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Billboard Country Airplay and Country Albums Chart (August 15th)

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Billboard Country Airplay

1. Luke Bryan–“Kick the Dust Up” (up 3) [really?]
2. Michael Ray–“Kiss You in the Morning” (up 1) [again, really?]
3. Frankie Ballard–“Young and Crazy” (up 3)
4. Zac Brown Band–“Loving You Easy” (up 1)
5. Brantley Gilbert–“One Hell of an Amen” (down 4)
6. Jason Aldean–“Tonight Looks Good on You” (down 4)
7. Dustin Lynch–“Hell of a Night”
8. Sam Hunt–“House Party”
9. Thomas Rhett–“Crash and Burn” (up 2)
10. Chris Janson–“Buy Me a Boat” (up 2)
11. Brett Eldredge–“Lose My Mind” (up 3)
12. Keith Urban–“John Cougar, John Deere, John 3:16” (up 1)
13. Eric Church–“Like a Wrecking Ball” (up 2)
14. Kenny Chesney–“Save It for a Rainy Day” (up 3)
15. Maddie & Tae–“Fly” (up 1)
16. Chase Rice–“Gonna Wanna Tonight” (up 3)
17. Jake Owen–“Real Life” (up 1)
18. Cole Swindell–“Let Me See Ya Girl” (up 3)
19. Florida Georgia Line–“Anything Goes” (up 3)
20. Dan + Shay–“Nothin’ Like You” (up 5) [biggest gainer]
21. Kip Moore–“I’m to Blame” (down 1)
22. Old Dominion–“Break up With Him” (up 1)
23. Lady Antebellum–“Long Stretch of Love” (up 2)
24. Cam–“Burning House” (up 2)
25. Big & Rich–“Run Away With You” (up 2)
26. Brothers Osborne–“Stay a Little Longer” (up 2)
27. Parmalee–“Already Callin’ You Mine” (up 2)
28. Chris Young–“I’m Comin’ Over” (up 2)
29. Jana Kramer–“I Got the Boy” (entering top 30)
30. Hunter Hayes–“21” (entering top 30)

  • new No. 1: “Kick the Dust Up”
  • next week’s No. 1 prediction: “Kiss You in the Morning”
  • Luke Bryan and Michael Ray have albums coming out Friday, and they have the No. 1 and No. 2 slots…how convenient
  • once again, a good song (Jana Kramer) enters the top 30 and is balanced by crap (Hunter Hayes)
  • Brad Paisley’s “Crushin’ It” and Canaan Smith’s “Love You Like That” fell from No. 9 and No. 10, respectively, to out of the top 30

Billboard Top Country Albums

1. Alan Jackson–Angels and Alcohol
2. Ashley Monroe–The Blade [debut]
3. Sam Hunt–Montevallo
4. Jason Isbell–Something More Than Free
5. Zac Brown Band–Jekyll + Hyde
6. Eric Church–The Outsiders
7. Little Big Town–Painkiller
8. Jason Aldean–Old Boots, New Dirt
9. Brantley Gilbert–Just as I Am
10. Florida Georgia Line–Anything Goes
11. Kacey Musgraves–Pageant Material
12. Various Artists–Now That’s What I Call Country, Volume 8
13. Luke Bryan–Crash My Party
14. Willie Nelson/Merle Haggard–Django and Jimmie
15. Chase Rice–Ignite the Night
16. Luke Bryan–Spring Break…Checkin’ Out
17. Zac Brown Band–Greatest Hits So Far…
18. Easton Corbin–About to Get Real
19. Cole Swindell–Cole Swindell
20. Kenny Chesney–The Big Revival
21. Big Smo–Bringin’ It Home (EP)
22. Blake Shelton–Bringing Back the Sunshine
23. Carrie Underwood–Greatest Hits: Decade #1
24. Miranda Lambert–Platinum
25. Kelsea Ballerini–The First Time

  • Alan Jackson’s Angels and Alcohol hits No. 1 after all
  • Ashley Monroe’s mostly great album The Blade debuts at No. 2
  • Luke Bryan will probably have three albums on this chart next week…
  • if Sam Hunt weren’t in the way, this would be the best top five albums I’ve seen in awhile…sadly, he is infecting it
  • who is buying these Now That’s What I Call Country albums???

Source: Billboard

Female Fridays

Female Fridays: Featuring Angaleena Presley

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Last week, I featured her fellow Pistol Annie Ashley Monroe, so this week I thought I would introduce Angaleena Presley.

