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The 49th Annual CMA Awards: Predictions and Live Blog

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Well, it is time. Tonight, at 8 PM EST, Brad Paisley and Carrie Underwood will host the 49th annual CMA Awards on ABC. It is sure to be a night mostly filled with bad pop music and little hope for country, but as fans of country music and of music in general, we will be there together to watch it and cheer for the signs of hope. For a preview and my predictions, you can
Click Here

I will be updating this post throughout the night with thoughts, the results, and probably some pop country bashing.

2015 CMA Awards Live Results

Musician of the Year: Mac McAnally
Music Video of the Year: Maddie & Tae–“Girl in a Country Song”
Event of the Year: Keith Urban featuring Eric Church–“Raise ’em Up”
Vocal Duo of the Year: Florida Georgia Line
Vocal Group of the Year: Little Big Town
New Artist of the Year: Chris Stapleton
Single of the Year: Little Big Town–“Girl Crush”
Song of the Year: “Girl Crush”–Liz Rose, Lori McKenna, and Hillary Lindsey
Album of the Year: Chris Stapleton–Traveller
Female Vocalist of the Year: Miranda Lambert
Male Vocalist of the Year: CHRIS STAPLETON!!!!!!!!!!!!!
Entertainer of the Year: Luke Bryan

Live Commentary

7:11–Hank Williams JR. singing “Are You Ready for the Country?”–the most ironic opener in CMA history. and I didn’t know it was possible to hate Keith Urban’s “John Cougar, John Deere, John 3:16” worse, but after that, I was wrong.
7:17–Have to love Brad Paisley making fun of Sam Hunt for rapping in his songs and then starting to sing “for no apparent reason.” And “Luke Stagefaller.” Brilliant.
7:24–and the Single of the Year goes to “Girl Crush.” Thank the good Lord for this!
7:31–oh Zac Brown, the traitor of country music…
7:32–Seriously, Zac, you don’t even sound like yourself…
7:34–I have no idea how this Kenny Chesney song spent three weeks at #1…it’s just so boring…then again I would almost welcome even Luke Bryan’s entire discography after having my heart ripped out by my former friend Zac Brown.
7:37–oh look, it’s Aubrey Peeples from Nashville, an actual talented artist forced to announce that Sam Hunt is up next…the irony.
7:42–And here he is, come to rap some and then start singing for no apparent reason…if this piece of shit song somehow wins Song of the Year…
7:44–If he doesn’t stop soon, I shall wish I was deaf…
7:46–And the Song of the Year goes to “Girl Crush.” Thank the Lord and all that is holy that it was not Sam Hunt.
7:51–Country Exclusive Alternative Song of the Year

7:57–And the New Artist of the Year is Chris Stapleton! Pleasantly shocked. No Sam Hunt, no Kelsea Ballerini, no Thomas Rhett. Beautiful!
7:59–Ok, if you’re listening to Carrie Underwood sing “Smoke Break” right now, you cannot tell me she’s not doing a Miranda Lambert impression. no Carrie, I want Carrie, not Miranda.
8:09–Chris Stapleton and Justin Timberlake sing “Tennessee Whiskey.”…what a strange pair.
8:14–Justin Timberlake is far from the worst thing we’ve seen or will see tonight.
8:19–Back to Chris Stapleton…this was a huge win, and he’s still up for two more!
8:20–Back to reality with Florida Georgia Line…they are so 2013…
8:24–And the Vocal Duo of the Year is, of course, Florida Georgia Line.
8:27–Eric Church sings “Mr. Misunderstood.” I actually really like this.
8:31–Country Exclusive Alternative Duo of the Year: Maddie & Tae

