to his father and to music that should just be heard. Also, love that organ.

Wade Bowen: “Day of the Dead”

From Solid Ground

An underrated song from an underrated album. Putting some really cool Mexican influence in his Texas country, Wade sings of a man who’s run off to Mexico during the Day of the dead on his ex’s wedding day. It uses some interesting metaphors for the death of their love, and it’s one where the melody, instrumentation, and lyrics all work together to create a really great piece of music.

Courtney Patton: “Round Mountain”

From What it’s Like to Fly Alone

As I said recently on Twitter, here’s a song that blows me away every time I hear it. A beautifully crafted narrative of a woman who married young and felt trapped by her life and family–she made mistakes and eventually abandoned them, and the beauty here is that she’s neither apologetic for her actions nor unaware of what she’s done and the people she’s hurt. Also, there’s an overdose of lovely fiddle.

Courtney Marie Andrews: “Took You Up”

From May Your Kindness Remain

An incredibly moving love song that reminds us the best things in life are free. What a world it would be if we could all learn to embrace life like the lovers in this song. Also, Courtney Marie Andrews absolutely sings the hell out of this.

Red Shahan: “Waterbill”

From Culberson County

And for those of you who don’t think fun songs can be on these lists, I present Red Shahan’s “Waterbill,” the best album opener of the year so far and an absolutely fun, infectious tune that’s been one of my most played in 2018. It’s also got one of the best lyrics this year with: “you ain’t livin’ unless you’re livin’ life broke.” It’s impossible not to smile when you hear this song.

Sarah Shook & the Disarmers: “New Ways to Fail”

From Years

Another fun tune, and probably the most honest, relatable song you’ll hear for a long while. I can’t say anything else about this, I can just assure you that you’ve felt like this at some point in your life, and that relatability is what makes a great country song.

John Prine: “Lonesome Friends of Science”

From The Tree of Forgiveness

John Prine is a songwriter like no other, and we’re blessed to still be getting great, thoughtful songs from him at this stage of his life. He can create empathy for anyone or anything, even “poor planet Pluto,” who was demoted and uninvited by the other planets, as he explains in this song. And what a great way to live, thinking it doesn’t matter if the whole world ends today because this place is not really your home.

Ashley Monroe: “Orphan”

From Sparrow

Overall, I did not care for the overly polished sounds on Ashley Monroe’s latest effort, but this autobiographical sketch of an orphan is beautiful, and it’s made even better by the lovely strings supporting it. This is a story only Ashley Monroe can deliver, and it might be the best song of her career thus far.

Old Crow Medicine Show: “Look Away”

From Volunteer

In a world where Southern culture is being forsaken and eradicated at an alarming rate, “Look Away” uses lines from “Dixie” and embraces everything that is good and cherished about the South. This is a five-minute case for why Southerners still have things to be proud of, and why so many people embrace this land and its rich heritage.

American Aquarium: “One Day at a Time”

From Things Change

The best songs come from a place of honesty, the ability to release a part of your soul out into your music. BJ Barham gives us that in “One Day at a Time,” detailing his journey getting sober. And “you see the man left holding the pen controls how every story ends, and truth becomes a martyr for the sake of the song”–that line is just brilliant.

Jason Boland & the Stragglers: “Hard Times are Relative”

From Hard Times are Relative

The first time I heard this, I declared it the best song of the year so far. I don’t know how that will hold up, but this is an excellently crafted story song and a reminder to us that when we think our lives are tough, these people in times past had it far worse.