How You Might Know Angaleena

As mentioned above, she was a member of the Pistol Annies, along with Miranda Lambert and Ashley Monroe.

https://www.youtube.com/watch?v=xFoENYqPXpA

Bio

Angaleena Presley’s career has been considerably shorter than those of my previously featured females, so naturally her bio would be shorter. However, while digging for Angaleena info–I also knew less about her than the others I have featured–I found two things that together paint a far better and more accurate picture of the Angaleena I listen to than a long list of facts about her career ever could. From Angaleena’s Web site:

If there’s a pedigree for a modern country music star, then Angaleena Presley fits all of the criteria: a coal miner’s daughter; native of Beauty, Kentucky; a direct descendent of the original feuding McCoys; a one-time single mother; a graduate of both the school of hard knocks and college; a former cashier at both Wal-Mart and Winn-Dixie. Perhaps best of all the member of Platinum-selling Pistol Annies (with Miranda Lambert and Ashley Monroe) says she “doesn’t know how to not tell the truth”

From an interview with Rolling Stone, in reference to her musical influences:

When I was in college, I was in my dorm and I heard Patty Griffin singing “Sweet Lorraine.” I rose up and was like, “Whoa, she just said a bad word!” Loretta Lynn, she was forthcoming in her songs, but Patty Griffin was just like, “This is how it was: ‘My dad called me a [slut] and [a whore] on my wedding day.'” It opened some kind of Pandora’s box in my creative psyche. I think about a month later I wrote the first song that I thought, “OK, I think I might have something here.”

Angaleena Presley (born September 1st, 1976 in Martin County, Kentucky, and raised in beauty, Kentucky), has indeed gained a reputation for telling “the truth” in her songwriting. After graduating from Eastern Kentucky University, she moved to Nashville in 2000 and soon gained a publishing deal. Through her publisher, she later met Ashley Monroe, which would eventually pay off–but not until 2011, with the formation of the Pistol Annies. As I mentioned last week, they released two excellent albums, Hell on Heels (2011) and Annie Up (2013.) I have already introduced Ashley and Angaleena, and everyone knows Miranda, but I have debated doing an entire Female Friday with Pistol Annies as well, as their music is remarkable in its own right. One of my biggest disappointments last year was the news that Pistol Annies had broken up.

However, the breakup of the Annies was mostly due to the revival of Ashley’s solo career and the beginning of Angaleena’s. Angaleena’s debut album, American Middle Class, was released on October 14, 2014, under Slate Creek Records. It is a traditional country album with some elements of blues and bluegrass mixed in here and there. It does indeed tell the “truth,” containing songs about pregnancy, drug abuse, the bad economy, etc. The album was met with much critical acclaim, and Angaleena finally proved that she could succeed on her own just as Ashley and Miranda had done.

Why Angaleena Belongs on Country Radio

While I do not feel that she is “radio ready” in this current climate like the other women I have featured–they all have songs that lean slightly toward pop country or rock country–she would be ideal for radio if it actually played country instead of everything else. She would benefit if country split into different genres or if Americana started gaining a wider influence and stealing more country artists (this is the direction Kacey Musgraves is heading.) She is a modern day Loretta Lynn, penning songs about real life that she actually lived. I read the quote from her site above and immediately her songs and songs she wrote for Pistol Annies come to mind. She was a coal miner’s daughter from Kentucky, (“American Middle Class” and “Dry County Blues,”) a single mother (“Trading One Heartbreak for Another” and “Housewife’s Prayer” by Pistol Annies and her own song “Drunk,”) a cashier (“Grocery Store,”) etc. I’ll be honest here and say that she was an acquired taste for me both in the Annies and as a solo artist, but there is no question she is a talented singer and songwriter and deserves more recognition. I will also say that while I just described her as an acquired taste, I am glad I took the time to acquire it, because I truly enjoy Angaleena Presley music and am looking forward to her sophomore album.

Tracks I Recommend

Last week, I didn’t want to pick apart Ashley Monroe’s excellent album Like a Rose, feeling that to do so would be a disservice. Many would say the same about the picking apart of Angaleena’s American Middle Class as well. So before I do it, I will say that if you like more twang and/or bluegrass influence, you will like the whole album. There is not a bad song on it lyrically. The purpose of this highlighting of tracks is more to ease newcomers into Angaleena’s style.