8:35–Thomas Rhett and Fallout Boy…I don’t even have a smartass comment for this…it just writes itself…
8:38–Can we get Justin Timberlake back? Seriously…
8:42–and the Album of the Year goes to…Chris Stapleton’s Traveller! Excellent!
8:44–This is huge for both Chris Stapleton and Dave Cobb…Dave Cobb produced such excellent albums as Jason Isbell’s Something More Than Free and Lindi Ortega’s Faded Gloryville as well. This is a huge step for Cobb, Stapleton, and traditionalists.
8:47–I really can’t stand Kelsea Ballerini, but I did notice it was the female performance they cut short for announcing the radio station nominees. But as I said, I can’t stand her, so…
8:52–Brad Paisley sings “Country Nation”–an average song made worse by shamelessly using college football to promote it.
8:56–This Blake Shelton song is not that good and I have never liked it much, but I just heard a fiddle…yes Sam Hunt that thing is called a fiddle.
8:58–This is Maddie & Tae’s way of saying they really are traditional…by playing “Girl in a Country Song” in a stripped-down fashion…I love these ladies!!!
9:00–Also, Maddie & Tae were cut off too…women, if you’re not named Miranda Lambert or Carrie Underwood, start expecting this. It doesn’t matter if you’re traditional Madison Marlow and Taylor Dye or fake pop princess Kelsea Ballerini, country radio and country award shows don’t want you.
9:04–Here comes Luke “stagefaller” Bryan, or as I call him, “Douchebag”…oh please can he fall?
9:05–“I wanna drop this cell phone out” is the stupidest line I have ever heard–because women everywhere are so turned on by men damaging high-dollar electronics in their efforts to “strip it down.”
9:10–And the Vocal Group of the Year is, of course, Little Big Town.
9:12–Also, did I just hear Pentatonics sing an Oak Ridge Boys song? Don’t know what to say to this…
9:13–I like Miranda Lambert’s “Bathroom Sink.” Will this be a single?
9:17–Country Exclusive Alternative Group of the Year: Turnpike Troubadours

9:20–Oh look, it’s the best friend of “Douchebag,” Jason Aldean…aka “Arrogant Asshole.”…
9:25–Thank you, Kacey Musgraves, for being the first non-Miranda or Carrie female to grace the stage with a complete song…and save us from Jason Aldean.
9:27–Seriously, Kacey, this “Dime Store Cowgirl” is the most country bit I’ve seen all night.
9:34–Marry me, Dierks Bentley. “Riser” is amazing!
9:37–And the Female Vocalist of the Year, is, of course, Miranda Lambert.
9:43–Country Exclusive Alternative Female Vocalist of the Year: Ashley Monroe

9:46–Brooks & Dunn and Reba–can we get more of that??!!
9:47–Yes, Ronnie Dunn, I agree, “Play something country…crank up the band, play the steel guitar.”…
9:50–Do y’all realize what just happened here???!!! Chris Stapleton, Male Vocalist of the Year!!!!!!!!!
9:51–And no awards for Sam Hunt…good Lord, this is ridiculously good news!!!
9:52–To all those who didn’t watch…there’s hope!!!!!! Hope for country music, in the form of Chris Stapleton!!!
9:54–And in case y’all were unsure…holy shit, this is a big deal for country music…..
9:56–I hope this isn’t spoiled by a Luke Bryan win for Entertainer…
9:57–But of course it is…come on now Luke…fall please…
9:58–Luke Bryan says, “Watching Chris Stapleton have this night is so uplifting.” I like this from Luke…however, Chris is fighting against douchebags like you with douche music.
10:00–I don’t even care that much…Chris Stapleton had three wins, and a shutout for Sam Hunt…yes!!!

Final Thoughts

Well, it was certainly an interesting night for country music. We were treated to inevitable terrible performances from the likes of Luke Bryan, FGL, and Sam Hunt. However, there were also many glaring signs of hope. Sam Hunt didn’t take home any awards, and Chris Stapleton took home all three for which he was nominated. It is huge for traditionalists that he took even one…but to take New Artist, Album of the Year, and especially Male Vocalist of the Year…this is hope like we have not seen in years. Dave Cobb getting to stand there and accept a CMA was unreal. The lack of women was still disturbing, especially after the CMA talk of more representation for females…Maddie & Tae and Kelsea Ballerini were both cut off in the middle of their performances. The only female besides Miranda and Carrie to be granted a full song was Kacey Musgraves. The biggest surprise of the night–aside from the astronomically shocking wins of Stapleton–was, at least for me, the performance by Stapleton and Timberlake. I’d have rather heard Timberlake than many of the “country” performances I heard. All in all, as performances went, the night was pretty boring and lacked anything especially amazing. There were certainly horrid moments tonight, but we should all celebrate the huge victories of Chris Stapleton and traditional country music. This was not just a token nomination to appease traditionalists like us…it was unprecedented change. Overall, tonight’s CMA awards have promised hope for our beloved country music.

Female Fridays

Female Fridays: Featuring Kacey Musgraves

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I debated about whether or not to do a Female Friday over Kacey Musgraves because she’s probably the most known female in country music besides Carrie Underwood and Miranda Lambert. But being known and being appreciated are two vastly different things, and I think Kacey Musgraves is certainly underappreciated by country radio and many times by country listeners themselves. It’s one thing to know her as the controversial singer of “Follow Your Arrow” and “Biscuits” and quite another to know her as one of the writers of “Fine.” So with that in mind, I decided that Kacey deserves a Female Friday.