Honorable Mentions

  • Blackberry Smoke: “I’ve Got This Song”
  • Brent Cobb: “Come Home Soon”
  • Ashley McBryde: “Livin’ Next to Leroy”
  • Courtney Marie Andrews: “Border”
  • Kayla Ray: “Rockport”
  • Brandi Carlile: “The Mother”
  • Dierks Bentley ft. Brandi Carlile: “Travelin’ Light”

February Playlist on Spotify and Apple Music

Well, this month’s playlist is definitely a good one. If you haven’t checked out Brandi Carlile, Wade Bowen, Caleb Caudle, Mike & the Moonpies…well, here’s your chance. It was a strong month for singles, and we’ve got some promising new songs from Willie Nelson, Kacey Musgraves, Ashley Monroe, and Red Shahan. There seemed to be something for everyone in February, from Americana to Texas country to the mainstream. And if you’re shocked that a Cole Swindell song made our list, well, deal with it. Thanks as always to Zack for supplying the Spotify version, and my apologies in advance for the lack of Courtney Patton on that platform.

Apple Music users, you can follow me there @countryexclusive for this and all our future playlists, as well as for updates to the Saving Country Music top 25. For February’s playlist,
Click Here

For Spotify users:

Album Review: Mike and the Moonpies–Steak Night at the Prairie Rose

Rating: 7.5/10

If you’re looking for something new and fresh in the Texas scene, I invite you to get acquainted with Mike and the Moonpies and their latest record, Steak Night at the Prairie Rose. This is not going to blow you away with especially well-crafted lyrics or wow you with some groundbreaking sound; rather, it’s just a solid collection of fun, upbeat country tunes. But sometimes, that’s all you really need. It can make writing a review difficult because there isn’t much to say, but it makes the listening easy, and even welcome after digesting some deeper albums.

You’ll find a couple moments of greater depth on this album, however. The title track and album highlight is a great little narrative and ode to his father, centered around a place called The Prairie Rose where they shared drinks and listened to bands while he was growing up. Pick this one if you only single out one track from the record. “Beaches of Biloxi” straddles the line between light and serious as it details the unfortunate loss of all the narrator’s money at a casino in Mississippi. It’s delivered in a somewhat offhanded way, but a closer look at the lyrics reveals that he’s losing his savings and quite probably his wife due to the gambling. This one is another standout. “The Last Time” and “The Worst Thing,” though neither are really album standouts, also dig for something more serious on this otherwise lighthearted affair.

But it’s the fun songs that really bring out the personality on this album and from this band. We’ve got an opener here solely about some guy on their road crew, complete with plenty of great traditional instrumentation. Actually, I’ll go ahead and insert that the lively, most definitely country instrumentation throughout this record is one of its greatest strengths and makes for an engaging, energetic listen. I’ll give Mike and the Moonpies this: after a 2017 filled with many mid-tempo, boring Americana affairs, they’ve started off 2018 right with the vibrancy and spirit on this album. The organ seems to be a favorite instrument of this group, and I’m not sure I’ve heard anyone else utilize it quite as much in recent memory. The closer, “We’re Gone,” sees the band on the road again, traveling from town to town and spending all their money as soon as they make it at each show. There’s the almost ridiculous “Might be Wrong,” a song which would have come off as a completely self-absorbed moment of arrogance had the narrator not hit on this girl outrageously throughout the verses and then declared in the chorus that perhaps he’s spectacularly wrong, and maybe she doesn’t want him after all. There’s “Things Ain’t Like They Used to Be,” taking a message that certainly can relate to a lot of people and adding specificity and humor. And you can’t help but smile at “Getting High at Home”–the title here should be self-explanatory.

There honestly isn’t much else to say about this record. This will be my shortest album review to date, but it’s an album that isn’t conducive to extensive analysis and critical thought. Fans of traditional Texas country, or Texas country that blends in a little rock, you’ll enjoy this. It may not blow you away, but it’s just a solid, upbeat record that proves you don’t have to be serious or deep or thought-provoking all the time in the independent scenes while simultaneously making a case that you can make fun music with smarter lyrics than much of the stuff released in the mainstream. More can be gleaned about this project from listening to it than from reading my words. So go listen, it’s definitely an album worth checking out.

Fun little record, a nice breath of fresh air that should put a smile on your face.

Buy the Album