1. American Middle Class–American Middle Class
2. Better off Red–American Middle Class
3. All I Ever Wanted–American Middle Class
4. Life of the Party–American Middle Class
5. Drunk–American Middle Class

Listen to American Middle Class

Also, if you are a Texas country fan like me, you should check out JB and the Moonshine Band’s “Black and White” featuring Angaleena Presley. There doesn’t seem to be a YouTube video of that, or I’d post it here. But it’s worth a listen, especially if you don’t end up liking Angaleena’s style.

charts

Billboard Country Airplay and Country Albums Chart (August 8th)

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Billboard Country Airplay

1. Brantley Gilbert–“One Hell of an Amen” (up 1)
2. Jason Aldean–“Tonight Looks Good on You” (down 1)
3. Michael Ray–“Kiss you in the Morning” (up 1)
4. Luke Bryan–“Kick the Dust up” (up 2)
5. Zac Brown Band–“Loving You Easy” (up 4)
6. Frankie Ballard–“Young and Crazy” (up 2)
7. Dustin Lynch–“Hell of a Night” (up 5)
8. Sam Hunt–“House Party” (up 3)
9. Brad Paisley–“Crushin’ It” (up 1)
10. Canaan Smith–“Love you Like That” (down 5)
11. Thomas Rhett–“Crash and Burn” (up 2)
12. Chris Janson–“Buy me a Boat” (up 3)
13. Keith Urban–“John Cougar, John Deere, John 3:16” (up 4)
14. Brett Eldredge–“Lose my Mind” (up 2)
15. Eric Church–“Like a Wrecking Ball” (down 1)
16. Maddie & Tae–“Fly” (up 3)
17. Kenny Chesney–“Save it for a Rainy Day” (up 6) [biggest gainer]
18. Jake Owen–“Real Life” (up 2)
19. Chase Rice–“Gonna Wanna Tonight” (down 1)
20. Kip Moore–“I’m to Blame” (up 2)
21. Cole Swindell–“Let me See ya Girl”
22. Florida Georgia Line–“Anything Goes” (up 5)
23. Old Dominion–“Break up With Him” (up 1)
24. Lady Antebellum–“Long Stretch of Love” (up 2)
25. Dan + Shay–“Nothin’ Like You”
26. Cam–“Burning House” (up 2)
27. Big & Rich–“Run Away With You” (up 2)
28. Brothers Osborne–“Stay a Little Longer” (up 2)
29. Parmalee–“Already Callin’ You Mine” (entering top 30)
30. Chris Young–“I’m Comin’ Over” (entering top 30)

  • new No. 1: “one Hell of an Amen”
  • next week’s No. 1 prediction: “Kiss You in the Morning”
  • Little Big Town’s “Girl Crush” and Blake Shelton’s “Sangria” fell from No. 3 and No. 7, respectively, to out of the top 30
  • an actual good song enters the top 30 (Chris Young) but is balanced by crap entering as well (Parmalee)

Billboard Top Country Albums

1. Jason Isbell–Something More Than Free [debut]
2. Alan Jackson–Angels and Alcohol [debut]
3. Sam Hunt–Montevallo
4. Zac Brown Band–Jekyll + Hyde
5. Eric Church–The Outsiders
6. Little Big Town–Painkiller
7. Kacey Musgraves–Pageant Material
8. Various Artists–Now That’s What I Call Country, Volume 8
9. Jason Aldean–Old Boots, New Dirt
10. Brantley Gilbert–Just as I Am
11. Florida Georgia Line–Anything Goes
12. Willie Nelson/Merle Haggard–Django and Jimmie
13. Moonshine Bandits–Blacked Out [debut]
14. Luke Bryan–Crash my Party
15. Easton Corbin–About to Get Real
16. Chase Rice–Ignite The Night
17. Luke Bryan–Spring Break…Checkin’ Out
18. Lee Bryce–Mixtape: ‘Til Summer’s Gone (EP)
19. Kenny Chesney–The Big Revival
20. Cole Swindell–Cole Swindell
21. Carrie Underwood–Greatest Hits: Decade #1
22. Zac Brown Band–Greatest Hits So Far…
23. Blake Shelton–Bringing Back the Sunshine
24. Tim McGraw–35 Biggest Hits
25. Miranda Lambert–Platinum

  • Jason Isbell and Alan Jackson score a huge victory for country music by taking the No. 1 and No. 2 spots this week
  • Canaan Smith and Kelsea Ballerini are no longer in the top 25…Kelsea’s album came out on May 19th, and Canaan’s came out on June 23rd…look at their staying power
  • after a long absence, Miranda Lambert’s Platinum is in the top 25 again this week