How You Might Know Kacey

I’m sure you all know “Follow Your Arrow,” but I’m not going to post that for the aforementioned reasons. Many of you should also know her debut single “Merry Go ‘Round” which won a Grammy for Best Country Song in 2014.

Bio

From a 2013 interview with PrideSource, on her musical influences,

I’ve always loved Dolly Parton and I used to sing her songs when I was little. She’s a great storyteller and that’s probably where I got a lot of my influence from. I love Loretta Lynn and Willie Nelson and his truth telling. I love Glen Campbell and a lot of old-school country. I’m really all over the map, but the country I seem to like is a lot older.

From a 2013 interview with The Guardian, on her controversial lyrics,

“Certain kinds of people will always have an issue with my music,” says Musgraves. “But that’s fine, it’s OK. I don’t want to be the McDonald’s of music. I don’t want to not turn anyone off. If you were everybody’s cup of tea, you’d probably be boring.

“I don’t feel that the songs I sing and the music I make are very subversive, but I can see how it would be to some people,” she goes on. “The things I sing about are just what inspires me and what I’ve been exposed to in my life. It’s not like I’ve thought, Ooh, this is a button pusher!”

Kacey Musgraves (born August 21st, 1988, from Golden, Texas), grew up singing and songwriting. She sang western swing music in the clubs around Texas and listened to the aforementioned country artists, along with The Spice Girls and Tom Petty, among others. She dreamed of leaving Golden and eventually did, after placing seventh on Nashville Star in 2007, an experience for which she is glad few remember her. Kacey had self-released three albums before her appearance on the show. In 2008, while living in Austin, she was signed to independent label Triple Pop and recorded two songs, “Apologize” and “See You Again.” She eventually moved to Nashville and was signed to Mercury in 2012.

Kacey Musgraves has released two excellent, critically acclaimed albums, Same Trailer Different Park (2013), and Pageant Material (2015), along with a single called “The Trailer Song” (2014.) Additionally, she can be found singing backing vocals on Dierks Bentley’s 2013 single “Bourbon in Kentucky,” was featured on Josh Abbot Band’s 2011 single “Oh, Tonight,” and is credited with writing many other songs, including several for ABC’s Nashville. Same Trailer Different Park won a Grammy for Best Country Album in 2014, as well as an ACM for Album of the Year. Pageant Material is nominated for this year’s CMA Album of the Year. Kacey’s debut single, “Merry Go ‘Round,” won a Grammy for Best Country Song and charted inside the top ten on Billboard Country Airplay, a remarkable achievement for a woman, a debut single, and a song of such substance. “Merry Go ‘Round” has been certified platinum and “Follow Your Arrow” has been certified gold. “Follow Your Arrow” also became the 2014 CMA Song of the Year.

But it was “Follow Your Arrow,” as well as Pageant Material‘s lead single, “Biscuits,” that typecast her as the controversial singer who supports gay rights and/or anti-religious lyrics. “Follow Your Arrow” does exactly that, with its “Kiss lots of boys, or kiss lots of girls, if that’s what you’re into,”–but that’s not all Kacey is about. She’s been classified by many as the singer who supports casual sex, (“It is What it Is,”) homosexuality, (“Follow Your Arrow,”) anti-religious lyrics and/or lyrics concerning hypocrisy, (“Biscuits”), and smoking pot (“Follow Your Arrow,” “Pageant Material,”) and that’s drawn both criticism and praise. Many praise her for her outspoken, progressive values while others typecast her as only singing about these things and don’t even bother to check out the rest of her discography. That is highly unfortunate, especially if you claim to love country–Kacey is a traditional country artist if I ever heard one, and she shouldn’t be overlooked either because of her values or because of some ill-conceived belief that “controversy” is all she sings about. In fact, her current single, “Dime Store Cowgirl,” is the most personal and least socially controversial song Kacey has ever sent to radio, so hopefully it will get a chance.