Source: Billboard

Commentary

Random Thoughts of the Week: Jason Isbell and Alan Jackson Prove Quality is Worth More Than Airplay

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Congratulations to Jason Isbell and Alan Jackson, who have claimed the No. 1 and No. 2 spots, respectively, on the Billboard Top Country Albums chart. Both released excellent albums–I reviewed them both here on Country Exclusive–on July 17th, the first Friday release date for albums in North America. Jackson’s Angels and Alcohol was a traditional album by a country veteran, released on a major label. Isbell’s Something More Than Free was an Americana/Southern rock/folk/country blend marked by excellent songwriting, released independently. Musically, these albums were polar opposites–well, as opposite as two albums can be within the same genre. While they both had great songwriting, the content on their albums was quite different, and their ways of storytelling and crafting lyrics aren’t similar either.

So what did these two albums have in common? Musically, although different, each had a distinct country sound. As I have mentioned, each contained quality music marked with great songwriting. I gave each album a 9 when I reviewed them. Each contained many songs written solely by the artist. This is especially surprising in Jackson’s case, considering that most mainstream songs are written by at least three people these days. (It takes at least three to write crap about a dirt road, but one can write good music?) Jackson wrote seven of the ten tracks on his album. Isbell’s songwriting is something he has been praised for and something I discussed at length in his review; for him to write the material on his album, however, is not as unusual because he is an independent artist.

But, wait…there’s something else glaringly obvious these two albums have in common. Neither has had five minutes of radio support. Jackson has had a little and may have more with a future single, but he has not had airplay comparative to what he should have with the No. 2 album in the country. Isbell isn’t getting airplay at all and yet has managed to beat Jackson by less than 500 units after a fight that came down to the wire. Both albums sold over 46,000 copies.

And here I thought if you weren’t on country radio, you didn’t exist. If you were living under a rock in February, that is what Gary Overton, CEO of Sony Music Nashville, who was later fired, infamously told The Tennessean–“If you’re not on country radio, you don’t exist.” Overton’s comments were the cause of an uproar from Texas artists such as Aaron Watson who, after claiming the No. 1 album that very week, noted, “My name is Aaron Watson. I’m not played on country radio. And I have the #1 record in country music this week. I do exist.” Aaron Watson went to settle the matter with Bobby Bones and, in a strange turn of events, was told that he was being “disrespectful to women” for calling a producer “sweetheart.” This led to an epic online rant from Texas artist Charlie Robison–too long to post here–which in turn led to Florida Georgia Line’s tweet that they had “lost a lot of respect” for Robison. His reply was, “How do you lose respect for someone who doesn’t exist?”

Overton’s comments were overshadowed by the idiocy of Keith Hill in May, but they shouldn’t be overlooked. Alan Jackson and Jason Isbell certainly exist–and there is a silent majority out there buying their albums saying they’d rather search the Internet and streaming services to find good music than listen to what is offered on radio. Kacey Musgraves has been all but blacklisted on country radio, and she has held her position on the chart, debuting at No. 1 quietly. We may also see this next week with Ashley Monroe–fingers crossed–whom I have never heard on the radio. Willie Nelson and Merle Haggard don’t get played anymore, and their album Django and Jimmie has had no problem staying in the top ten, while radio-supported Billy Currington, Canaan Smith, Kelsea Ballerini, and Easton Corbin struggle to keep their places on the charts. What would happen if they lost radio support? How long will country radio ignore the numbers? Maybe they can ignore a bunch of traditionalists griping on blogs, but It’s not just people griping on blogs anymore, it’s on the charts now.

Tomato of the Week: Angaleena Presley

As I featured her fellow Pistol Annie Ashley Monroe last week, I thought it fitting that she should be this week. Check out her article on Female Friday!

Random Country Suggestion: Zac Brown Band–“Bittersweet”

Great song off their new album, Jekyll + Hyde. It should be a future single.

https://www.youtube.com/watch?v=PPvyfLtlI-A

Non-Country Suggestion: Chris Tomlin–Love Ran Red

I often post pop music here, but as I’ve mentioned before, I like a little of everything, and I like some Christian music too. If you don’t like Christian music, don’t listen. If you do, you are probably familiar with Chris Tomlin, and his work speaks for itself. He is the Strait or Jackson in the Christian world that just keeps releasing good music, and his latest album is no different.

Listen to Love Ran Red

That’s all for this week’s Random Thoughts!