Why Kacey Belongs on Country Radio

Kacey Musgraves started out with a top ten hit, but now she has been all but blacklisted from country radio. Why? She’s too “country.” She’s too “controversial.” She supports drug use, gay rights, etc. Well, for one, they played “Merry Go ‘Round” and that was country. Secondly, so she’s controversial…at least there’s something to her lyrics besides “calling dibs” on some “boy.” Thirdly, so it’s okay for Luke Bryan to promote “Strip it Down” on Tinder, for the bros to objectify women–and sing about casual sex, I might add–and for virtually everyone in mainstream country except Carrie Underwood to glorify excessive drinking, but Kacey Musgraves can’t talk about getting high? Talk about hypocrisy. And one more thing: Kacey Musgraves is actually doing something that radio programmers want to do–she’s bringing in a younger audience with her “controversial” brand of country. And guess what? Unlike the people coming to “country” through Kelsea Ballerini, the bros, Sam Hunt, and Taylor Swift–with some exception for early Taylor Swift–these people are being introduced to actual country. We traditionalists advocate balance. We don’t want everything to sound like Hank Williams and Loretta Lynn–we just want some actual country on country radio. Kacey Musgraves is an answer; she brings in a younger demographic while keeping her completely traditional sound.

Tracks I Recommend

For this, I’ll pick the standout tracks from each album separately, in order of awesomeness. I recommend both albums equally; each had highs and lows, and I listen to each one far too much.

Same Trailer, Different Park

1. “It Is What it Is”
2. “Merry Go ‘Round”
3. “Back on the Map”
4. “Silver Lining”
5. “I Miss You”
6. “Follow Your Arrow”
7. “Blowin’ Smoke”

Listen to album

Pageant Material

1. “Pageant Material”
2. “Good Ol’ Boys’ Club”
3. “Somebody to Love”
4. “Dime Store Cowgirl”
5. “Fine”

Listen to album

https://www.youtube.com/watch?v=XEFYCgAOe_s

This was the most country moment of last year’s CMA’s, complete with Loretta Lynn herself.

Commentary

The 49th Annual CMA Award Nominees, With Commentary

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The nominees are in, after
the CMA flipped off the entire genre by allowing Steven Tyler and Kelsea Ballerini to announce them this morning on Good Morning America. Here are the nominees, predictions, and some personal commentary.

Musician of the Year

Sam Bush (mandolin) [yes, apparently mandolins are still in country music somewhere, who knew?]
Jerry Douglas (dobro)
Paul Franklin (steel guitar) [see above comment about mandolin]
Dan Huff (guitar)
Mac McAnally (guitar)
Prediction: Mac McAnally–He has won for the past seven years, and I doubt many artists voting have much of an idea what a “mandolin,” “steel guitar,” or “dobro,” is, so Dan Huff is the only one with a shot of defeating him.
Preference: none

Music Video of the Year

Interestingly, this category is female-dominated…I guess in videos, females are okay.

“Biscuits”–Kacey Musgraves, directed by Marc Klasfeld
“Girl Crush”–Little Big Town, directed by Karla Welch and Matthew Welch
“Girl in a Country Song”–Maddie & Tae, directed by TK McKamy
“Little Red Wagon”–Miranda Lambert, directed by Trey Vanjoy
“Something in the Water”–Carrie Underwood, directed by Raj Kapoor
Prediction: “Girl in a Country Song”
Preference: “Girl in a Country Song”

Event of the Year

Django and Jimmie–Willie Nelson and Merle Haggard, Legacy Recordings [excellent]
“Lonely Tonight”–Blake Shelton featuring Ashley Monroe, Warner Bros./Warner Music Nashville [again, good job]
“Raise ’em Up”–Keith Urban featuring Eric Church, Hit Red Records/Capitol Records Nashville [decent]
“Smokin’ and Drinkin'”–Miranda Lambert featuring Little Big Town, RCA Nashville [no]
“Wild Child”–Kenny Chesney with Grace Potter, Blue Chair Records/Columbia Nashville [good]
Prediction: “Lonely Tonight”
Preference: Willie and Merle’s album would be a cool winner, but I’d be fine with “Lonely Tonight” as well.

Vocal Duo of the Year

Brothers Osborne [meh]
Dan + Shay [no]
Florida Georgia Line [God no]
Maddie & Tae [yes]
Thompson Square [no]
Prediction: Florida Georgia Line
Preference: Maddie and Tae
Note: This is FGL’s only nomination…bro country really has taken a hit. Too bad that the Sam Hunt style has come behind it.

Vocal Group of the Year

Lady Antebellum [no]
Little Big Town [meh]
Rascal Flatts [no]
The Band Perry [God no]
Zac Brown Band [not bad]
Prediction: Little Big Town
Preference: Blackberry Smoke? Out of these, I suppose Little Big Town will have to do.

New Artist of the Year

Kelsea Ballerini [no]
Sam Hunt [if he wins, I will never watch the CMA Awards again, I swear to you all]
Maddie & Tae [good]
Thomas Rhett [God no]
Chris Stapleton [shocking and good]
Prediction: Sam Hunt
Preference: Maddie & Tae or Chris Stapleton
Notes: Glad to see Stapleton with a nomination here, but if Sam Hunt wins this, as he undoubtedly will, my days of watching the CMA’s are done indefinitely.

Single of the Year

“American Kids”–Kenny Chesney, produced by Buddy Cannon and Kenny Chesney, Blue Chair Records/Columbia Nashville
“Girl Crush”–Little Big Town, produced by Jay Joyce, Capitol Records Nashville
“I Don’t Dance”–Lee Bryce, produced by Lee Bryce, Curb Records
“Take Your Time”–Sam Hunt, produced by Zach Crowell and Shane McAnally, MCA Nashville
“Talladega”–Eric Church, produced by Arturo Buenahora, EMI Nashville
Prediction: “Girl Crush” or “Take Your Time”
Preference: “Girl Crush”
Note: If “Take Your Time” wins here, while it would be insulting to country in general, at least it would be for commercial success. This is the one award that Sam Hunt could win that wouldn’t make me immediately throw up.

Song of the Year

“American Kids”–Rodney Klawson, Luke Laird, and Shane McAnally [no]
“Girl Crush”–Liz Rose, Lori McKenna, and Hillary Lindsey [ok]
“Like a Cowboy”–Randy Houser and Brice Long [no]
“Like a Wrecking Ball”–Eric Church and Kasey Beathard [hell no]
“Take Your Time”–Sam Hunt, Shane McAnally, and Josh Osborne [for the love of all that is holy]
Prediction: “Girl Crush”
Preference: Out of these, “Girl Crush” hands down. While I like all of them except “Take Your Time”–if that wins, above Sam Hunt rules apply–I could have thrown a rock and hit better Song of the Year nominees. Jason Isbell, Alan Jackson, Kacey Musgraves, Ashley Monroe, shall I go on?

Album of the Year

Old Boots, New Dirt–Jason Aldean, produced by Michael Knox, Broken Bow [no]
Pageant Material–Kacey Musgraves, produced by Kacey Musgraves, Luke Laird, and Shane McAnally, Mercury Nashville [excellent]
Painkiller–Little Big Town, produced by Jay Joyce, Capitol Records Nashville [no]
The Big Revival–Kenny Chesney, produced by Buddy Cannon and Kenny Chesney, Blue Chair Records/Columbia Nashville [no]
Traveller–Chris Stapleton, produced by Dave Cobb and Chris Stapleton, Mercury Nashville [excellent]
Prediction: Painkiller or Pageant Material
Preference: Pageant Material or Traveller
Note: Again, good to see Stapleton with a nomination, as well as Dave Cobb, who produced Jason Isbell and Lindi Ortega’s remarkable albums as well. The CMA might actually get it right here and vote in Pageant Material which would be a great selection, although there are other albums that deserve to be nominated along with it besides these.

Female Vocalist of the Year

Kelsea Ballerini [no]
Miranda Lambert [duh]
Kacey Musgraves [good]
Carrie Underwood [good]
LeeAnn Womack [lol]
Prediction: Miranda Lambert–I’m not an idiot.
Preference: Carrie Underwood
Note: Ashley Monroe should have at least a nomination here, especially if LeeAnn Womack is going to be name-dropped in here to fill a quota.

Male Vocalist of the Year

Dierks Bentley [great job CMA]
Eric Church [ok]
Luke Bryan [at this point, at least Sam Hunt wasn’t here]
Blake Shelton [ok]
Chris Stapleton [interesting]
Prediction: Luke Bryan or Dierks Bentley
Preference: Dierks Bentley–if he won this, I might actually be able to watch the CMA’s again even if Sam Hunt won something.

Entertainer of the Year

Garth Brooks [good]
Luke Bryan [to be expected]
Kenny Chesney [ok]
Eric Church [good]
Miranda Lambert [but she’s 20% of the category, so won’t the viewing audience drop drastically?]
Prediction: Luke Bryan or Garth Brooks
Preference: Garth Brooks

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Steven Tyler and Kelsea Ballerini To Reveal CMA Award Nominees

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I don’t know which of these names is more telling: Steven Tyler, the Aerosmith frontman who recently followed the trend of rockers “going country” with his single “Love is Your Name,” or Kelsea Ballerini, the label-made singer of straight pop “Love Me Like You Mean It” and female-bro-country single “Dibs.” Together, these two names perfectly sum up the current state of country music, and these two have been chosen by the Country Music Association to reveal the 2015 nominees for country music’s most prestigious honor. Tyler and Ballerini will announce the nominees in five categories live on Wednesday, September 9th, in New York City. The announcements will air on ABC’s Good Morning America, and Steven Tyler will perform the aforementioned “Love is Your Name.”