Reviews

Album Review: Ashley Monroe–The Blade

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Rating: 8.5/10

If you have read Female Fridays, you already know how I felt about Ashley Monroe up to this point. Her previous album, 2013’s Like a Rose, was one of my favorite albums of the past five years, and I have been wanting to hear more music from her ever since. Like a Rose would have gotten a ten. So, as you can see, The Blade, while still good, did not quite live up to my expectations of Ashley Monroe. This was a very hard review for me to do, because there were individual songs that were tens to me, but unlike the last album, they stood out among other songs that were not as great. I will point out the stand-out tens as I go.

The album opens with the lead single, “On to Something Good,” which is actually my least favorite song on The Blade. It was not a great choice for a single and does not reflect the album as a whole. It is a pop country song, which is a new sound for Ashley after the entirely traditional Like a Rose, but this is to be expected after “Lonely Tonight”‘s success. The song itself is basically about moving on from hard times and finding the good things in life. I will say it took me severl listens to get this out of the song, as the lyrics are extremely vague and not Ashley Monroe quality. Next is “I Buried Your Love Alive,” another pop country song, this time dealing with heartbreak and “a memory I can’t kill.” This suits Ashley’s voice more, although the instrumentation draws you a little away from her voice, which should never happen. Ashley Monroe’s voice should always be the focal point in her songs. Next is “Bombshell,” and here the pop country sound that worked for Ashley in “Lonely Tonight” finally works again. This is a great song about finding the right time to “drop a bombshell” and leave someone. For me, this song itself is a ten.

Next is “Weight of the Load,” a Monroe co-write with Vince Gill, who as I mentioned in Female Fridays also had a hand in producing the album. This song is surprisingly mediocre for an Ashley Monroe and Vince Gill co-write–it’s not a bad song, I just expected more. It’s another pop country song about helping a partner shoulder life’s burdens. I could easily picture Kacey Musgraves singing it, and she would have probably arranged it more traditionally, so it would have been better. “The Blade” is another ten for me–a heartbreak song featuring a great melody, prominent piano play, and lyrics that paint a perfect picture. Ashley sings, of the broken relationship, “You caught it by the handle, and I caught it by the blade.” Incidentally, that’s Miranda Lambert on backing vocals.

“Winning Streak” is a fun, upbeat song where I focused more on the piano than the lyrics. Ashley sings, “If losing’s a game, I’m on a winning streak.” This would get played on radio if radio was country…right. “From Time to Time” tooke me a couple listens, but it’s one of my favorites now. I hesitate to give it a ten because it did take me a couple times, but this autobiographical song is one that can really connect if you listen. Ashley mentions the “tenth of September” in the opening line as the character’s birthday, and so I knew she was addressing herself. She is telling her younger self that someday everything will be fine, but that it is all right to remember. If I hadn’t caught the “tenth of September” line, I admit I would probably be confused about this song and/or think it was a generic song, but knowing it is autobiographical helps it a lot.

“If Love Was Fair” is a pop country song that I feel doesn’t work for Ashley. The song focuses too much on rhythm and not enough on her voice or the lyrics. It could have been a better song, but it is actually pretty forgettable. Following this is “Has Anybody Ever Told You,” a love song that goes back to traditional country and does feature Ashley’s beautiful voice, which actually hurts “If Love Was Fair” even more. Next is “Dixie,” which immediately makes you think it will be another ode to the South. The opening line begins with, “If I ever get out of Dixie” and we are hit with lines like “I’m so tired of payin’, prayin’ for my sins, Lord, get me out of Dixieland, in Jesus’s name, amen.” This song should get a twelve. The lyrics are great, the instrumentation is great, and the fact that a country singer had the audacity to cut this gives it extra credit–not to mention it has the deceivingly innocent title “Dixie.”

Next is “If the Devil Don’t Want Me,” another ten. It’s a traditional country song that asks where she’ll go if the devil doesn’t want her and she can’t see the light. “May Flowers” is a pretty good traditional country love song, and maybe I’m the only one, but this song gets on my nerves because I hear Merle Haggard’s “If We Make it Through December” in the music and melody. The album ends with the excellent “I’m Good at Leavin’,” a co-write with Miranda Lambert about being the woman who is good at walking away rather than staying at home and being a wife.

There were a lot of great tracks on this album, but it fell short of a ten because there were mediocre tracks mixed in. So, not as awesome as Like a Rose, but definitely worth checking out.

Listen to Album