“When I was asked to announce the nominees for the ever-so-prestigious CMA Awards this year, I actually whispered, ‘They really want me?’ I’m just humbled by the open arms of the Country community and am honored to take part in this BIG moment,” said Tyler.

“I’ve grown up watching the CMA Awards and am such a fan of everything CMA does and represents,” said Ballerini. “To be able to announce the nominations for the Awards this year with THE Steven Tyler makes me beyond excited.”

First of all, Steven Tyler is right: it’s ever-so-prestigious, and having one country single should hardly qualify him for this. Secondly, I wonder if Kelsea Ballerini would be just as excited if she were to announce the nominees with THE George Strait…but I digress. The 49th annual CMA Awards will air live on ABC on Wednesday, November 4th.

Commentary

Random Thoughts of the Week: Luke Bryan Apologizes, Blake Shelton and Miranda Lambert Announce Divorce

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This column has previously been on Sundays, but this weekend I was moving so it comes late. However, since music is now being released on Friday, changing the times for album reviews, this column will move to Tuesdays starting next week.

Last week, I used the Random Thoughts column to rip apart Luke Bryan for his disparaging comments about outlaw country, as well as his mischaracterization of Waylon Jennings, Willie Nelson, and Merle Haggard. Since then, Luke has called the families of Waylon and Merle to personally apologize for his actions. Both Shooter Jennings and Ben Haggard have come forward publicly about this to say basically that this is water under the bridge, and that Luke did an honorable thing by apologizing privately. I happen to agree. Whether he meant to disparage them or not, he proved by apologizing personally that he truly cared about how it affected them. he had already tried to repair his public image on Twitter–and that is all most artists would have done. Regardless of my opinion of Luke or his music, this was a very classy thing. Last week, my post was entitled “What Happened to the Class in Country?” and this was Luke showing he still has some.

Earlier today, (July 20th), Blake Shelton and Miranda Lambert released a statement announcing their divorce. They said this was not the future they had “envisioned” and added that “it is with heavy hearts that we move forward separately.” The statement continued, “We are real people, with real lives, with real families, friends, and colleagues. Therefore, we kindly ask for privacy and compassion concerning this very personal matter.” In respect to them, we should not, and I will not, seek to decipher what led to the divorce. However, I do wonder how it will affect their careers. Will Blake Shelton lose some relevancy? He gained much more radio relevancy when he married Miranda, although this was also around the time he started on “The Voice,” which certainly played a role. If this had happened a few years ago, he might have been in trouble, but now, with the male-dominated radio waves and his job on “The Voice,” I think he will not be affected, but who knows? Miranda could continue to lose airplay as well–she is a female and that is an automatic strike against her, and now she won’t be married to Blake, so radio will probably give her less of a chance. Their dominance at the ACM and CMA Awards will certainly end, and Carrie Underwood will have a well-deserved shot at Top Female Vocalist. Personally, I hope neither of their careers is seriously hurt, but I prefer Miranda over Blake, and I would hate to see one less female on the radio because she lost her “ticket.” As I mentioned, I will not speculate on what led to the divorce, but we all know if cheating was indeed involved–as many gossip sites would have us believe–Miranda will put it in her next album. However, their privacy should be respected. Just because we hear their music and see Blake on TV does not mean their lives should be put under a microscope.

Tomato of the Week: Ashley Monroe

Her new album comes out Friday–I have been waiting for this since her last album–so what better day to feature her? Here’s the lead single from the new album, The Blade

Random Country Suggestion: Miranda Lambert and Blake Shelton, “Better in the Long Run”

A song from happier times–incidentally, co-written by our featured female Ashley Monroe.

Non-Country Suggestion: Taylor Swift, 1989

I’m late to the party on this, as I could not stand Taylor’s previous album Red attempting to be both pop and country and thus failing at both. However, I recently bought 1989 and now that she is not pretending and is embracing a pop sound, Taylor is better than she ever was in country. If you like pop, give it a listen.

Listen to 1989

That’s all for this week’s Random Thoughts!